{"title":"波德科夫尼克的崛起:从女主人公的视角重读亚伯拉罕·卡汉的《叶克尔》","authors":"Or Rogovin","doi":"10.5325/studamerjewilite.39.2.0196","DOIUrl":null,"url":null,"abstract":"ABSTRACT:The critical discourse on Abraham Cahan's Yekl: A Tale of the New York Ghetto (1896) has given most of its attention to Yekl/Jake Podkovnik, the novel's explicit hero, leaving the character of his wife, Gitl, mostly overlooked. This trend is unfortunate because Gitl is a central and complex character whose role throughout the narrative is essential not only to its plot development, but also to the formation of its meaning as an immigrant novel. As my close reading of the novel demonstrates, by the story's end, the pious Lithuanian \"greenhorn\" undergoes a process of unexpected and empowering growth, as a woman and as a Jew, which presents a competing alternative to Jake's view of assimilation. While partially observable on the textual surface, this process unfolds most forcefully through the various mechanisms—dress and speech, semiotic components, dialogues of gazes, manipulation of readers' sympathy—that Cahan employs in portraying Gitl's emergence (and Jake's demise). Examining these mechanisms and synthesizing their effects in telling Gitl's story comprise the focus of my discussion, which is framed within Cahan's overall portrayal of women and pays special attention to his craft of characterization, another aspect of Yekl that critics have ignored far too long.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"39 1","pages":"196 - 216"},"PeriodicalIF":0.3000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Rise of Gitl Podkovnik: Rereading Abraham Cahan's Yekl through the Lens of Its Heroine\",\"authors\":\"Or Rogovin\",\"doi\":\"10.5325/studamerjewilite.39.2.0196\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:The critical discourse on Abraham Cahan's Yekl: A Tale of the New York Ghetto (1896) has given most of its attention to Yekl/Jake Podkovnik, the novel's explicit hero, leaving the character of his wife, Gitl, mostly overlooked. This trend is unfortunate because Gitl is a central and complex character whose role throughout the narrative is essential not only to its plot development, but also to the formation of its meaning as an immigrant novel. As my close reading of the novel demonstrates, by the story's end, the pious Lithuanian \\\"greenhorn\\\" undergoes a process of unexpected and empowering growth, as a woman and as a Jew, which presents a competing alternative to Jake's view of assimilation. While partially observable on the textual surface, this process unfolds most forcefully through the various mechanisms—dress and speech, semiotic components, dialogues of gazes, manipulation of readers' sympathy—that Cahan employs in portraying Gitl's emergence (and Jake's demise). Examining these mechanisms and synthesizing their effects in telling Gitl's story comprise the focus of my discussion, which is framed within Cahan's overall portrayal of women and pays special attention to his craft of characterization, another aspect of Yekl that critics have ignored far too long.\",\"PeriodicalId\":41533,\"journal\":{\"name\":\"Studies in American Jewish Literature\",\"volume\":\"39 1\",\"pages\":\"196 - 216\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in American Jewish Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/studamerjewilite.39.2.0196\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in American Jewish Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/studamerjewilite.39.2.0196","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 1
摘要
摘要:亚伯拉罕·卡汉(Abraham Cahan)的《耶克尔:纽约贫民区的故事》(Yekl:A Tale of The New York Ghetto,1896)在评论中,大部分注意力都集中在小说中露骨的主人公耶克尔/杰克·波德科夫尼克身上,而他的妻子吉特尔(Gitl)这个角色却被忽视了。这种趋势是不幸的,因为Gitl是一个中心而复杂的人物,他在整个叙事中的角色不仅对其情节发展至关重要,而且对其移民小说意义的形成也至关重要。正如我对这部小说的细读所表明的那样,在故事的结尾,虔诚的立陶宛“绿角”作为一名女性和一名犹太人,经历了一个意想不到的、充满力量的成长过程,这为杰克的同化观提供了一个相互竞争的选择。虽然在文本表面上可以部分观察到,但这一过程最有力地通过各种机制展开——服装和言语、符号学成分、凝视的对话、对读者同情的操纵——卡汉在描绘吉特尔的出现(以及杰克的死亡)时使用了这些机制。研究这些机制并综合它们在讲述Gitl故事中的效果是我讨论的重点,这是在Cahan对女性的整体刻画中进行的,并特别关注他的人物塑造技巧,这是评论家们长期忽视的Yekl的另一个方面。
The Rise of Gitl Podkovnik: Rereading Abraham Cahan's Yekl through the Lens of Its Heroine
ABSTRACT:The critical discourse on Abraham Cahan's Yekl: A Tale of the New York Ghetto (1896) has given most of its attention to Yekl/Jake Podkovnik, the novel's explicit hero, leaving the character of his wife, Gitl, mostly overlooked. This trend is unfortunate because Gitl is a central and complex character whose role throughout the narrative is essential not only to its plot development, but also to the formation of its meaning as an immigrant novel. As my close reading of the novel demonstrates, by the story's end, the pious Lithuanian "greenhorn" undergoes a process of unexpected and empowering growth, as a woman and as a Jew, which presents a competing alternative to Jake's view of assimilation. While partially observable on the textual surface, this process unfolds most forcefully through the various mechanisms—dress and speech, semiotic components, dialogues of gazes, manipulation of readers' sympathy—that Cahan employs in portraying Gitl's emergence (and Jake's demise). Examining these mechanisms and synthesizing their effects in telling Gitl's story comprise the focus of my discussion, which is framed within Cahan's overall portrayal of women and pays special attention to his craft of characterization, another aspect of Yekl that critics have ignored far too long.