{"title":"Poetry of Secular Memorialization: Charles Reznikoff’s “Kaddish” and George Oppen’s “in Memoriam Charles Reznikoff”","authors":"Joseph Ballan","doi":"10.5325/STUDAMERJEWILITE.36.1.0071","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.1.0071","url":null,"abstract":"ABSTRACT:In declaring, finally, the superfluity or disposability of “prayers and words and lights” before the presence or memory of a dead loved one, Charles Reznikoff’s “Kaddish” exemplifies a break with the traditional kaddish, and appears to mediate a self-consciously secular memorialization. Yet it does not merely reflect or represent a secular regime as it has developed outside the world of the poem; rather, it labors to articulate an uncertain, yet recognizably Jewish, sensibility of the secular. This sensibility should be understood in the context of the poet’s broader concerns with the modern significance of biblical and post-biblical Judaism, concerns that can be read in the very cycle of which “Kaddish” is the conclusion, the 1941 “Going To and Fro and Walking Up and Down.” In addition, George Oppen’s own poem in memory of Charles Reznikoff enables us to identify an aesthetics of the humble that, intertwined with an ethics of humility, is distinctive of Reznikoff’s work, and that leads to the conclusion that the secular sensibility in “Kaddish” amounts to more than a simple act of negation, a simple disregard or scorn for the trappings of traditional ritual.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"71 - 83"},"PeriodicalIF":0.3,"publicationDate":"2017-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49331486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bernard Malamud in Italy: Moral Courage and the Choice of Being Jewish in “The Lady of the Lake”","authors":"Samuel Kessler","doi":"10.5325/STUDAMERJEWILITE.36.1.0040","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.1.0040","url":null,"abstract":"ABSTRACT:Examined as a whole, Bernard Malamud’s short story collection The Magic Barrel is more cosmopolitan moralism than ghetto tale, where Jews remain central protagonists but the particularities of Jewish life and suffering lose much of their cultural identification as Malamud reaches toward a universal ethical truth. I argue here that through the close reading of one those short stories, “The Lady of the Lake,” we can complement the general scholarly assessment of Malamud’s vision (of “Jews” as universals) with another, this one of Jews and Jewishness as in themselves the pathway to morality. “The Lady of the Lake” reveals Malamud at his most attuned to the complexities of Jewish self-recognition, where he thought that the ethical lay in the act of affirming one’s Jewish self-being.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"40 - 60"},"PeriodicalIF":0.3,"publicationDate":"2017-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42322322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Women in Mordecai Richler’s Novels: Is There a Problem?","authors":"Shana Rosenblatt Mauer","doi":"10.5325/STUDAMERJEWILITE.35.2.0178","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.35.2.0178","url":null,"abstract":"ABSTRACT:Although it has been more than half a century since it was first noted that author Mordecai Richler writes novels with a problematic portrayal of women, there has been little critical work closely examining this aspect of his works. This essay examines the construction of women characters in Richler’s corpus and whether there are textual grounds for reading his novels as a body of work threaded with sexist overtones. Despite a temporizing tendency in Richler’s development as a novelist in relation to several social issues, including gender roles, I conclude that the idealized patterns of male-female relations are always traditional, based on conventional notions of beauty, femininity, and women’s subordination.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"178 - 186"},"PeriodicalIF":0.3,"publicationDate":"2016-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/STUDAMERJEWILITE.35.2.0178","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Sound of “New Jews”: David Rakoff and Jonathan Goldstein","authors":"Josh Lambert","doi":"10.5325/STUDAMERJEWILITE.35.2.0233","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.35.2.0233","url":null,"abstract":"ABSTRACT:This essay reads the “soundwork”—radio and podcast writing and performance—of two Canadian Jews, David Rakoff and Jonathan Goldstein, as exemplary cases of the representational patterns scholars attending to American popular culture since the 1990s have recently begun to analyze under the rubric of “New Jews.” Focusing particularly on work that has been broadcast on the popular radio shows/podcasts This American Life (1995–) and WireTap with Jonathan Goldstein (2004–15), this essay surveys the representational strategies through which these performers invoke Jewishness and Canadianness over hundreds of hours of scripted and improvised audio performances. I argue that the remarkable taken-for-granted approach to representation in Rakoff’s and Goldstein’s work is due, at least in part, to the positioning of Jews and Canadians as potentially overlooked minorities in the late-twentieth- and early twenty-first-century United States.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"233 - 254"},"PeriodicalIF":0.3,"publicationDate":"2016-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/STUDAMERJEWILITE.35.2.0233","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Geography of Memory: Haunting and Haunted Landscapes in Contemporary Canadian Jewish Writing","authors":"Sara R. Horowitz","doi":"10.5325/STUDAMERJEWILITE.35.2.0216","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.35.2.0216","url":null,"abstract":"ABSTRACT:The refrain “Every moment is two moments” in Anne Michaels’s 1997 novel Fugitive Pieces, an exploration of traumatized memory and post-memory, could serve as a leitmotif pointing to the complexity of memory and witnessing in contemporary Jewish Canadian fiction. In the memory novels of Michaels, Fugitive Pieces and The Winter Vault (2009), and of Nancy Richler, Your Mouth Is Lovely (2001) and The Imposter Bride (2012), every moment is not so much two but multiple moments. These works unravel, reconstruct, and unravel again relationships among space, time, memory, and identity. The vexed and elusive nature of memory and its effects is concretized in disappeared or fragmented landscapes that haunt the characters: bogs and buried geographic features in Fugitive Pieces, cities emptied and flooded by the creation of dams in The Winter Vault, marshes and icescapes in Your Mouth Is Lovely, and bits of rock in The Imposter Bride. This essay explores the shifting chronotopes of memory through the depiction of haunted and haunting landscapes, and the overlay of memoryscapes with contemporary Canadian cityscapes.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"216 - 223"},"PeriodicalIF":0.3,"publicationDate":"2016-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/STUDAMERJEWILITE.35.2.0216","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70897989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Sparks that reach far into the past and spin toward the future”: The Historical Turn in Recent Novels by Susan Glickman, Nancy Richler, and Rhea Tregebov","authors":"R. Panofsky","doi":"10.5325/STUDAMERJEWILITE.35.2.0224","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.35.2.0224","url":null,"abstract":"ABSTRACT:Susan Glickman’s The Tale-Teller (2012), Nancy Richler’s Your Mouth Is Lovely (2002), and Rhea Tregebov’s The Knife Sharpener’s Bell (2009) are as invested in Canada as in the historical and cultural past. In each novel, to counterpoint the oppression, imprisonment, and extreme hardship of the Old World, Canada serves literally as a safe haven and figuratively as a harbor of freedom. This essay shows how Glickman, Richler, and Tregebov respectively deploy catalyzing historical events in an effort to amplify their understanding of the cultural past and the Canadian present. The cultural contingencies of present-day Canadian life have given rise to a transnational probing of profound historical complexities, which may be apprehended—though never resolved—through narrative exploration of Jewish identity.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"224 - 232"},"PeriodicalIF":0.3,"publicationDate":"2016-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/STUDAMERJEWILITE.35.2.0224","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Kaddish for the Father: Régine Robin and the “impossible work of mourning”","authors":"Katherine R. Kellett","doi":"10.5325/STUDAMERJEWILITE.35.2.0200","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.35.2.0200","url":null,"abstract":"ABSTRACT:This essay examines the father-daughter relationship and the dynamics of mourning in the biofiction of Quebec author Régine Robin, born Rivka Ajzersztejn in 1939 in Paris. Focusing on her first work of biofiction, Le Cheval blanc de Lénine (1979), as well as the short text “Manhattan Bistro” (1992), I argue that Robin presents the daughter’s tale as both an act of defiance against paternal authority and her Communist father’s veneration of the great men of history—incarnate in the vision of Vladimir Lenin on a white horse—and homage to her father’s role as inventive and passionate chronicler of family history. The daughter recounts her father’s struggle with the refusal to say the Kaddish for his own father, an impossible act of mourning mirrored by the Kaddish that could not be recited for the fifty-one members of her family lost in the Holocaust. Robin’s biofiction is an unceasing iteration of the grieving process, an examination of the vagaries of memory and history, and the arbitrary accidents in time that led to deportation to the Nazi death camps for some and survival and a future life in North America and elsewhere for others.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"200 - 215"},"PeriodicalIF":0.3,"publicationDate":"2016-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/STUDAMERJEWILITE.35.2.0200","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Traitors in love: The Spanish Civil War Romance Novel in Jewish North America","authors":"E. Sharpe","doi":"10.5325/STUDAMERJEWILITE.35.2.0147","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.35.2.0147","url":null,"abstract":"ABSTRACT:The essay examines a series of male-authored North American romance novels set in the midst of the Spanish Civil war, to argue that their common plots of cross-cultural love—between North American gentile soldiers and European women—represent a Popular Front political allegory. Furthermore, Canadian Jewish novelists adapted this internationalist romance trope, bringing together the global comradeship rhetoric of the Popular Front, the gendered nationalism of unification novels, and the problematic absorption of ethnic markers in Canadian civilizing plots and Jewish assimilation narratives alike. In particular, I look at two Canadian Jewish writers, Ted Allan and Charles Yale Harrison, to argue that their novels reveal the masculinist whitewashing tendencies of patriotic romance fiction. By subverting heteronormative Euro-American depictions of international love as inevitably disastrous, authors like Allan and Harrison imagine a broader definition of citizenship, one that accounts for religious and ethnic diversity as well as for class-based identification. My essay elucidates how Canadian writings about Spain are situated at the intersection of decolonizing identity and cosmopolitan leftism—a narrative that complicates our understanding of the leftist internationalist literature the Spanish conflict inspired. In their response to a very particular moment—of Canadian, North American, and Spanish social flux; and of Jewish migration and mainstreaming—Canadian Jewish novelists display an early attempt to articulate a national identity at once patriotic and cosmopolitan.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"147 - 164"},"PeriodicalIF":0.3,"publicationDate":"2016-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/STUDAMERJEWILITE.35.2.0147","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Enta Omri, You Are My Life”: Embracing the Arab Self in André Aciman’s Harvard Square","authors":"Joyce Zonana","doi":"10.5325/STUDAMERJEWILITE.35.1.0033","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.35.1.0033","url":null,"abstract":"In most of his previous fiction and nonfiction writing, André Aciman constructs himself as a permanent exile, challenging Ammiel Alcalay’s claim that the Levantine Jewish experience gives the lie to the “modern myth of the Jew as pariah, outsider and wanderer.” Yet in his recent novel Harvard Square, Aciman approaches an affirmation of a very different kind of Levantine Jewish identity, exploring what Alcalay has called “the relationship of the Jew to the Arab within him- or herself” (28), and suggesting the possibility of a genuine homecoming for the Levantine Jewish self. Through his portrayal of the conflicted friendship between a diffident Egyptian-Jewish Harvard graduate student and a voluble, undocumented Tunisian cab driver, Aciman explores how his Jewish narrator, seeking to “pass” in America, simultaneously embraces and rejects his Arab double. In a counter-factual, hypothetical move at the conclusion of his narrative, the narrator confesses his love for the double, though the fact remains that he has, in truth, rejected and abandoned him.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"33 - 51"},"PeriodicalIF":0.3,"publicationDate":"2016-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5325/STUDAMERJEWILITE.35.1.0033","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70897585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Guest Editors’ Introduction","authors":"D. Kandiyoti, Dean J. Franco","doi":"10.5325/goodsociety.29.1-2.vi","DOIUrl":"https://doi.org/10.5325/goodsociety.29.1-2.vi","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"12 - 2"},"PeriodicalIF":0.3,"publicationDate":"2016-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70836899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}