Being ordinary as a female pop star: Behind the scenes in musical documentary portraits of Jada and Beyoncé

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2021-09-01 DOI:10.1386/jsca_00055_1

Helle Kannik Haastrup

引用次数: 0

Abstract

By comparing two contemporary musical documentary portraits, the Scandinavian newcomer Jada in Jada ‐ lillebitte kæmpestor (‘Jada ‐ super tiny mega big’) (2019) and the global pop artist Beyoncé in Homecoming: A Film by Beyoncé (2019), the article examines how ‘being ordinary’ in behind-the-scenes sequences can be used as a marker of authenticity.

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作为一个普通的女流行歌手:贾达和碧昂斯的音乐纪录片的幕后

通过比较两个当代音乐纪录片肖像，即《Jada‐lillebitte kæmpestor》(2019)中的斯堪的纳维亚新人Jada和《beyonc》(2019)中的全球流行艺术家beyonc，本文探讨了幕后序列中的“平凡”如何被用作真实性的标志。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.