Between Sweden and the world: Documentary films about ABBA’s international success

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI:10.1386/jsca_00057_1

E. Mazierska

引用次数: 0

Abstract

This article examines the phenomenon of ABBA, the most popular band ever to originate in Sweden, as accounted for in four documentaries, used to compare domestic and foreign responses to ABBA. Discussion draws on the concept of authenticity as formulated by Allan Moore, arguing that authenticity is not located in the music itself, but in the relationship between the artists and their audience. Analysis also considers the authenticity of the documentary form.

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在瑞典和世界之间:关于ABBA国际成功的纪录片

这篇文章考察了四部纪录片中出现的ABBA现象，这是瑞典有史以来最受欢迎的乐队，用来比较国内外对ABBA的反应。讨论借鉴了艾伦·摩尔提出的真实性概念，认为真实性不在于音乐本身，而在于艺术家和观众之间的关系。分析还考虑了文件形式的真实性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.