{"title":"后电影时代的北欧同音主义:SKAM中的“好种族”和性例外论","authors":"Jenny Andrine Madsen Evang","doi":"10.1386/jsca_00062_1","DOIUrl":null,"url":null,"abstract":"This short subject analyses the racialized dynamics of the Norwegian TV series SKAM vis-à-vis its representation of queerness. It argues that the Muslim character Sana stands in for the ‘good ethnic’ who simultaneously represents the ‘backwardness’\n of her religion and the imaginary of Norwegian multiculturalism that can ‘rehabilitate’ her into its image.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Nordic homonationalism in post-cinematic times: The ‘good ethnic’ and sexual exceptionalism in SKAM\",\"authors\":\"Jenny Andrine Madsen Evang\",\"doi\":\"10.1386/jsca_00062_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This short subject analyses the racialized dynamics of the Norwegian TV series SKAM vis-à-vis its representation of queerness. It argues that the Muslim character Sana stands in for the ‘good ethnic’ who simultaneously represents the ‘backwardness’\\n of her religion and the imaginary of Norwegian multiculturalism that can ‘rehabilitate’ her into its image.\",\"PeriodicalId\":42248,\"journal\":{\"name\":\"Journal of Scandinavian Cinema\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Scandinavian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jsca_00062_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Scandinavian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jsca_00062_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Nordic homonationalism in post-cinematic times: The ‘good ethnic’ and sexual exceptionalism in SKAM
This short subject analyses the racialized dynamics of the Norwegian TV series SKAM vis-à-vis its representation of queerness. It argues that the Muslim character Sana stands in for the ‘good ethnic’ who simultaneously represents the ‘backwardness’
of her religion and the imaginary of Norwegian multiculturalism that can ‘rehabilitate’ her into its image.
期刊介绍:
Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.