Memory and the Exigencies of Literary Form: Anthony Hecht's "The Book of Yolek"

IF 0.3 3区 文学 0 LITERATURE, AMERICAN
K. Weisman
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引用次数: 0

Abstract

abstract:Anthony Hecht's "The Book of Yolek" may be read as a test case for understanding a strand of twentieth-century American Jewish poetry, one that takes up a series of questions about the very meaning of the term "Jewish poetics," especially when it sets itself to the task of remembering what Hecht once described as the "very terrible aspects of existence." Hecht's resistance to sentimentalism in "The Book of Yolek," which is also a resistance to the consolations of culture, engages his complicated inheritance of elegy and pastoral. Such anti-sentimentalism also resists confidence in the perpetuation of memory, even though "The Book of Yolek" is centrally concerned with the burdens and the imperatives of memory. The poem implicitly interrogates the tensions inherent in the post-Holocaust American Jew establishing a ground for joining the tradition of high lyric.
记忆与文学形式的迫切性——安东尼·赫克特的《约莱克之书》
安东尼·赫克特(Anthony Hecht)的《约莱克之书》(The Book of Yolek)可以被解读为理解20世纪美国犹太诗歌的一个测试案例,它提出了一系列关于“犹太诗学”一词的真正意义的问题,特别是当它设定自己的任务是记住赫克特曾经描述的“存在的非常可怕的方面”时。赫克特在《约莱克之书》中对感伤主义的抵制,也是对文化慰藉的抵制,涉及到他对挽歌和牧歌的复杂继承。这种反感伤主义也反对对记忆永存的信心,尽管《约莱克之书》主要关注的是记忆的负担和必要性。这首诗含蓄地质问了大屠杀后美国犹太人固有的紧张关系,为加入高抒情的传统奠定了基础。
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CiteScore
0.30
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