{"title":"非自愿多格限制:奥卡和新冠肺炎屏幕文化","authors":"Maaret Koskinen","doi":"10.1386/jsca_00048_1","DOIUrl":null,"url":null,"abstract":"The Swedish film Orca (2020) was both conceived and produced during COVID-19. As such, it is also about the pandemic and its own becoming. Making use of the proliferation of current screen cultures, including the split screen, writer and director Josephine Bornebusch invigorates\n old-fashioned ensemble acting while also putting current mediality on display.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Involuntary Dogme restrictions: Orca and COVID-19 screen culture\",\"authors\":\"Maaret Koskinen\",\"doi\":\"10.1386/jsca_00048_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Swedish film Orca (2020) was both conceived and produced during COVID-19. As such, it is also about the pandemic and its own becoming. Making use of the proliferation of current screen cultures, including the split screen, writer and director Josephine Bornebusch invigorates\\n old-fashioned ensemble acting while also putting current mediality on display.\",\"PeriodicalId\":42248,\"journal\":{\"name\":\"Journal of Scandinavian Cinema\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Scandinavian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jsca_00048_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Scandinavian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jsca_00048_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Involuntary Dogme restrictions: Orca and COVID-19 screen culture
The Swedish film Orca (2020) was both conceived and produced during COVID-19. As such, it is also about the pandemic and its own becoming. Making use of the proliferation of current screen cultures, including the split screen, writer and director Josephine Bornebusch invigorates
old-fashioned ensemble acting while also putting current mediality on display.
期刊介绍:
Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.