Terror melodrama, race and the nation: Ulaa Salim’s Sons of Denmark

IF 0.1 0 FILM, RADIO, TELEVISION

Journal of Scandinavian Cinema Pub Date : 2022-03-01 DOI:10.1386/jsca_00063_1

Amanda Doxtater

引用次数: 0

Abstract

Ulaa Salim's 2019 film, Sons of Denmark, employs terror melodrama, an iteration of the melodramatic mode related to 9/11 that represents the nation as innocent and violated. This allows the film to raise questions about masculinity, systemic racism and white innocence in the decades-long rise of far-right political parties in Denmark.

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恐怖情节剧，种族和国家:乌拉·萨利姆的《丹麦之子》

乌拉·萨利姆(Ulaa Salim) 2019年的电影《丹麦之子》(Sons of Denmark)采用了恐怖情节剧，这是与9/11相关的情节剧模式的重复，代表了这个国家的无辜和被侵犯。这使得这部电影提出了关于丹麦极右翼政党几十年来崛起中的男子气概、系统性种族主义和白人纯真的问题。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of Scandinavian Cinema FILM, RADIO, TELEVISION-

CiteScore

0.40

自引率

33.30%

发文量

期刊介绍： Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.