{"title":"All the Realities and All the Illusions","authors":"Grumberg","doi":"10.5325/STUDAMERJEWILITE.40.1.0086","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.40.1.0086","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"40 1","pages":"86"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Destruction of Israel and Other Fantasies in Jewish American Literature","authors":"Noam Gil","doi":"10.5325/studamerjewilite.39.2.0161","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.2.0161","url":null,"abstract":"ABSTRACT:This article is an attempt to reformulate the critique of Israel in recent years in literary terms; namely, how postcolonial perspectives regarding Zionism are utilized toward the emergence of a new sensibility in twenty-first-century Jewish American Literature. More specifically, the article focuses on the growing preoccupation of twenty-first-century Jewish American novelists with Israel and its destruction. By discussing Michael Chabon's The Yiddish Policemen's Union (2007) and Jonathan Safran Foer's Here I Am (2016), I argue that Israel and Israelis provide an opportunity for Jewish writers to regain a marginalized stature in the American literary field, to reclaim an \"expertise in alienation\" that Jewish authors have lost since the immediate years following World War II. The destruction of Israel (or the Jewish Hurban) is depicted in both novels as a utopian dystopia, a national Jewish entity blown away to small diasporic pieces. The growing preoccupation of writers with Israel is identified here not only as a testament of the gradual separation of many Jews in America from what they perceive to be an oppressive, colonizing state, but in supplementary aesthetic terms as well—the national center against which Jewish American writers imagine their own otherness.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"161 - 181"},"PeriodicalIF":0.3,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42347396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rise of Gitl Podkovnik: Rereading Abraham Cahan's Yekl through the Lens of Its Heroine","authors":"Or Rogovin","doi":"10.5325/studamerjewilite.39.2.0196","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.2.0196","url":null,"abstract":"ABSTRACT:The critical discourse on Abraham Cahan's Yekl: A Tale of the New York Ghetto (1896) has given most of its attention to Yekl/Jake Podkovnik, the novel's explicit hero, leaving the character of his wife, Gitl, mostly overlooked. This trend is unfortunate because Gitl is a central and complex character whose role throughout the narrative is essential not only to its plot development, but also to the formation of its meaning as an immigrant novel. As my close reading of the novel demonstrates, by the story's end, the pious Lithuanian \"greenhorn\" undergoes a process of unexpected and empowering growth, as a woman and as a Jew, which presents a competing alternative to Jake's view of assimilation. While partially observable on the textual surface, this process unfolds most forcefully through the various mechanisms—dress and speech, semiotic components, dialogues of gazes, manipulation of readers' sympathy—that Cahan employs in portraying Gitl's emergence (and Jake's demise). Examining these mechanisms and synthesizing their effects in telling Gitl's story comprise the focus of my discussion, which is framed within Cahan's overall portrayal of women and pays special attention to his craft of characterization, another aspect of Yekl that critics have ignored far too long.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"196 - 216"},"PeriodicalIF":0.3,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46609779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"One Day Our Warmest Friend; the Next Our Bitterest Enemy\": Mordecai Manuel Noah and the Black-Jewish Imaginary","authors":"Jacob Crane","doi":"10.5325/studamerjewilite.39.2.0182","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.2.0182","url":null,"abstract":"Abstract:This article explores the often contentious relationship between early American Jewish writer Mordecai Manuel Noah and the African American community in 1820s New York City. I argue that recent critical discussions of Noah's contributions to Jewish American literature have neglected to confront the author's racist attacks against the city's free black population. However, rather than asking the obvious and perhaps unanswerable question of whether Noah's racism overshadows his Jewish activism, I pursue a different question: what did Noah's Jewishness mean to the African Americans he engaged with? In developing this question I examine how Noah's complicated relationship with the African American community actually gave rise to a vibrant discourse that compared the roles of Jewish and African identities in antebellum America. I argue that reckoning with this complex relationship offers us the opportunity to interrogate not only the shifting meanings of whiteness and Jewishness in the period but also the metaphors of \"doubleness\" that pervade models of minority identity and readings of both Jewish American and African American literature.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"182 - 195"},"PeriodicalIF":0.3,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42888232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rethinking the Stories of Rembrandt's Hat, by Bernard Malamud","authors":"C. B. Burch, Paul-William Burch","doi":"10.5325/studamerjewilite.39.2.0217","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.2.0217","url":null,"abstract":"ABSTRACT:A rethinking of Bernard Malamud's Rembrandt's Hat (1973), a collection of ten of Malamud's least obviously \"Jewish\" stories, reminds us not only of the changing literary zeitgeist but also the turmoil of Malamud's life in the late 1960s and early '70s. Although Jews people these stories, Jewishness is not a central issue of the collection. Rather, Jewishness and the nature of contemporary life itself are marginal, questionable, ambiguous; the stories explore the themes of communication and faith, the frustrated artist, and especially the responsibility of being human—what it means to be a mentsch—all issues with which Malamud personally wrestled. Malamud weaves that bundle of themes—communication, faith, frustrated artist, mentschlekeit—into the stories, which complement and comment upon one another, carrying on a thematic dialogue among themselves. Each pair of stories, back-to-back, echoes one another's themes and concerns. Thus the ten stories in the book constitute five pairs of stories held in tension with one another, and these late stories place Malamud as a writer whose work is a transition from the period of emergence to the period of \"getting away\" in Jewish American literature.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"217 - 234"},"PeriodicalIF":0.3,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49535623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Warsaw Ghetto in American Art and Culture by Samantha Baskind (review)","authors":"Andrew Bush","doi":"10.5325/studamerjewilite.39.2.0252","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.2.0252","url":null,"abstract":"Samantha Baskind’s The Warsaw Ghetto in American Art and Culture offers a profound, broad-ranging, multimedia analysis of American responses to the armed Jewish uprising against the Nazis in Warsaw from Passover eve, April 19, to May 16, 1943—a resistance, as is often pointed out, that lasted longer than the defense of Poland and almost as long as the Battle of France. Baskind examines American cultural responses ranging from a radio drama broadcast in June 1943, only weeks after the defeat of the insurgency and the killing or scattering of the Jews who had suffered and fought in the Warsaw Ghetto, to present-day visits to the United States Holocaust Museum and Memorial. The book generally follows the chronological unfolding of those responses, with chapters focusing on In the Presence of Mine Enemies (1959) and other television plays by Rod Serling along with Millard Lampell’s theatrical adaptations (1960 and 1964) of John Hersey’s seminal novel The Wall (1950); Leon Uris’s bestselling novel about the Warsaw Ghetto, Mila 18 (1962), in relation to his prior novel Exodus (1958) and its film adaptation (1960) about the armed conflict leading to the founding of the State of Israel; the late paintings (1990s) of Samuel Bak (b. 1933), a child-survivor of the Vilna Ghetto; and the comics of Joe Kubert, from the early 1970s to his graphic novel Yossel: April 19, 1943 (2011). In each case, Baskind judiciously adduces related materials, whether contemporaneous texts, parallels, and precedents from the history of art, later images attesting to the impact of the principle works under study, or “paratexts” (a term she borrows from literary theorist Gerard Genette), such as the AN DREW BUSH VSSAR COLEGE","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"252 - 256"},"PeriodicalIF":0.3,"publicationDate":"2020-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47232526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Magical American Jew: The Enigma of Difference in Contemporary Jewish American Short Fiction and Film by Aaron Tillman (review)","authors":"David Hadar","doi":"10.5325/studamerjewilite.39.2.0248","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.2.0248","url":null,"abstract":"Aaron Tillman’s Magical American Jew: The Enigma of Difference in Contemporary Jewish American Short Fiction and Film is a worthy contribution to our understanding of the workings of Jewish identity within a number of canonical as well as less known short stories, a movie, and a stand-up performance. Tillman is skilled at reading the interplay of belonging in the United States and being an outsider at the same time, even in texts by writers and performers who are deeply assimilated into American culture. He brings forward a variety of themes and perspectives such as excess, masochism, shame, trauma, Judaism as a religion, and narcissism to present different aspects of his main theme, which is the dual identity of Jews as it is expressed in magical realist works of fiction and film. This main theme, magical realism in Jewish American culture, however, is the Achilles’ heel of this book when one looks at it as a unified text and not one chapter at a time. Even though each chapter on its own is highly useful for either teaching or building one’s own argument about a specific artist, I remain unconvinced by the argument that Magical American Jew presents as a whole. The issue that bothers Tillman is that of the elusive difference within Jewish American identity. American Jews feel, look, and act more or less like any other white American, and yet there remains a sense that they maintain a unique identity. Tillman characterizes this “indefinite yet undeniable difference” as “enigmatic” (2). That is to say, the survival of Jewish particularity is explored not on the basis of sociology or culture, but as mystifying conundrum, indeed an enigma. AV ID H ADAR EIT BERL COLEGE","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"248 - 251"},"PeriodicalIF":0.3,"publicationDate":"2020-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45826885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Oppression by Orgasm”: Pornography and Antisemitism in Far-Right Discourses in the United States Since the 1970s","authors":"Kerl","doi":"10.5325/studamerjewilite.39.1.0117","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.1.0117","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"117"},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Improbable Spectacles”: White Supremacy, Christian Hegemony, and the Dark Side of the Judenfrage","authors":"Ratskoff","doi":"10.5325/studamerjewilite.39.1.0017","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.1.0017","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"17"},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Israel Question after Trump—and Before","authors":"Doug Rossinow","doi":"10.5325/studamerjewilite.39.1.0093","DOIUrl":"https://doi.org/10.5325/studamerjewilite.39.1.0093","url":null,"abstract":"","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"93-116"},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70898523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}