Poker faces and smooth operators: The social space for women professionals in the Finnish screen industry in financing negotiations

IF 0.1 0 FILM, RADIO, TELEVISION
Nina Maskulin, Raija Talvio
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引用次数: 0

Abstract

The article examines the positions of professional women in negotiations for early development in Finnish film and television production. According to recent studies, closed evaluation practices exclude women professionals and narrow the diversity of women’s representations and narratives on screen. We argue that women in the Finnish screen industry encounter prolonged psychological and economic constraints during their active careers. We analyse the qualitative data of 40 active professional women using Pierre Bourdieu’s concepts of social space and symbolic power. We find that gender-based economic harm is constructed and implemented in the discourses of the institutionalized undervaluation of professional women’s work. Three recurring discourses shape the practice of decision-making in early development and position women professionals on the margins of the social space of the Finnish screen industry. The analysis illustrates the construction of gendered symbolic power in the Finnish screen industry that can be developed and applied to other national contexts.
扑克脸,流畅操作:芬兰影视行业女性专业人士融资谈判的社交空间
本文考察了职业妇女在芬兰影视制作早期发展谈判中的地位。根据最近的研究,封闭的评价做法将女性专业人士排除在外,并缩小了银幕上女性表现和叙事的多样性。我们认为,芬兰电影行业的女性在她们活跃的职业生涯中遇到了长期的心理和经济限制。我们运用布迪厄的社会空间和象征权力的概念,分析了40名在职职业女性的定性数据。我们发现,基于性别的经济伤害是在对职业女性工作的制度化低估的话语中构建和实施的。三种反复出现的话语塑造了早期发展中的决策实践,并将女性专业人员置于芬兰屏幕工业社会空间的边缘。这一分析说明了芬兰电影工业中性别象征权力的建构可以发展并应用于其他国家语境。
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来源期刊
Journal of Scandinavian Cinema
Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
33.30%
发文量
8
期刊介绍: Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.
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