Involuntary Dogme restrictions: Orca and COVID-19 screen culture

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2021-06-01 DOI:10.1386/jsca_00048_1

Maaret Koskinen

引用次数: 0

Abstract

The Swedish film Orca (2020) was both conceived and produced during COVID-19. As such, it is also about the pandemic and its own becoming. Making use of the proliferation of current screen cultures, including the split screen, writer and director Josephine Bornebusch invigorates old-fashioned ensemble acting while also putting current mediality on display.

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非自愿多格限制：奥卡和新冠肺炎屏幕文化

瑞典电影《虎鲸》(2020)是在2019冠状病毒病期间构思和制作的。因此，它也是关于这一流行病及其本身的演变。编剧兼导演Josephine Bornebusch利用包括分屏在内的当前屏幕文化的扩散，在展示当前媒介的同时，也为老式的合奏表演注入了活力。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.