游牧与停滞在透明中

IF 0.3 3区 文学 0 LITERATURE, AMERICAN
Ranen Omer‐Sherman
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引用次数: 0

摘要

摘要:Joey Soloway(原名Jill)将犹太故事视为一个永恒的流浪——身份之间、身体之间、归属领域之间。虽然《透明》可以说与不受约束的个人主义一样关注关系性和相互依存性,但在该系列徘徊和停滞之间的紧张对立中,索洛维将徘徊的广阔、开放的身份置于伴随休息或到来的狭隘的单一身份之上。回顾这部电视剧的发展历程,它对失落、困惑和不稳定的不确定性的强调最突出地出现在拉比拉克尔在第三季开始时的令人回味的话语中,当时她正在努力进行关于逾越节的布道。该系列不时地重温或以其他方式唤起《创世纪》的破裂,即伴随着所有人类流亡者的猫的罪责感;从花园,亚伯拉罕的Lech Lacha(“让你离开你的国家,离开你的出生地,离开你父亲的家”),以实玛利被驱逐到沙漠,摩押人露丝的故事,每一个都提供了丰富迂回的地形,反复的游荡,在普费曼部落的不确定性和混乱的命运中讽刺地强调了这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nomadism and Stasis in Transparent
ABSTRACT:Joey Soloway (previously known as Jill) approaches the Jewish story as one of perpetual wandering—between identities, between bodies, between realms of belonging. While Transparent is as arguably concerned with relationality and interdependence as untethered individualism, in the series' tense opposition between wandering and stasis, Soloway privileges the expansive, open-ended identity of wandering over the narrowly proscribed monolithic identity that accompanies rest or arrival. Looking back on how the series has evolved, its emphasis on loss, confusion, and unsettled indeterminacy occurs most emphatically in Rabbi Raquel's evocative words launching the third season as she struggles with a sermon about Passover. At one time or another the series revisits or otherwise evokes the ruptures of Genesis, the sense of felix culpa that accompanies all human exiles; from the Garden, Abraham's Lech Lacha ("Get you gone from your country and from your birthplace and from your father's house"), the expulsion of Ishmael into the desert, the narrative of Ruth the Moabite, each offering richly circuitous terrains, repetitions of wandering, wryly underscored in the uncertainties and scrambled destinies of the Pfefferman tribe.
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来源期刊
CiteScore
0.30
自引率
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发文量
15
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