{"title":"The Weight of RBG's Crown: Jewish Feminism and Its Appropriations","authors":"Annie Atura Bushnell","doi":"10.5325/studamerijewilite.41.2.0119","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0119","url":null,"abstract":"ABSTRACT:This article takes a critical look at the \"Notorious RBG\" iconography that has proliferated since the 2010s, when shifts in the ideological makeup of the U.S. Supreme Court caused Ginsburg to find herself more frequently in dissent. Attending to the trope's origins in the \"King of New York\" photo shoot featuring Christopher George Latore Wallace, aka Biggie Smalls, it situates Notorious RBG rhetoric in the long history of Jewish racial ventriloquism in the United States. Through close readings of children's literature, memes, film, pop biography, and merchandise, I consider what the racial codings of RBG's crown tell us about Jewish feminisms in contemporary pop culture. The identification of Ginsburg with Wallace registers tensions between assimilationist and de-assimilationist Jewish identities, liberal and intersectional feminisms, and the affective politics of stoicism and rage. I argue that Notorious iconography problematically works to install Ginsburg as the standard-bearer of both the white Jewish Second Wave and its Black feminist critique.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"119 - 143"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48290470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: Representing the Jewish American Woman in Popular Culture","authors":"Hilene Flanzbaum","doi":"10.5325/studamerijewilite.41.2.0107","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0107","url":null,"abstract":"Sophisticated, powerful, forthright—and Jewish—Rachel Menken walks on the set in the first season of Mad Men (2007), a television show that Rolling Stone magazine will come to name the fourth best program of all time, and leaves an indelible mark. Portraying the lives of advertising executives in the 1960s, Mad Men will draw expansive praise for, among other things, its verisimilitude in set design and costume, as well as its illustration of the sweeping societal changes between 1960 and 1970. Characters weep over Marilyn Monroe’s overdose, go to Mississippi to register black voters, and panic during those thirteen days in May. None of these historical realities is more relentlessly or graphically portrayed, however, than the oppression of women during this time period. Stiletto heels, pointy bras, and garter belts connote confinement; yet the imprisonment goes well beyond costume. The hero’s wife, Betty, a graduate of Bryn Mawr, majored in anthropology but is now stuck at home raising three children. Chain-smoking, bored, and angry, Betty could well have been one of Friedan’s subjects in The Feminine Mystique. The stultified housewife that producer, director, and writer Matthew Weiner presents does not surprise the twenty-first-century viewer—we know this story. What still can shock, however, is his portrayal of the daily interactions between men and women. Weiner portrays a male culture committed to rendering H LEN E S. FLAN ZAUM BTLER UNERSITY","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"107 - 118"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47681347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Midge: A Women of Her Time, but Also of Our Own?","authors":"R. Gordan","doi":"10.5325/studamerijewilite.41.2.0210","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0210","url":null,"abstract":"ABSTRACT:Does The Marvelous Mrs. Maisel have antecedents in American Jewish literature? The Sherman-Palladino creation has been compared with the work of comedians Joan Rivers and Jean Carroll, but novelist Herman Wouk's 1955 character, Marjorie Morningstar, offers another compelling source of inspiration that sheds light on what makes Maisel true to her midcentury moment, and how the character is more of a twenty-first-century creation.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"210 - 215"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43472207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Exiled from Exile Itself\": Jewish Privilege and the Feminist Afterlives of Yiddish in Crazy Ex-Girlfriend and Broad City","authors":"Danny Luzon","doi":"10.5325/studamerijewilite.41.2.0216","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0216","url":null,"abstract":"ABSTRACT:This essay studies how Jewish creators of television comedy negotiate the tension between Jewish white privilege and inherited memories of social precarity by shaping a Jewish-ly coded vernacular. Specifically, I explore the multilingual idioms designed by Ilana Glazer, Abbi Jacobson, and Rachel Bloom in the sitcoms Broad City and Crazy Ex-Girlfriend. I argue that their feminist language design generates various afterlives for a migratory diasporic condition that is by now for them a mere memory. Through vernacular reimaginations of their own removal from their ancestors' precarity, they envision new linguistic ways to unsettle hegemonic structures of gender, sexuality, race, and culture.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"216 - 222"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48198662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"The Dark Path Back\": Investigating Holocaust Memory in Sara Paretsky's Novel Total Recall","authors":"Phyllis Lassner","doi":"10.5325/studamerijewilite.41.2.0144","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0144","url":null,"abstract":"ABSTRACT:Women writers challenge the popular and critical entrenchment of male-authored literary detective fiction. A close reading of Sara Paretsky's 2001 novel Total Recall demonstrates that the ongoing quest for social justice by her woman detective, V. I. Warshawski, is addressed through assertive women's voices that have also transformed critical approaches to women's crime fiction. In Paretsky's novels, V.I. finds herself in a double bind reserved for women in both social and literary terms: having to prove her stability and effectiveness as a professional detective and as a reliable first-person narrator. Total Recall's investigations of contemporary corporate crime trace their origins to American slavery and the Holocaust: the novel transforms the generic mean streets of crime fiction into a transnational crimescape with a two-way trajectory between contemporary Chicago and Central Europe's sites of mass murder. But instead of plotting a conclusion that declares triumph over such evil, the novel joins forces with historical accounts to investigate the staying power of legitimized oppression and the memory of its victims. Reading the Holocaust narratives embedded in Total Recall reveals a story of inhumanity so far reaching that it transforms Paretsky's local Chicago crimescape into a global epic.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"144 - 164"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49174230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Last Black (Jewish) Unicorn: Tiffany Haddish's Black Mitzvah and the Reframing of Jewish Female Identity","authors":"Samantha Pickette","doi":"10.5325/studamerijewilite.41.2.0165","DOIUrl":"https://doi.org/10.5325/studamerijewilite.41.2.0165","url":null,"abstract":"ABSTRACT:This paper explores the work of Tiffany Haddish, the Black Jewish stand-up comedian and actress, both in terms of Haddish's contributions to the well-established canon of Jewish female comedy and in terms of the ways that Haddish's work paves new ground. Through an analysis of Haddish's 2019 Netflix special, Black Mitzvah, this paper first traces the stylistic and aesthetic methods that connect Haddish's comedy with that of her Jewish peers (both historical and contemporaneous) and then considers the areas where Haddish breaks new ground in her assertion of a non-paradigmatic Jewish identity that is simultaneously embraced and othered within popular culture at large. The paper then transitions into a larger discussion of the ways in which Haddish's work challenges how popular culture \"expects\" Jewish identity to manifest itself; her double visibility both as a Black woman and as a Jewish woman destabilizes the hegemonic understanding of Jewishness as homogenously white and Ashkenazic. Perhaps more importantly, Haddish acts as an important case study of the shifting demographics of Jewish visibility within American popular culture, and consequently, the critical and popular response to her work demonstrates the contradictory role that popular culture—and comedy specifically—plays in confirming and subverting stereotypes.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"41 1","pages":"165 - 184"},"PeriodicalIF":0.3,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49019516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Resistance to—and Persistence of—Theory","authors":"Berman","doi":"10.5325/STUDAMERJEWILITE.40.1.0095","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.40.1.0095","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"40 1","pages":"95"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chaim Potok and the Holocaust","authors":"Sidky","doi":"10.5325/STUDAMERJEWILITE.40.1.0018","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.40.1.0018","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"40 1","pages":"18"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Postmemory and Race: Thylias Moss and the African-Americanization of the Holocaust","authors":"Claborn","doi":"10.5325/STUDAMERJEWILITE.40.1.0001","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.40.1.0001","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"40 1","pages":"1"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Telling Tales of Difference: Portrayals of Immigrant Identity in Cahan’s, Cohen’s, and Yezierska’s “Landscapes” of Otherness and Contrast","authors":"Korkalainen","doi":"10.5325/STUDAMERJEWILITE.40.1.0043","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.40.1.0043","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"40 1","pages":"43"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}