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Journal of Scandinavian Cinema最新文献

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Things don’t cry, do they? Emotional attachment between humans, technology and nature in Harry Martinson’s epic space poem Aniara and the science fiction film Aniara 事情不会哭，是吗？哈里·马丁森的太空史诗《阿尼雅拉》和科幻电影《阿尼亚拉》中人、技术与自然的情感依恋
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00036_1
Sophie Wennerscheid
{"title":"Things don’t cry, do they? Emotional attachment between humans, technology and nature in Harry Martinson’s epic space poem Aniara and the science fiction film Aniara","authors":"Sophie Wennerscheid","doi":"10.1386/jsca_00036_1","DOIUrl":"https://doi.org/10.1386/jsca_00036_1","url":null,"abstract":"While Harry Martinson’s epic space poem Aniara (1956) has received little attention outside Sweden over the last half-century, several new adaptations have appeared in recent years, most notably the 2018 science fiction film Aniara. This article explores the reason\u0000 for this renewed interest and argues that, in addition to ecocritical aspects, it is the interest in human‐machine relations that has contributed to the rediscovery. Drawing on Jane Bennett’s notion of thing-power, the article focuses on the spaceship Aniara’s artificial\u0000 intelligence, Mima. Both in Martinson’s text and the film adaptation, Mima is depicted as a sentient machine that does not show empathy with suffering humans but rather with the suffering of nature, epitomized in crying stones. Analysing the motif of the crying stones in more detail,\u0000 the article seeks to contribute to the discussion about emotional attachment between humans, technology and nature.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46289587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Men in motion: On the third Unknown Soldier 运动中的人：论第三个无名战士
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00038_1
Jukka Sihvonen
{"title":"Men in motion: On the third Unknown Soldier","authors":"Jukka Sihvonen","doi":"10.1386/jsca_00038_1","DOIUrl":"https://doi.org/10.1386/jsca_00038_1","url":null,"abstract":"The third adaptation of The Unknown Soldier premiered during the celebration of the centennial anniversary of Finland’s independence in 2017. The original novel by Väinö Linna was published in 1954. This article will set the story of the novel briefly in both\u0000 historical and authorial contexts. Then the discussion concentrates on characteristics of spectatorship and observations about differences between the three film adaptations of the novel, the first directed by Edvin Laine (1955), the second by Rauni Mollberg (1985) and the most recent version,\u0000 again some 30 years later, directed by Aku Louhimies (2017). Analysis of this film highlights differences from the earlier adaptations as well as additions and shifts in emphasis when compared to the novel, such as the role of the home front and the focus on particular characters, especially\u0000 corporal Rokka.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43802753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A shimmering movement: Ali Abbasi’s Border as a trans* posthumanist post-celluloid adaptation 闪耀的运动:阿里·阿巴西的《边界》是跨性别后人文主义的后电影改编
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00035_1
A. Mrozewicz
{"title":"A shimmering movement: Ali Abbasi’s Border as a trans* posthumanist post-celluloid adaptation","authors":"A. Mrozewicz","doi":"10.1386/jsca_00035_1","DOIUrl":"https://doi.org/10.1386/jsca_00035_1","url":null,"abstract":"Gräns (Border) (2018) is an adaptation of a short story by Swedish author John Ajvide Lindqvist (2006). The film retains large parts of the literary plot as well as its focalization through the troll-protagonist Tina/Reva. At the same time, Border introduces\u0000 significant modifications. I argue that by expanding the plot to include a number of new elements and amplifying Lindqvist’s strategy of ‘a shimmering movement’, including the experience of transness and identity as change, Abbasi’s film disrupts more forcefully our\u0000 ideas about the human/nonhuman divide, sex and gender dualism, aesthetics, ethics and other normative regimes regulating our social and human lives. By examining the film as a post-celluloid adaptation, I show how Border incorporates Lindqvist’s critique of technology while also\u0000 embracing the imaginative and affective possibilities of digital cinema to interrogate the responsibilities of humanity from a posthumanist perspective.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47057154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Mother’s tomb: The haunted house in Óskar Þór Axelsson’s I Remember You 母亲的坟墓:Óskar Þór阿克塞尔松的《我记得你》中的鬼屋
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00037_1
S. Guðmundsdóttir
{"title":"Mother’s tomb: The haunted house in Óskar Þór Axelsson’s I Remember You","authors":"S. Guðmundsdóttir","doi":"10.1386/jsca_00037_1","DOIUrl":"https://doi.org/10.1386/jsca_00037_1","url":null,"abstract":"The film Ég man þig (I Remember You) by Óskar Þór Axelsson (2017) is an adaptation of the eponymous novel by Yrsa Sigurðardóttir from 2010. This article focuses on the film’s depiction of the haunted house, especially on\u0000 how the empty and mouldy space represents the main characters’ lost future.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48717227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Nordic noir brand 北欧黑色品牌
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00041_1
Andrew Nestingen
{"title":"The Nordic noir brand","authors":"Andrew Nestingen","doi":"10.1386/jsca_00041_1","DOIUrl":"https://doi.org/10.1386/jsca_00041_1","url":null,"abstract":"Editing the volume Nordic Noir, Adaptation, Appropriation with Linda Badley and Jaakko Seppälä made evident historical changes in the role of adaptation in Nordic audio-visual culture. An earlier generation of auteurs such as Aki Kaurismäki used adaptation to align\u0000 themselves with aesthetic and philosophical bodies of texts, what we might call ‘networks of similarity’, following Luis M. García Mainar. In the rise of Nordic noir since the millennium, Nordic cinema and television’s networks of similarity change. The auteurs used\u0000 adaptation to establish modernist originality of vision. In the current moment, this quality has diminished, and adaptation increasingly figures in broader, more densely cross-referential networks of similarity, of which Nordic noir is arguably an instantiation. These are defined by aesthetic\u0000 and sociopolitical associations, more so than originality. These associations figure in practitioners’ and textual consumers’ use of response to and replication of the noir texts and their networks in a variety of media. This activity can be understood as a type of branding that\u0000 aligns with attempts at national and regional branding.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48372972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Three Wishes for Cinderella: Fitting a Czech shoe to a Norwegian foot 给灰姑娘的三个愿望：给挪威人的脚配一双捷克鞋
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00040_1
Adéla Ficová, Karolína Stehlíková
{"title":"Three Wishes for Cinderella: Fitting a Czech shoe to a Norwegian foot","authors":"Adéla Ficová, Karolína Stehlíková","doi":"10.1386/jsca_00040_1","DOIUrl":"https://doi.org/10.1386/jsca_00040_1","url":null,"abstract":"In this article, the authors outline arguments explaining the lasting success of the Czechoslovak and East German film Three Wishes for Cinderella (1973). Drawing on newer theories of adaptation, the article addresses the following questions: what mutation did the Cinderella\u0000 narrative undergo and how did it influence the acceptance of the film adaptation in the Czech and Norwegian context? Are there any non-adaptive explanations for changes in the narrative that can be perceived as a ‘random drift’? How is the persistence of this particular adaptation\u0000 supported in various cultural contexts? Can we speak about cross-cultural indigenization in the case of Three Wishes for Cinderella? The aim is also to explore the factors that contributed to this cultural phenomenon and to map the journey the adaptation underwent, including the role\u0000 of NRK public TV and the role of the voice-over. Finally, we discuss whether this adaptation is truly a timeless phenomenon.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46334282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In-between Baby Janes: From book to film to book to film 简宝宝之间：从一本书到另一部电影
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00039_1
Kaisa Kurikka
{"title":"In-between Baby Janes: From book to film to book to film","authors":"Kaisa Kurikka","doi":"10.1386/jsca_00039_1","DOIUrl":"https://doi.org/10.1386/jsca_00039_1","url":null,"abstract":"This article is concerned with adaptation as a ‘process of in-betweenness’, a movement of connections, in which the ‘original’ work and adaptations are thought of through analogy, i.e. as similarities born from difference. The connections between two American\u0000 versions of the story of Baby Jane ‐ Henry Farrell’s novel, What Ever Happened to Baby Jane? (1960) and Robert Aldrich’s film of the same title (1962) ‐ and two Finnish versions ‐ a novel by internationally acclaimed author Sofi Oksanen (2005) and a\u0000 film directed by Katja Gauriloff (2019), both titled Baby Jane ‐ are discussed emphasizing their narratological and thematic analogies. While the American versions focus on the relationship between two ageing sisters, the Finnish versions tell the lesbian love story of two young\u0000 women living in contemporary Helsinki. In addition, the article comments on some conceptual questions, such as the relationship between appropriation, adaptation, intertextuality and transfictionality.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49419578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hankering for iconic moments: Transduction and representation in Skam fans’ anticipations about the remake Skam Austin 对标志性时刻的渴望：Skam粉丝对翻拍版Skam Austin的期待
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00043_1
A. Bachmann
{"title":"Hankering for iconic moments: Transduction and representation in Skam fans’ anticipations about the remake Skam Austin","authors":"A. Bachmann","doi":"10.1386/jsca_00043_1","DOIUrl":"https://doi.org/10.1386/jsca_00043_1","url":null,"abstract":"The Norwegian web series Skam (2015‐17) has been remade several times, but the American version Skam Austin (2018‐19) has a particular standing as an adaptation because its first season was produced by the original showrunner. The article considers fans’\u0000 views of the choices made in the remake and the contextual shifts informing these choices, i.e. their views of the so-called cultural transduction. It argues that the fan discourse around Skam Austin thrives on discussing the transduction in itself, because long-standing fans dominate\u0000 the discourse and because the show’s depictions of teenage life-worlds are expected to have high realistic ambitions. Comments from fans reveal that much of their enjoyment of Skam Austin resided in expectations about specific ‘remade moments’. Such moments typically\u0000 express a spirit of social resistance and are, if successful, celebrated as iconic. In the politicized American media climate of the day, ‘remade moments’ that particularly engaged fans focused on representation issues concerning gender and race, such as intersectional identities\u0000 and awareness about sexual harassment.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44946357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Autobiographical adaptation in NBC’s Love Is a Four-Letter Word 自传体改编自NBC的《爱是四个字母的单词》
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2021-03-01 DOI: 10.1386/jsca_00042_1
Lynge Stegger Gemzøe
{"title":"Autobiographical adaptation in NBC’s Love Is a Four-Letter Word","authors":"Lynge Stegger Gemzøe","doi":"10.1386/jsca_00042_1","DOIUrl":"https://doi.org/10.1386/jsca_00042_1","url":null,"abstract":"This article analyses the adaptation process from the Danish relationship drama television series ‘Nikolaj and Julie’ (2002‐03) to Love Is a Four-Letter Word, the NBC pilot and remake attempt (2015). This comparison is a prime example of autobiographical adaptation,\u0000 in which the adaptation process can be closely intertwined with a desire to tell autobiographical stories. Using production studies and textual analysis, the article illustrates how Diana Son, the showrunner responsible for adapting the original format into the NBC version, rewrote the original\u0000 script using a location, themes and characters largely inspired by her personal life and surroundings. The article ultimately argues that in format adaptation, research combining established theoretical frameworks and approaches with the idea of autobiographical adaptation is likely to be\u0000 a fruitful endeavour in a great many cases.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47709282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Teaching Nordic cinema: Perspectives and possibilities 北欧电影教学:观点和可能性
IF 0.3
Journal of Scandinavian Cinema Pub Date : 2020-09-01 DOI: 10.1386/JSCA_00027_1
C. Thomson
{"title":"Teaching Nordic cinema: Perspectives and possibilities","authors":"C. Thomson","doi":"10.1386/JSCA_00027_1","DOIUrl":"https://doi.org/10.1386/JSCA_00027_1","url":null,"abstract":"For the tenth anniversary issue of Journal of Scandinavian Cinema (JSCA), C. Claire Thomson reflects on fifteen years of teaching Nordic cinema at University College London (UCL). The article outlines the teaching and learning contexts in which the subject is taught, and how teaching has been transformed by developments in scholarship in the field and online resources. The constraints and opportunities offered by the pivot to remote teaching during the 2020 pandemic are also considered. Three extracts from essays by students are offered as illustrations of how students from different disciplinary backgrounds and different parts of the world engage with Nordic cinema.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"10 1","pages":"243-257"},"PeriodicalIF":0.3,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41939499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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