{"title":"Golem: Modern Wars and Their Monsters by Maya Barzilai (review)","authors":"Temma F. Berg","doi":"10.1353/ajs.2019.0072","DOIUrl":"https://doi.org/10.1353/ajs.2019.0072","url":null,"abstract":"The golem crosses many borders. A popular culture icon and an enduring image of creative power, its hybridity contributes to its elusive nature. What it is and what it means shifts over time. Maya Barzilai’s Golem: Modern Wars and Their Monsters takes a unique approach. Deeply interdisciplinary, as one must be to explore such a complex and paradoxical figure, and drawing on religious, literary, cinematic, and historical contexts, Barzilai weaves a rich tapestry of golem narratives. All the while, Barzilai keeps a clear eye on the golem’s ongoing association with war, seeing its birth in the clay trenches of World War One and tracing its later evolution as emblematic of nuclear weapons, computer technology, and Israeli military policy. As Barzilai claims, others have written about the evolving shape of golem narratives, but her study is the first to focus primarily on cultural images of wartime violence. Beginning with the birth of the golem in the early part of the twentieth century, she then documents its travels from Europe to the United States and Israel and finally into postmodernity. She focuses on the story’s “continual reshaping in the context of modern, as well as postmodern, warfare and its implications for Jewish populations and nations” (9). Touching on the intercultural negotiations that have transformed the story over time and place, she affirms the golem’s ability to bridge high and low culture. Chapter 1 focuses on Paul Wegener’s three golem films. Deftly explaining how all three films contribute to the golem myth and to the popularity of the","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"207 - 210"},"PeriodicalIF":0.3,"publicationDate":"2018-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42378511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"First Connections With Stagecraft\": S. N. Behrman Finds His Vocation","authors":"Kent P. Ljungquist","doi":"10.5325/STUDAMERJEWILITE.37.2.0145","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.2.0145","url":null,"abstract":"Abstract:This article discusses previously unpublished material from the S. N. Behrman Papers that marks S. N. Behrman's first encounter with live theater. This material is thus a significant contribution to the biographical record on Behrman. A theater memoir submitted to but rejected by The New Yorker sheds light on Behrman's early experiment in vaudeville, and records his early encounter with high comedy in the work of Somerset Maugham and his early fascination with actors, a primary focus of his theatrical career. The unpublished material discussed here was intended as part of his New Yorker series about growing up in a Jewish neighborhood in central Massachusetts, reminiscences seen as a resource for information about Behrman's adolescence and early adulthood. Since Behrman's book The Worcester Account (1954) offers only passing mention of the author's eventual career in drama, the material covered here illuminates his choice of a vocation in the world of theater.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"145 - 172"},"PeriodicalIF":0.3,"publicationDate":"2018-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47164617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Evangelical and Progressive Inscriptions in Mary Antin's Autobiographical Discourse","authors":"Mihai Mîndra","doi":"10.5325/STUDAMERJEWILITE.37.2.0173","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.2.0173","url":null,"abstract":"Abstract:This article discusses Mary Antin's autobiography The Promised Land as a cultural identity production of a performative, highly subjective author, in relation to contemporary American Protestant Evangelical and Progressive ideologies, as reflected by the text of the seven installments of the book printed in The Atlantic Monthly between October 1911 and April 1912 and by the book itself, reviewed and published in the fall of 1912. Previous scholarship engaged with the generic impact of Protestantism on Antin's work, without paying attention to the Evangelical influences. Although her Progressivism has been generally agreed on, it was only cursorily discussed, never explained, in relation to her memoir. This article argues that, based on a cultural close reading of Antin's life writing, of her related correspondence with Ellery Sedgwick, the editor of The Atlantic Monthly, as well as of later interviews and essays, the author's undenominational, possibly unacknowledged, Evangelicalism and declarative Progressivism originated in a peculiarly fervent, numinous assimilationism. The all-American narrating Mary constructed a version of her younger immigrating self that spurned the native Pale of Settlement social and economic mentality for the benefit of the mainstream perception of exceptionalism and success, in its turn-of-the century New England genteel version.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"173 - 199"},"PeriodicalIF":0.3,"publicationDate":"2018-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47646180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Open-Ended Questions: Exploring Jewish American Identity in Theatre and Film in The Cambridge History of Jewish American Literature","authors":"Heather S. Nathans","doi":"10.5325/STUDAMERJEWILITE.37.1.0087","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.1.0087","url":null,"abstract":"HE AM BIDGE HTORY OF EW SH AM EICAN LITATURE 48. Cora Wilburn, “Jasmine: or the Discipline of Life” Banner of Light, December 5, 1863, 2. 49. Julian Levinson, “Encountering the Idea of America,” The Cambridge History of American Jewish Literature, ed. Hana Wirth-Nesher (Cambridge: Cambridge University Press, 2016), 21. 50. Cora Wilburn, “Israel’s Power” reprinted in Henry Abarbanel, English School and Family Reader, for the Use of Israelites . . . (New York: Roger and Sherwood, 1883), 185. 51. Cora Wilburn, “A Woman’s Thoughts Upon the War,” Herald of Progress 2 (July 27, 1861), 3. 52. Cora Wilburn, “Israel to the World in Greeting,” Papers of the Jewish Women’s Congress . . . (Philadelphia: Jewish Publication Society, 1894), 131. 53. See on this theme, my “Subversive Jews and American Culture: Notes on the Leonard Milberg Collection of Early American Judaica,” in By Dawn’s Early Light: Jewish Contributions to American Culture from the Nation’s Founding to the Civil War, ed. Adam Mendelsohn (Princeton, NJ: Princeton University Library, 2016), 189–204.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"87 - 92"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48387090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Future of Jewish American Literature: Notes from a Recovering Snob","authors":"A. Mintz","doi":"10.5325/STUDAMERJEWILITE.37.1.0101","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.1.0101","url":null,"abstract":"HE AM BIDGE HTORY OF EW SH AM EICAN LITATURE 17. On this subject see Leah Garrett, Young Lions: How Jewish Authors Reinvented the American War Novel (Evanston, IL: Northwestern University Press, 2015). 18. Bryan Cheyette, “On Being a Jewish Critic,” Jewish Social Studies 11 (2004): 49. Newton cites Gilroy briefly (516) in his section on race in the Cambridge History. Freedman mentions Cheyette in a critique of “roots” in Klezmer America, 90–91. Freedman also echoes Cheyette’s call for more theoretical engagement in his remarks on the postcolonial critic Homi Bhabha’s importance for Jewish cultural studies. See Klezmer America, 345n. 19. I’m thinking of the contributions to the Symposium “Finding Home: The Future of Jewish American Literary Studies,” especially the comparativist-inspired studies by Rachel Rubinstein, Dean Franco, and Kathy Schlund-Vials. Of all the chapters in the Cambridge History, Rubinstein’s on “Encountering Native Origins” is the most attentive in its juxtaposing desire to set Native American and Jewish American writing in dialogue: “How might Native studies,” Rubinstein asks, “vibrate alongside and even serve to reorient Jewish American literary studies, particularly in a comparative or interdisciplinary framework?” (76). For a collection of original essays inviting ways of setting Jewish American literature in dialog with a range of multicultural texts, see Roberta Rosenberg and Rachel Rubinstein, eds., Teaching Jewish American Literature (New York: MLA Press, 2018).","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"101 - 103"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44717071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mapping Jewish American Literary Studies in the New Century","authors":"Donald Weber","doi":"10.5325/STUDAMERJEWILITE.37.1.0093","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.1.0093","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"101 - 93"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43524040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Forgetting of Cora Wilburn: Historical Amnesia and The Cambridge History of Jewish American Literature","authors":"J. Sarna","doi":"10.5325/STUDAMERJEWILITE.37.1.0073","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.1.0073","url":null,"abstract":"HE AM BIDGE HTORY OF EW SH AM EICAN LITATURE of the Cambridge History hints strongly at this idea. As she calls our attention to the difference between “geography” and “ideology” in her introductory discussion of Lazarus’s celebration of the “virgin world” of the United States in her poem “1492” (1), Hana Wirth-Nesher reminds us that the land we inhabit will never be as Jewishly numinous as the meanings we have sometimes been tempted to foist upon it.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"73 - 87"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42633997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Cambridge History of Jewish American Literature: Three Prequels","authors":"M. P. Kramer","doi":"10.5325/STUDAMERJEWILITE.37.1.0057","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.1.0057","url":null,"abstract":"HE AM BIDGE HTORY OF EW SH AM EICAN LITATURE rather expansive. Some reflect on the meaning of the volume for Jewish American literary studies and its practitioners; others wonder about its transformative potential for other, adjacent fields. Finally, most poignant is a personal meditation on his changing relationship with Jewish American literature and literary studies by the late Professor Alan Mintz, zikhrono livrakha. Special thanks go to Michael Kramer, who was instrumental in shaping this forum, and to the contributors, for their responsiveness, enthusiasm, and generosity.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"57 - 65"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44015975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Power of Words: The Biblical Abishag in Contemporary American Jewish Women's Poetry","authors":"Anat Koplowitz-Breier","doi":"10.5325/STUDAMERJEWILITE.37.1.0021","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.1.0021","url":null,"abstract":"abstract:2 Kings 1:1–5, 14 recounts how a young virgin, Abishag the Shunammite, was brought to old King David to warm his cold bones. After the king's death, Abishag functions as a pawn in Adonijah's attempt to usurp his brother. Throughout the narrative none of Abishag's emotions are revealed. Although numerous twentieth-century poets have addressed this biblical theme, I shall focus on those by American Jewish women poets. This approach is based on Hélène Cixous observation that \"woman must write woman\"—in this case, women poets giving a female figure the voice she is denied in the biblical text. Demonstrating Cixous' argument that women's writing and freedom is bound up with their sexuality, they use Abishag to find their way from silence and passivity into independence and sexuality. From Gluck's submissive \"Abishag\" (1975), the little-known biblical figure develops into an independent woman in charge of her own destiny (B. Holender, 1991; E. A. Sussman-Socolow, 1999; D. Walders, 2005), working her way from a mere \"warming device\" into a sexy woman who uses her sexuality to tease the king (S. Kaufman, 1984) or dreams of different sexual relations (L. Barrett, 2007), her sexuality being bound up with her independence (S. Skolnik, 2011).","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"21 - 36"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46510665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Parking the Ark in Niagara Falls: Mordecai Manuel Noah and the Imposition of Meaning in Jewish American Literary History","authors":"Michael Hoberman","doi":"10.5325/studamerjewilite.37.1.0069","DOIUrl":"https://doi.org/10.5325/studamerjewilite.37.1.0069","url":null,"abstract":"HE AM BIDGE HTORY OF EW SH AM EICAN LITATURE To end on a rather parochial note, I’ll provide a postscript for Princeton’s 2001 conference, “Celebrating Jewish American Writers,” inaugurating the Leonard L. Milberg ’53 Collection of Jewish American Writers. Since 2001, Mr. Milberg has been steadily enhancing the collection with the extraordinary acquisitions that recently became the focus of an exhibition entitled, “By Dawn’s Early Light: Jewish Contributions to American Culture from the Nation’s Founding to the Civil War,” iterations of which have been mounted at the Center for Jewish History and the New York Historical Society. And now, nearly two decades after the celebrations of 2001, Mr. Milberg has generously committed to establishing at Princeton a new Chair in American Jewish Studies—a chair that, far from being homeless and exiled, has been offered a warm home in American Studies. The world turns.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"69 - 73"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44404676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}