{"title":"Yekl to Jake: Reading Cahan with Arendt","authors":"Sarah Schwartzman Ramsey","doi":"10.5325/studamerijewilite.42.2.0141","DOIUrl":"https://doi.org/10.5325/studamerijewilite.42.2.0141","url":null,"abstract":"ABSTRACT:In Abraham Cahan's 1896 novella, Yekl: A Tale of the New York Ghetto, Yekl/Jake is a Russian Jewish immigrant who repeats loud and self-aggrandizing accounts of himself as a proudly assimilated American. This article uses Hannah Arendt's writing on cliché and her 1943 essay \"We Refugees\" to argue that Cahan's depiction of Jake exemplifies a type of performance, one that Arendt witnessed among Jewish refugees during her own experiences of displacement: a pattern of narrative erasure and fabrication, alienation from community, and \"insane optimism which is next door to despair\" (Arendt [1943] 2007, 268). While recent scholarship has deftly explored performances of American identity related to gender and language in the novella, less attention has been paid to identifiable patterns of self-narrative: in particular, the pressure to give an account of oneself as already having been a compatriot, and the inevitable fissures that undermine such hopeful but fabricated stories.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"1 1","pages":"141 - 157"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139344194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pre/Occupied Longing: Toward a Definition of Postnostalgia in Jonathan Safran Foer's Everything Is Illuminated","authors":"Lucas F. W. Wilson","doi":"10.5325/studamerijewilite.42.2.0121","DOIUrl":"https://doi.org/10.5325/studamerijewilite.42.2.0121","url":null,"abstract":"ABSTRACT:This article presents a theoretical formulation that names an experience that is common to many third-generation protagonists in the literature written by the grandchildren of Holocaust survivors: postnostalgia. Postnostalgia is an adopted \"nostalgia\"—though it not actually nostalgia—for a place and a time that descendants have never lived but long for as if they have. This almost-form of \"nostalgia\" is powerful because it is an affective and persistent response to the particular places to which they are connected, given how their families once occupied those milieus. This article treats Jonathan Safran Foer's Everything Is Illuminated, which serves as a representation of how third-generation protagonists commonly attempt to discover pre-Shoah life by visiting the sites of family life in their family's native lands. This formulation of postnostalgia offers insight into how survivors' descendants in third-generation literature have responded to their inherited traumas, elucidating the common phenomenon of what is referred to as \"pilgrimages\" to sites of pre-Shoah family life.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"35 1","pages":"121 - 140"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139343817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Love, Alex\": Queering Jonathan Safran Foer's Everything Is Illuminated","authors":"Christopher C. Apap","doi":"10.5325/studamerijewilite.42.2.0158","DOIUrl":"https://doi.org/10.5325/studamerijewilite.42.2.0158","url":null,"abstract":"ABSTRACT:Jonathan Safran Foer's Everything Is Illuminated (2002) follows the two protagonists and narrators of the novel, American descendent of Holocaust survivors Jonathan and Alexander Perchov, his Ukrainian translator and collaborator on the story that constitutes the book itself. This article analyzes a heretofore unconsidered element of the novel: the potential to read Alex as queer. The book's possible queer narrative is tragic, bittersweet at best, and overlooked by critics. This article illustrates how the character of Alex articulates what might be understood as a queer desire for Jonathan and considers new interpretive insights that might obtain within such a reading. In particular, it reconsiders the relationship between the men, as well as a critical stance that construes the novel's concluding chapters as Jonathan's rejection of cross-cultural friendship and collaboration. More important is the insight that a queer understanding of Everything Is Illuminated may provide with regard to the recent turn to the intersections between Jewish Studies and gender and LGBTQ+ theory. Understanding the potentially queer modes of Alex's expression enables us to consider how Foer disrupts binary identity categories while also highlighting the dangers inherent in positing a reductive likeness between Alex and Jonathan—or between queer and Jewish identities.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"38 1","pages":"158 - 185"},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139346711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Memory and the Exigencies of Literary Form: Anthony Hecht's \"The Book of Yolek\"","authors":"K. Weisman","doi":"10.5325/studamerijewilite.42.1.0055","DOIUrl":"https://doi.org/10.5325/studamerijewilite.42.1.0055","url":null,"abstract":"abstract:Anthony Hecht's \"The Book of Yolek\" may be read as a test case for understanding a strand of twentieth-century American Jewish poetry, one that takes up a series of questions about the very meaning of the term \"Jewish poetics,\" especially when it sets itself to the task of remembering what Hecht once described as the \"very terrible aspects of existence.\" Hecht's resistance to sentimentalism in \"The Book of Yolek,\" which is also a resistance to the consolations of culture, engages his complicated inheritance of elegy and pastoral. Such anti-sentimentalism also resists confidence in the perpetuation of memory, even though \"The Book of Yolek\" is centrally concerned with the burdens and the imperatives of memory. The poem implicitly interrogates the tensions inherent in the post-Holocaust American Jew establishing a ground for joining the tradition of high lyric.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"42 1","pages":"55 - 69"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70894704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Either War Is Finished or We Are: Why Herman Wouk's Duology Deserves a Second Look","authors":"David Pickus","doi":"10.5325/studamerijewilite.42.1.0070","DOIUrl":"https://doi.org/10.5325/studamerijewilite.42.1.0070","url":null,"abstract":"abstract:This article seeks to reinvigorate critical discussion of Herman Wouk by focusing on his two massive war novels, The Winds of War (1971) and War and Remembrance (1978). Although well known in his lifetime, Wouk has received only limited academic exposition. His memory is bifurcated between a popular readership that continues to turn to Wouk for entertainment and instruction, and his reception in academic reviews, which is primarily critical, and sometimes hostile. Missing is an account of the methods Wouk used to fuse history and fiction, as well as an exploration of how Wouk's novels expressed his values. Addressing this gap, this article explores (1) the difference between the image of Wouk and the record of his writing; (2) his adoption of a stance based on biblical prophetic ideals, done to expose a \"Thucydidean\" political world; and (3) the seriousness of his commitment to using war novels in the service of future peace. Wouk earned an important place in American Holocaust literature. His duology also provides Jewish American letters of an interesting example of the reconceptualization of tropes of Victorian fiction as a means of confronting the contemporary world's grimmest realities. He deserves a second look.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"42 1","pages":"101 - 70"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45399013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Estranging Adorno: The Dialectics of Alienation in Leonard Michaels's \"I Would Have Saved Them If I Could\"","authors":"William Coker","doi":"10.5325/studamerijewilite.42.1.0001","DOIUrl":"https://doi.org/10.5325/studamerijewilite.42.1.0001","url":null,"abstract":"abstract:Reflecting on his relatives' deaths in the Shoah, Leonard Michaels lets their story unfold through a meditation on how not to tell it. He resists both the consolatory aestheticism he finds in Jorge Luis Borges and the teleological closure of Hegelian-Marxist history. Both modes press something positive out of Auschwitz's absolute negativity. Yet Michaels finds he cannot do without Borges and Marx. As his standpoint emerges from theirs, light falls on what both tacitly teach: the necessity of alienation. Enabling a new reading of this key Marxian term, Michaels's story complements and challenges the revisionary Marxism of Theodor W. Adorno. Adorno's late works convey the awareness that a certain alienation inheres in subjectivity and that emancipation requires us to accept our own self-estrangement. In Michaels's story, Borges and Marx appear as figures for the \"nonidentity,\" the internal contradiction, that every self must own in order to achieve an identity. By foregrounding the mismatch between narrative forms and their content, Michaels affirms narrative itself as \"nonidentical.\" Only through the alienation implicit to literature as self-conscious artifice, he finds, can one hope to grasp an experience in either its singularity or its universality.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"42 1","pages":"1 - 30"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45162229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Going To and Fro and Walking Up and Down Meets \"I Do This, I Do That\": Reconnecting Charles Reznikoff and Frank O'Hara","authors":"A. Davis","doi":"10.5325/studamerijewilite.42.1.0031","DOIUrl":"https://doi.org/10.5325/studamerijewilite.42.1.0031","url":null,"abstract":"abstract:The poems of Objectivist Charles Reznikoff and the New York School's Frank O'Hara insist that marginalized experiences—both their own and others'—belong in America's public spaces and discourse. Reznikoff records New York's streets as the Jewish child of immigrants in collections including Going To and Fro and Walking Up and Down (1941), while O'Hara records these streets from a queer experience in his famous \"I do this, I do that\" poems. There is limited scholarship connecting these poets, however, because the categorization of Objectivists as second-wave Imagists—and the resulting erasure of their Jewish heritage—has inhibited their inclusion in postmodern discourse. Repositioning Objectivists as postmodern forerunners reveals what's concealed when poets are separated too insistently into different avant-garde \"schools.\" This article argues that the Judaism of Objectivist writers is a liminal lens through which to explore the New York School's queerness and vice versa. This comparative examination of the walking poems of Reznikoff and O'Hara constructs new avenues for exploring the urban poetics of outsiders in experimental poetry by reading across and not just through minority experiences.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"42 1","pages":"31 - 54"},"PeriodicalIF":0.3,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47585068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nomadism and Stasis in Transparent","authors":"Ranen Omer‐Sherman","doi":"10.5325/studamerijewilite.41.2.0223","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0223","url":null,"abstract":"ABSTRACT:Joey Soloway (previously known as Jill) approaches the Jewish story as one of perpetual wandering—between identities, between bodies, between realms of belonging. While Transparent is as arguably concerned with relationality and interdependence as untethered individualism, in the series' tense opposition between wandering and stasis, Soloway privileges the expansive, open-ended identity of wandering over the narrowly proscribed monolithic identity that accompanies rest or arrival. Looking back on how the series has evolved, its emphasis on loss, confusion, and unsettled indeterminacy occurs most emphatically in Rabbi Raquel's evocative words launching the third season as she struggles with a sermon about Passover. At one time or another the series revisits or otherwise evokes the ruptures of Genesis, the sense of felix culpa that accompanies all human exiles; from the Garden, Abraham's Lech Lacha (\"Get you gone from your country and from your birthplace and from your father's house\"), the expulsion of Ishmael into the desert, the narrative of Ruth the Moabite, each offering richly circuitous terrains, repetitions of wandering, wryly underscored in the uncertainties and scrambled destinies of the Pfefferman tribe.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"223 - 230"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41415275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Marvelous Mrs. Maisel and the Fantasy of Becoming","authors":"Tahneer Oksman","doi":"10.5325/studamerijewilite.41.2.0202","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0202","url":null,"abstract":"ABSTRACT:This short, reflective essay considers various incongruous premises at the heart of the television show The Marvelous Mrs. Maisel, particularly regarding protagonist Midge Maisel's motivations and character development. It does so in the context of some 20th century touchstones of Jewish American women's comedy, after which the show was, on some level, modeled. The essay argues that the series is best appreciated as fantasy, and that its fantastical outlook is on some level consistent with the unwieldy, troublesome nature of reducing an overlooked and complicated collective history to an individual, fictional story.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"202 - 209"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41704721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Limits of Drag: Women, Gender, and the Other in Hayehudim Baim","authors":"Melissa Weininger","doi":"10.5325/studamerijewilite.41.2.0185","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0185","url":null,"abstract":"ABSTRACT:The Israeli sketch comedy show Hayehudim Baim skewers many elements of Jewish and Israeli history, and its satirical, secular, liberal readings of biblical figures and religious practices have created political controversy. Yet despite its apparently progressive take on Jewish history and Israeli culture, the show's use of drag as a central feature of its satire reveals certain practical and ideological lapses in its treatment of gender norms. A series of sketches about the biblical matriarchs Rachel and Leah, both married to the patriarch Jacob, demonstrates the limits of the show's ability to engage in a progressive critique without resorting to regressive notions of gender and sexuality deeply embedded in Zionist ideology.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"185 - 201"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47646368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}