发布求助
文献互助 智能选刊 最新文献

Journal of Scandinavian Cinema最新文献

筛选
英文 中文
Dream weaving and sonic metalepsis in Jan Troell’s Land of Dreams 简·特罗尔的《梦之国》中的梦境编织和声音幻觉
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00051_1
Alexis Luko
{"title":"Dream weaving and sonic metalepsis in Jan Troell’s Land of Dreams","authors":"Alexis Luko","doi":"10.1386/jsca_00051_1","DOIUrl":"https://doi.org/10.1386/jsca_00051_1","url":null,"abstract":"Jan Troell’s Sagolandet (Land of Dreams) (1988) presents itself as a documentary about 1980s Swedish society, but is also a film about filmmaking, the imagination, memory and autobiography. The film has multiple narrative levels: interviews, home movie footage, autobiographical\u0000 anecdotes and imaginative sequences. Commentary and guiding themes are drawn from the theories of psychoanalyst Rollo May. These strata and themes have associated musical motifs and/or sound effects, which, as the film progresses, serve as an ontological bridge between the different strata.\u0000 Land of Dreams is structured as both a multistrand and multiform narrative with the intercutting of multiple stories with multiple protagonists (multistrand) mixed with dream worlds and internal-subjective perspectives of Troell (multiform). The different narrative strata invite metalepsis,\u0000 a type of narrative ‘transgression’ that occurs across the boundaries of distinct narrative worlds. In Land of Dreams, voice, music and sound effects act as metaleptic agents, transgressing different strata through four interrelated techniques: (1) metaleptic ‘i-voices’;\u0000 (2) musical structures made up of ironic and disjunctive musical textures; (3) musical motifs transgressing narrative and ontological boundaries and (4) musical metaleptic warps. Musical metalepsis in Land of Dreams functions in a way that is emblematic of how political decisions and\u0000 public policy infiltrate the private sphere, human consciousness and even dreams of the future.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46098700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Editorial 社论
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00050_2
Anders Marklund
{"title":"Editorial","authors":"Anders Marklund","doi":"10.1386/jsca_00050_2","DOIUrl":"https://doi.org/10.1386/jsca_00050_2","url":null,"abstract":"","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47653096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between Sweden and the world: Documentary films about ABBA’s international success 在瑞典和世界之间:关于ABBA国际成功的纪录片
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00057_1
E. Mazierska
{"title":"Between Sweden and the world: Documentary films about ABBA’s international success","authors":"E. Mazierska","doi":"10.1386/jsca_00057_1","DOIUrl":"https://doi.org/10.1386/jsca_00057_1","url":null,"abstract":"This article examines the phenomenon of ABBA, the most popular band ever to originate in Sweden, as accounted for in four documentaries, used to compare domestic and foreign responses to ABBA. Discussion draws on the concept of authenticity as formulated by Allan Moore, arguing that\u0000 authenticity is not located in the music itself, but in the relationship between the artists and their audience. Analysis also considers the authenticity of the documentary form.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49172287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sonja: The White Swan: Music as narrative device 索尼娅:《白天鹅》:音乐作为叙事手段
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00053_1
S. Azatyan
{"title":"Sonja: The White Swan: Music as narrative device","authors":"S. Azatyan","doi":"10.1386/jsca_00053_1","DOIUrl":"https://doi.org/10.1386/jsca_00053_1","url":null,"abstract":"Anne Sewitsky’s biopic Sonja (Sonja: The White Swan) (2018) is an example of authorial intervention that prioritizes a character-centred narrative rather than historical context. The article focuses on the musical score and the contemporary pop songs that contribute\u0000 to building the psychological‐emotional portrait of Norwegian-born Sonja Henie, champion figure skater and Hollywood star. In Sewitsky’s narrative strategy, non-diegetic music, sometimes deployed anachronistically, is used both to comment on the protagonist’s motivations\u0000 and behaviour and to express her inner states of mind. By foregrounding Henie’s psyche through music, the film balances her negative and positive sides and presents her as complex and sometimes contradictory individual.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48930152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Documentary filmmakers confront trauma: An interview with Marianne Hougen-Moraga and Estephan Wagner 纪录片制作人面对创伤：Marianne Hougen Moraga和Estephan Wagner访谈
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00052_7
Grzegorz Ziółkowski
{"title":"Documentary filmmakers confront trauma: An interview with Marianne Hougen-Moraga and Estephan Wagner","authors":"Grzegorz Ziółkowski","doi":"10.1386/jsca_00052_7","DOIUrl":"https://doi.org/10.1386/jsca_00052_7","url":null,"abstract":"The article features an interview with Copenhagen-based filmmakers Marianne Hougen-Moraga and Estephan Wagner, directors of Songs of Repression (2020), the latest documentary film to tackle Colonia Dignidad, a sectarian German enclave founded in Chile in 1961. The dialogue revolves\u0000 around the film, but it also illuminates some general problems documentarians must face when encountering trauma, among them ethical responsibilities towards protagonists and narrative strategies to employ. The interview is preceded by an introduction that sketches background information on\u0000 the notorious colony, explains how the film originated, examines the role of music ‐ a central motif of the film ‐ for Colonia’s functioning and situates the work in a wider context of documentaries that confront human rights abuses. The political, religious and moral complexities\u0000 of Colonia Dignidad are salient because they point to the way the inadequacy or total absence of processes of redress and reconciliation may ultimately prompt the re-emergence or re-establishment of sinister practices.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45340471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction 介绍
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI: 10.1386/jsca_00054_2
Anders Marklund, Ewa Mazierska
{"title":"Introduction","authors":"Anders Marklund, Ewa Mazierska","doi":"10.1386/jsca_00054_2","DOIUrl":"https://doi.org/10.1386/jsca_00054_2","url":null,"abstract":"","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44988457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Battleship Femininity’ deconstructed: Unmasking the myth of Eva Dahlbeck and Ingmar Bergman 解构“战舰女性”：揭开伊娃·达尔贝克和英格玛·伯格曼的神话
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-06-01 DOI: 10.1386/jsca_00049_1
Saki Kobayashi
{"title":"‘Battleship Femininity’ deconstructed: Unmasking the myth of Eva Dahlbeck and Ingmar Bergman","authors":"Saki Kobayashi","doi":"10.1386/jsca_00049_1","DOIUrl":"https://doi.org/10.1386/jsca_00049_1","url":null,"abstract":"The Swedish film star Eva Dahlbeck (1920‐2008) is now remembered mainly for her contributions to Ingmar Bergman’s comedies in the 1950s. The epithet ‘Pansarskeppet kvinnligheten’ (‘Battleship Femininity’), allegedly given to her by the director,\u0000 has integrated her stardom into the myth-making process driven by Bergman and the press. This can erroneously give him sole credit for Dahlbeck’s fame despite her already established star status. To reconsider such an auteurist misconception, this article examines Dahlbeck’s stardom\u0000 from 1946 to 1956, drawing on Richard Dyer’s seminal theorization of a film star as a media construction. By analysing Dahlbeck’s star image and its relationship to three characters she plays in Bergman’s films, the article situates these films in the dynamics formed by diverse\u0000 media texts and elucidates their historical and cultural context while also providing a case study of film stardom in post-war Sweden.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49296543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Involuntary Dogme restrictions: Orca and COVID-19 screen culture 非自愿多格限制：奥卡和新冠肺炎屏幕文化
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-06-01 DOI: 10.1386/jsca_00048_1
Maaret Koskinen
{"title":"Involuntary Dogme restrictions: Orca and COVID-19 screen culture","authors":"Maaret Koskinen","doi":"10.1386/jsca_00048_1","DOIUrl":"https://doi.org/10.1386/jsca_00048_1","url":null,"abstract":"The Swedish film Orca (2020) was both conceived and produced during COVID-19. As such, it is also about the pandemic and its own becoming. Making use of the proliferation of current screen cultures, including the split screen, writer and director Josephine Bornebusch invigorates\u0000 old-fashioned ensemble acting while also putting current mediality on display.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41544453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rewriting Ibsen for the big screen 为大银幕重写易卜生
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-06-01 DOI: 10.1386/jsca_00046_1
Audun Engelstad
{"title":"Rewriting Ibsen for the big screen","authors":"Audun Engelstad","doi":"10.1386/jsca_00046_1","DOIUrl":"https://doi.org/10.1386/jsca_00046_1","url":null,"abstract":"Henrik Ibsen is regarded as the champion of realist theatre. In the early days of cinema, there were several silent film adaptations of Ibsen’s plays. One would think, given his standing as a playwright, that there would be a continuous interest in Ibsen’s work after the\u0000 conversion to sound. This article examines how the realist theatre ‐ heralded by Ibsen ‐ relates to classical (Hollywood) cinema and how Ibsen in various ways has been rewritten and has recently re-emerged within contemporary cinema.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41810254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Trade stories, film policy and radical uncertainty: Remarks on Scandinavian cinema and COVID-19 inspired by ‘Digging the digital?’ 贸易故事、电影政策和根本的不确定性：受《挖掘数字？》启发，关于斯堪的纳维亚电影和新冠肺炎的评论
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-06-01 DOI: 10.1386/jsca_00047_1
Joel Frykholm
{"title":"Trade stories, film policy and radical uncertainty: Remarks on Scandinavian cinema and COVID-19 inspired by ‘Digging the digital?’","authors":"Joel Frykholm","doi":"10.1386/jsca_00047_1","DOIUrl":"https://doi.org/10.1386/jsca_00047_1","url":null,"abstract":"A selection of Corona-related trade stories from the field of ‘creative documentary’ is examined and connected to a discussion about government film policy ‐ long-term support structures as well as ad hoc measures to counter the effects of COVID-19 ‐ all in\u0000 an effort to gauge the pandemic’s ramifications for Scandinavian cinema and the film industry’s navigation of conditions of radical uncertainty.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49613052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：604180095
Book学术官方微信
小红书