前/被占领的渴望:在乔纳森-萨弗兰-福尔的《万物皆明》中为 "后怀旧 "下定义

IF 0.1 3区 文学 0 LITERATURE, AMERICAN
Lucas F. W. Wilson
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引用次数: 0

摘要

ABSTRACT:This article presents a theoretical formulation that names an experience that is common to many third-generation protagonists in the literature written by the grandchildren of Holocaust survivors: postnostalgia.后怀旧是一种被采纳的 "怀旧"--尽管它实际上并不是对一个地方和一个时代的怀旧,而这些地方和时代是后代们从未经历过的,但他们却像经历过一样渴望着。这种近似于 "乡愁 "的形式之所以强大,是因为它是对他们与之相关的特定地方的一种情感上的持久回应,因为他们的家族曾经是如何占据这些地方的。本文以乔纳森-萨夫兰-福尔(Jonathan Safran Foer)的《万物皆明》(Everything Is Illuminated)为例,描述了第三代主人公如何通过探访家族故土的生活遗址,试图发现 "浩劫 "前的生活。这种 "后怀旧 "的表述方式让我们了解到第三代文学作品中幸存者的后代是如何对其继承的创伤做出反应的,同时也阐明了被称为 "朝圣 "的前往 "浩劫 "前家庭生活遗址的普遍现象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pre/Occupied Longing: Toward a Definition of Postnostalgia in Jonathan Safran Foer's Everything Is Illuminated
ABSTRACT:This article presents a theoretical formulation that names an experience that is common to many third-generation protagonists in the literature written by the grandchildren of Holocaust survivors: postnostalgia. Postnostalgia is an adopted "nostalgia"—though it not actually nostalgia—for a place and a time that descendants have never lived but long for as if they have. This almost-form of "nostalgia" is powerful because it is an affective and persistent response to the particular places to which they are connected, given how their families once occupied those milieus. This article treats Jonathan Safran Foer's Everything Is Illuminated, which serves as a representation of how third-generation protagonists commonly attempt to discover pre-Shoah life by visiting the sites of family life in their family's native lands. This formulation of postnostalgia offers insight into how survivors' descendants in third-generation literature have responded to their inherited traumas, elucidating the common phenomenon of what is referred to as "pilgrimages" to sites of pre-Shoah family life.
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CiteScore
0.30
自引率
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发文量
15
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