{"title":"莫妮卡·泽特伦德:早期瑞典电视中的爵士乐","authors":"Tytti Soila","doi":"10.1386/jsca_00056_1","DOIUrl":null,"url":null,"abstract":"Following Miriam Hansen’s writings about the popular cinema, this study presents a hypothesis that the new medium of television in 1960s Sweden may be a form of ‘cultural horizon’ that enables multiple understandings and thus contributes to the popularity of the medium.\n The study focuses on a number of programmes where one of the most popular Swedish artists of the period, the jazz singer Monica Zetterlund, appears in performance. When these programmes are juxtaposed, contradictory features emerge that I suggest are pieces of a cultural horizon described\n by Hansen ‐ high/low, modern/traditional and international/vernacular ‐ that contributed to the evolution of Swedish television.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Featuring Monica Zetterlund: Jazz in early Swedish television\",\"authors\":\"Tytti Soila\",\"doi\":\"10.1386/jsca_00056_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Following Miriam Hansen’s writings about the popular cinema, this study presents a hypothesis that the new medium of television in 1960s Sweden may be a form of ‘cultural horizon’ that enables multiple understandings and thus contributes to the popularity of the medium.\\n The study focuses on a number of programmes where one of the most popular Swedish artists of the period, the jazz singer Monica Zetterlund, appears in performance. When these programmes are juxtaposed, contradictory features emerge that I suggest are pieces of a cultural horizon described\\n by Hansen ‐ high/low, modern/traditional and international/vernacular ‐ that contributed to the evolution of Swedish television.\",\"PeriodicalId\":42248,\"journal\":{\"name\":\"Journal of Scandinavian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Scandinavian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jsca_00056_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Scandinavian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jsca_00056_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Featuring Monica Zetterlund: Jazz in early Swedish television
Following Miriam Hansen’s writings about the popular cinema, this study presents a hypothesis that the new medium of television in 1960s Sweden may be a form of ‘cultural horizon’ that enables multiple understandings and thus contributes to the popularity of the medium.
The study focuses on a number of programmes where one of the most popular Swedish artists of the period, the jazz singer Monica Zetterlund, appears in performance. When these programmes are juxtaposed, contradictory features emerge that I suggest are pieces of a cultural horizon described
by Hansen ‐ high/low, modern/traditional and international/vernacular ‐ that contributed to the evolution of Swedish television.
期刊介绍:
Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.