Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education最新文献

{"title":"Intertextual сohesion as a tool for interpreting the author’s idea (“Fatima” by K.L. Khetagurov)","authors":"I. V. Mamieva","doi":"10.20339/phs.4-23.053","DOIUrl":"https://doi.org/10.20339/phs.4-23.053","url":null,"abstract":"An important, if not the main, link in the intertextual relations of the poem “Fatima” by Kosta Khetagurov (1859–1906), the founder of Ossetian literature, which has fallen out of the field of view of researchers, is identified, namely, the interaction with “Poltava” by A.S. Pushkin. The goal is to determine the features of the author’s poetic dialogue with the aesthetics of the specified work. The rich range of lexical and ideological and semantic similarities with the precedent texts of Russian classics, previously outlined by the Khetagur scholars, is expanded in the article in terms of revealing the functional and semantic potential of references to “Poltava”. The study of intertextual convergence is carried out at the level of elements of autographic paratext (dedication, epilogue), the key idea of the work, the microtext of a separate image of the hero (Mazepa — Dzhambulat, Maria — Fatima, Kochubey — Naib). Particular attention is paid to the structural and stylistic commonality: a combination of romanticism and realism, plot-compositional reminiscences, a complex of motives for forbidden love, “rebellion” against the foundations of fathers, madness, oblivion, etc. It is shown that deep analogies with Pushkin’s poem are induced by the idea of doomed resistance to the course of History. At the same time, K. Khetagurov’s concept of Progress, in line with the artistic reception of Poltava, has been amended that are not related to the narrative, which are considered in the article from the standpoint of an ontological imbalance in displaying the theme of “man and his choice” (the tragedy of the personal destinies of the heroes who find themselves at the epicenter of the confrontation between the old and the new). It is concluded that the semantically significant inclusions from “Poltava”, together with the intertextual background already established in Ossetian philology, indicate the polygenetic nature of the artistic world of the poem “Fatima”, which should be considered within the framework of the transmission of the literary tradition and, in general, as a result of Kosta Khetagurov’s deep integration into Russian culture.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83219778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Franz Kafka’s reading circle as a representation of the historical discourse of the beginning of the 20th century","authors":"M. M. Ozhigova","doi":"10.20339/phs.4-23.141","DOIUrl":"https://doi.org/10.20339/phs.4-23.141","url":null,"abstract":"The article deals with the receptive aspect of the work of the German-speaking writer Franz Kafka, namely his reading circle, reflected in diary entries and letters. The reading circle is analyzed in order to understand how the peculiarities of a certain historical discourse manifest themselves through the prism of the writer’s perception. The author separates the concepts of historical “discourse” and historical “context”, and based on the terminology and works of Michel Foucault, and shows how Kafka’s diaries and letters represent not particular historical events, but the general background, atmosphere, and a certain discourse of that time. At the same time, Kafka’s figure was not chosen by chance. His prose is immanent and practically does not reflect historical events. At the same time, despite the significance of the period from the beginning of the century until the writer’s death in 1924, his diaries and letters contain little information of the era. The article deals with both Kafka’s contemporaries and writers of the past, no longer related to the discourse of the beginning of the 20th century. On the one hand, I.V. Goethe and V. Dilthey. On the other hand, such contemporaries as Maximilian Garden, Maurice Rosenfeld and David Edelstadt, who wrote in Yiddish, and as well as Rudolf Steiner, who was popular at that time. The author offers a new look at the phenomenon of discursivity, and shows how the historical discourse of the beginning of the 20th century is “viewed” through Kafka’s selection of these authors, without assessments of historical events.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"110 5","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72537027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Duality and simulacrum in the artistic world of V.M. Shukshin","authors":"Natalia I. Zavgorodnaya, A. Kulyapin","doi":"10.20339/phs.4-23.107","DOIUrl":"https://doi.org/10.20339/phs.4-23.107","url":null,"abstract":"In his youth, Shukshin “half-jokingly tried to resemble the “great ones”. Jack London, Lenin, even Stalin”. After the twentieth Congress of the CPSU, Shukshin radically changed his life-creating guidelines. During his studies at VGIK, Stepan Razin became his idol. Too abrupt a change in the model of everyday behavior indicates not so much the intensity of the young Shukshin’s search, as the presence of a serious internal conflict. The writer managed to solve psychological problems relatively successfully, but the heroes of his works often come to a complete rejection of the true Self in the name of the false Self. For example, the hero of the story “Milles pardon, Madame!”, on the one hand, constructs his fantastic false Self, on the other — is full of contempt for the authentic Self. It is characteristic that real life begins for Bron’ka only at the moment when he completely renounces his true Self. The tragic aspect of the theme of duality comes to the surface in the story “Suraz”. The coexistence of an “angel” and a “striped snake” in Spirka turns his persona into a Janus-like one. The hero is not engaged in constructing his “ideal Self”, a romantic double (Byron) is imposed on him from the outside. In this version, the outcome of the struggle with his “shadow” is the most dramatic, everything ends with suicide, which surprisingly resembles murder.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"98 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89902910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The individual-author myth about Leo Tolstoy in M. Gorky’s essay “Leo Tolstoy” (To the problem of Tolstoy’s text in M. Gorky’s work)","authors":"Valeria V. Kurianova","doi":"10.20339/phs.4-23.061","DOIUrl":"https://doi.org/10.20339/phs.4-23.061","url":null,"abstract":"In the article on the material of M. Gorky’s essay “Leo Tolstoy” elements of Tolstoy’s text as a named supertext of literature are considered. It is stated that the basis of this text is a myth about Leo Tolstoy, which has been actively developing for a century and a half, but takes on a particular relevance in the early 20th century during the popularization of the spiritual heritage of the writer and the understanding of his tragic departure from Yasnaya Polyana. The Tolstoy text in the works of M. Gorky is extensive, with mythologized constant representations appearing in almost all of the writer’s fiction texts. The intermediate result of the writer’s mythologizing of Leo Tolstoy’s personality was an essay about him with the same name. This research shows how exactly in this publicist text Gorky creates his own unique myth of Leo Tolstoy, which reflects both the particular attitude of his younger contemporary to the great Russian writer, and his own beliefs about the contradictions and ambiguities of the real genius. Attention is focused on the uniqueness of Tolstoy’s text in the work of “the first proletarian writer”. The Tolstoy myth, as any other myth, can have a sacred or profane nature, in the essay M. Gorky combines both directions.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"327 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80390163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"M. Gorky “About the Russian peasantry”: Problematics, poetics, historical context","authors":"Natalia N. Primochkina","doi":"10.20339/phs.4-23.092","DOIUrl":"https://doi.org/10.20339/phs.4-23.092","url":null,"abstract":"The article examines Gorky’s special, negatively distrustful attitude towards the Russian peasantry, whose political and spiritual conservatism could prevent, in the writer’s opinion, the realization of the socialist ideals of the revolution. During the 1917 revolution and the Civil War, it seemed to Gorky that it was the Russian “peasant” who could ruin the revolution and that the revolution itself was inexorably turning into a brutal struggle between town and village, workers and intellectuals on the one hand and peasants on the other. The result of the writer ‘s intense reflections in 1917–1921. Gorky’s artistic and journalistic article “On the Russian Peasantry” (1922) was about the fate of his native people and its role in the revolution, which became his first major public appearance in the press after leaving Russia for Europe. Based on Gorky’s negative attitude towards the Russian peasantry, it seems quite natural that the writer at the turn of the 1920–30s supported the Bolshevik policy of universal collectivization of the village. Moreover, it was the radical breaking of the foundations of village life that made him believe in the “truly socialist character” of the October Revolution.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"22 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83279766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Accidental approach, or “Memory of the genre”: Andrei Platonov’s story “The Cow” and Vladimir Narbut’s Easter story “Unexpected Joy”","authors":"Roman R. Kozhukharov","doi":"10.20339/phs.4-23.102","DOIUrl":"https://doi.org/10.20339/phs.4-23.102","url":null,"abstract":"The article presents the experience of comparing A. Platonov’s story “The Cow” and V. Narbut’s Easter story “Unexpected Joy”. The presence of the gospel context, which is significant for both works, is found, among other things, at the level of the genre. Fixing the features of the Christmas and Easter stories allows us to correlate the analyzed texts with the prose of N. Leskov, F. Dostoevsky, A. Chekhov, M. Sholokhov in line with the concept of “memory of the genre” by M.M. Bakhtin.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"2810 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86499582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The tradition of N. Hawthorne in the work of I.S. Turgenev: “The Inn” and “The House of Seven Gables”","authors":"Ivan O. Volkov","doi":"10.20339/phs.3-23.064","DOIUrl":"https://doi.org/10.20339/phs.3-23.064","url":null,"abstract":"The article deals with the problem of Turgenev’s perception of works written by Hawthorn. For the Russian writer, the period between the 1840–50s turned out to be a time of crisis in artistic manner, which was associated with the writer's movement towards the genre of the novel and the complication of the type of writing. The novel The House of Seven Gables with its genre synthesis and bright socio-ethical orientation attracted Turgenev. Having become acquainted with Hawthorne's novel, he created the story The Inn based on the circumstances and traditions of Russian life. The closeness of the two works can be seen already at the level of titles, which express the essence of the aspirations of the heroes and their position in the world. In addition to the commonality of conceptual names, the similarity between the novel and the story is also manifested in their expositions. It was the first pages of The House of Seven Gables that served Turgenev as creative material and the center for the design of the dramatic story The Inn. There is an obvious similarity in the use of a contrasting description when depicting the past and present of the house of Colonel Pinchen and the “estate” of Naum Ivanov, with the help of which an ethical assessment of the events is built. The owners of these houses are equally dissimilar: on the one hand, an aristocrat, “an eminent and influential gentleman” with an “inflexible will”, on the other, a modest tiller of the land, but skillful and dexterous. Turgenev repeats this opposition in his own way, deducing the peasant, the smart peasant Akim and the practical and prudent tradesman Naum as the main characters. Turgenev and Hawthorne clearly emphasize social inequality, which develops into an ethical conflict, and both authors show that the differences in the position and status of the heroes are inversely proportional to their personal merits.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"209 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76474497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Realization of softness of Russian consonants in the oral speech of Russian-speaking bilinguals in Germany","authors":"Anastasia Yu. Vikhrova, Tatiana V. Lypkan, N. Fedotova","doi":"10.20339/phs.3-23.003","DOIUrl":"https://doi.org/10.20339/phs.3-23.003","url":null,"abstract":"The purpose of this study was to investigate the presence or absence of an i-shaped transition (i-glide) between a consonant and a vowel in 300 syllables. The object of study is the interference speech of Russian-speaking bilinguals in Germany. The subject of the research is Russian soft consonants. Methods for studying material — instrumental analysis of the material using the Praat computer program (version 6.0.26). As a result of the study, 300 syllables with soft consonants in various positions in the word were analyzed. Material of study is phonetically representative text. As a result of the study, the absence of the i-shaped transition (i-glide) in the speech of children was found 83 times (27%) in the speech of parents 32 times (10%). In children, the problem arose in the area of sonants, affricates in different positions. Parents made mistakes when implementing sonants at the beginning, middle and end of a word, as well as labial and anterolingual consonants in the middle of a word and some affricates. The above-described group of people (parents) represents native Russian speakers, for whom Russian is a native language from their birth. Obviously, the constant presence in the German-speaking environment influences oral speech, however, as we can clearly see, the pronunciation norm did not suffer much from the influence of a “foreign” language","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"5 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79199442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Optimization and deconstruction of the poetic: Audio performance by Sergey Samoylenko","authors":"O. Gorelov","doi":"10.20339/phs.3-23.106","DOIUrl":"https://doi.org/10.20339/phs.3-23.106","url":null,"abstract":"The article is devoted to the problem of adaptation of poetry to media environments unusual for it. For the first time the substantiation and theoretical analysis of the concepts of optimization and deconstruction is presented as a dialectical pair, which makes it possible to evaluate the intermedial phenomena of recontextualization and resemantization. One of the accompanying tasks of the article is to identify the artistic possibilities of optimization, to clarify its significance for cross-modal interactions. The material is an audio performance by Sergey Samoylenko “Poetry on the Market: (Non)Market Values”. As a result, the component composition and design of the project, tasks and results, the use of adaptive technologies (deconstruction, optimization, agreement) were analyzed. It was shown that performance consists of components that take into account possible future optimization, includes an exploratory, critical setting, and therefore deconstructive logic manifests itself, for example, in the choice of material and space. However, the adaptive processes of the performance itself came into conflict with the deconstruction-optimization design of the idea, which showed the need to take into account the natural optimization coming from the recipients themselves, since it is precisely this that is a transgressive element that creates the artistic potential of creative optimization.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"41 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88733077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"About the specifics and principles of building a new generation of Lezginsky-Russian dictionary","authors":"A. Gasharova, A. T. Akamov","doi":"10.20339/phs.3-23.153","DOIUrl":"https://doi.org/10.20339/phs.3-23.153","url":null,"abstract":"The article highlights the results of the development of principles for the presentation of vocabulary material in the new Lezginsky-Russian dictionary. This dictionary is an academic type dictionary and is part of a series of second-generation translation and explanatory dictionaries. The dictionary serves as a reference book about the meanings, grammatical features, communicative possibilities of the words of the modern Lezgian language. This is a fundamentally new experience of collecting and systematizing the vocabulary of the Lezgian language, associated with solving the issues of designing dictionary entries and developing word meanings. The new edition of the dictionary differs significantly from the previous one both in the volume and structure of each dictionary entry, which is supplemented with new lexemes, meanings and expressions that have enriched the Lezgian language over the past decades. The development of theoretical issues of Lezgian (Dagestan) lexicography is important for its further development.","PeriodicalId":40803,"journal":{"name":"Filologicheskie Nauki-Nauchnye Doklady Vysshei Shkoly-Philological Sciences-Scientific Essays of Higher Education","volume":"2 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78427117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}