Studies in American Jewish Literature最新文献

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From Displaced Persons to Secular Saints: Holocaust Survivors, Jewish Identity, and Gender in the Writings of Zelda Popkin 从流离失所的人到世俗的圣徒:大屠杀幸存者,犹太人的身份和性别在塞尔达·波普金的作品
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2018-03-09 DOI: 10.5325/STUDAMERJEWILITE.37.1.0001
J. Popkin
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引用次数: 1
Family Business: Charles Reznikoff in Text and Textile 家族企业:查尔斯·雷兹尼科夫的文本和纺织
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2018-03-09 DOI: 10.5325/STUDAMERJEWILITE.37.1.0037
J. Wall
{"title":"Family Business: Charles Reznikoff in Text and Textile","authors":"J. Wall","doi":"10.5325/STUDAMERJEWILITE.37.1.0037","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.37.1.0037","url":null,"abstract":"Abstract:Charles Reznikoff, according to established scholarship, is an exemplar of disinheritance, an ideal representative for the modernist and modern Jewish self. But Reznikoff also inherits and finds in this an alternative to both urban capitalism and market-influenced modernist publishing. Manually setting type at a printing press in his parents' basement, Reznikoff self-published many of his early books while also working in the family clothing business. Writing was a craft that continued, rather than broke from, his family trade. His production of texts, following his depiction of his parents' textile-work in the rarely examined memoir Family Chronicle, takes part in what we can term a \"fabriculture\" that resists commodity valuation in modern industry and modernist publishing. In the 1930 novel By the Waters of Manhattan, Reznikoff's protagonist uses the fabricultural lessons of material production to rescue the individuality of the self from the anonymity and interchangeability of the modern city. Reznikoff's poetry and prose weave together his parents' lives in textile with his own in text, establishing this inherited family trade as a metaphor for crafting a whole garment from the disparate elements of the modern Jewish self.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"37 1","pages":"37 - 55"},"PeriodicalIF":0.3,"publicationDate":"2018-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41851316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Introduction 介绍
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2018-03-09 DOI: 10.12987/9780300257564-001
Rachel S. Rubinstein
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引用次数: 0
A "problem-anthology" “问题选集”
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2018-03-09 DOI: 10.5325/STUDAMERJEWILITE.37.1.0066
Esther H. Schor
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引用次数: 0
A Tale of Two Jewish Studies: From Ron Meshbesher to the Rashbam 两个犹太人研究的故事:从罗恩·梅什谢尔到拉什巴姆
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2017-09-14 DOI: 10.5325/STUDAMERJEWILITE.36.2.0117
Adam Zachary Newton
{"title":"A Tale of Two Jewish Studies: From Ron Meshbesher to the Rashbam","authors":"Adam Zachary Newton","doi":"10.5325/STUDAMERJEWILITE.36.2.0117","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.2.0117","url":null,"abstract":"abstract: This speculative essay counterpoints a post-classical version of Jewish Studies, prompted by a 2010 AJS conference session on the Coen brothers’ A Serious Man with the more Wissenschaftlich discipline-driven and canonical model devoted to the classical sources of Judaism and Jews’ diachronic development. Premodern and postmodern strategies of narrative, or, as this essay terms them, renarration and denarration, will offer twin foci and points of contact, as I reflect on internally dialogical possibilities for Jewish Studies even beyond the “conversation across disciplinary boundaries” envisioned for the field by the editors of the “AJS Review” in respect to the 2010 session above. Particular attention is given to the 11th c. Torah exegete from Troyes known as the Rashbam on one hand and to Walter Benjamin and Derrida on the other, towards a Jewish Studies-inflected vision of what the latter called the “Humanities of the future.”","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"117 - 157"},"PeriodicalIF":0.3,"publicationDate":"2017-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47979312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Didactic Motherhood and Narrative Responsibility in Anca Vlasopolos’s Memoir No Return Address 安卡·弗拉索波洛斯回忆录《无回信地址》中的说教性母性与叙事责任
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2017-09-14 DOI: 10.5325/STUDAMERJEWILITE.36.2.0158
Roxana Cazan
{"title":"Didactic Motherhood and Narrative Responsibility in Anca Vlasopolos’s Memoir No Return Address","authors":"Roxana Cazan","doi":"10.5325/STUDAMERJEWILITE.36.2.0158","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.2.0158","url":null,"abstract":"In this paper, I first argue that as a second generation Romanian-American Jewish writer, Vlasopolos offers representations of what I call didactic motherhood in her memoir: a form of maternal care through which mothers explain past traumas to younger generations, highlighting the ways in which the past produces their current selves and arbitrating the transmission of trauma intra-generationally. Through the didactic function of mothers, Vlasopolos demonstrates that motherhood ensures Jewish women’s psychological and genealogical endurance in the face of Fascist and Communist anti-Semitism. The memoir also indicates that Jewish women’s personal motivation to become mothers stems from their needs to maintain a distinctive political and historical identity and to foster an awareness of a legacy that Fascism and Communism in Romania ignored altogether. In No Return Address, the maternal implicates the memoirist in two ways. First, Vlasopolos is a daughter, engaging in meaningful relationships with her mother and other “mother” figures who survived the Holocaust and Romanian Fascism (1923–1943). Second, the author is a mother in the timeframe of the writing act, responding disapprovingly to state anti-Semitism, state patriarchy, and her knowledge of Communism (1945–1989) mostly from her mother.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"158 - 176"},"PeriodicalIF":0.3,"publicationDate":"2017-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44500704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Text, Terrain, and Temporality: Re-exploring Judaism in Allegra Goodman’s The Cookbook Collector 文本、地形和暂时性:在Allegra Goodman的《食谱收藏家》中重新探索犹太教
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2017-09-14 DOI: 10.5325/STUDAMERJEWILITE.36.2.0177
Maya Socolovsky
{"title":"Text, Terrain, and Temporality: Re-exploring Judaism in Allegra Goodman’s The Cookbook Collector","authors":"Maya Socolovsky","doi":"10.5325/STUDAMERJEWILITE.36.2.0177","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.2.0177","url":null,"abstract":"abstract: In this article I explore Allegra Goodman’s 2010 novel The Cookbook Collector, which has received no critical attention. In part the novel is extremely timely in that it signals our contemporary concern with materiality, in which digitalization seems to portend the erasure of print culture and at the same time cause a reactive and romantic embrace of tangible physical texts. At another level, the novel also attempts to re-address the position and role of Judaism during the dotcom boom and bust era of 1999–2002. I argue that while compared to Goodman’s earlier works this novel appears to situate Judaism peripherally, it in fact endorses what I term a strong Jewish “sensibility” because of its focus on texts (letters and cookbooks in particular, Torah as a more implicit backdrop). I examine the presentation of texts as archives (as sites of memory and also as anticipatory absences), texts as both utterances and material objects, the relationship between texts and terrain (the natural landscape), and texts and temporality, noting the way that Judaism seems to offer, in the novel, a reconciliation of memory (physical text versus uttered text), and identity (collective versus individualistic).","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"177 - 204"},"PeriodicalIF":0.3,"publicationDate":"2017-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45310927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lionel Trilling’s Jewish “Reverberation” of February 1944 莱昂内尔·特里林1944年2月的犹太歌曲《回响》
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2017-09-14 DOI: 10.5325/STUDAMERJEWILITE.36.2.0205
R. Benjamin
{"title":"Lionel Trilling’s Jewish “Reverberation” of February 1944","authors":"R. Benjamin","doi":"10.5325/STUDAMERJEWILITE.36.2.0205","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.2.0205","url":null,"abstract":"In February 1944, the Contemporary Jewish Record published the responses of eleven young Jewish intellectuals under forty to questions about their identity as Jews. The most “visceral” and rancorous response, rationalizing his “ minimal” Jewish involvement, came from Lionel Trilling. The fact that Trilling, nearing age forty, responded at all and responded so viscerally seemed out of character. Trilling in his writing and persona was known as gracious, reserved, balanced. He had barely addressed Jewish concerns since 1931. As the author of acclaimed works on Matthew Arnold and E.M. Forster and close to becoming the first tenured Jew in Columbia’s English department, he seemed to have transcended anxieties as a Jew he had expressed earlier in his writing. This essay will try to explain the disparity between what Trilling seemed to be in 1944 and how he responded. To do so, it will analyze the long-fuse to Trilling’s 1944 outburst and then the outburst itself. It will judge Trilling and like-minded Jewish contemporaries within the three cultural-historical contexts of the mid to late 1920s, the 1930s, and the early to mid 1940s. In these contexts, Trilling and the Zionist writer Ludwig Lewisohn were adversaries. Their prolonged, ultimately nasty feud will be signified.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"205 - 228"},"PeriodicalIF":0.3,"publicationDate":"2017-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43516020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Saul Bellow’s Spain 索尔·贝娄的西班牙
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2017-03-07 DOI: 10.5325/STUDAMERJEWILITE.36.1.0061
Andrew M. Gordon
{"title":"Saul Bellow’s Spain","authors":"Andrew M. Gordon","doi":"10.5325/STUDAMERJEWILITE.36.1.0061","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.1.0061","url":null,"abstract":"Saul Bellow loved Spain and Spanish culture and mined his experience there in three pieces: “Spanish Letter,” a nonfiction account; “The Gonzaga Manuscripts,” a short story; and a section in Humboldt’s Gift in which Charlie Citrine goes to Madrid. In his fiction Bellow uses Spain as a place where his idealistic and somewhat foolish heroes go on a typical Bellovian journey, a personal and spiritual quest in which they undergo humiliation and self-mortification—a comedic quest that in this context can only be called quixotic.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"61 - 70"},"PeriodicalIF":0.3,"publicationDate":"2017-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45977869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Likely Jew: Magneto, the Holocaust, and Comic-Book History 一个可能的犹太人:万磁王、大屠杀和漫画历史
IF 0.3 3区 文学
Studies in American Jewish Literature Pub Date : 2017-03-07 DOI: 10.5325/STUDAMERJEWILITE.36.1.0001
S. Smith
{"title":"A Likely Jew: Magneto, the Holocaust, and Comic-Book History","authors":"S. Smith","doi":"10.5325/STUDAMERJEWILITE.36.1.0001","DOIUrl":"https://doi.org/10.5325/STUDAMERJEWILITE.36.1.0001","url":null,"abstract":"ABSTRACT:This article examines the appropriation of the Holocaust as an “origin story” for the character of Magneto from the X-Men comics. The traumatic origin is a common trope in superhero comics, but the case of Magneto is significant for several reasons. The X-Men comics in the late 1970s and 1980s used the legacy of the Holocaust as a means to transform the Magneto character from villain to hero. This inclusion of the Holocaust was partly a response to contemporary developments in American observances of the Holocaust (creative and institutional). Even though this conflation of history and fiction was meant to facilitate a new identity, it yielded a vexed identity politics that endured in the comics for decades. Magneto had originally been a villain, defined by his notions of genetic supremacy and his willingness to employ mass violence against those he deemed genetically inferior. These early associations remained in the character even as they were insistently overwritten by his (new) past as a Holocaust survivor. At the same time, the comics refrained from identifying Magneto as a Jew—that identity was suggested but never stated. The result was a controversial paradox, a character who was both Nazi and Jew.","PeriodicalId":41533,"journal":{"name":"Studies in American Jewish Literature","volume":"36 1","pages":"1 - 39"},"PeriodicalIF":0.3,"publicationDate":"2017-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43874851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
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