卡夫卡的阅读圈作为20世纪初历史话语的代表

IF 0.1 0 LANGUAGE & LINGUISTICS
M. M. Ozhigova
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引用次数: 0

摘要

本文探讨德语作家弗朗茨·卡夫卡作品的接受方面,即他的阅读圈,反映在日记和信件中。通过对阅读圈的分析,我们可以理解某一历史话语的特殊性是如何通过作者感知的棱镜表现出来的。作者将历史“话语”和历史“语境”的概念分开,以福柯的术语和作品为基础,说明卡夫卡的日记和信件所代表的不是特定的历史事件,而是当时的总体背景、氛围和某种话语。同时,卡夫卡的形象也不是偶然选择的。他的散文是内在的,实际上并不反映历史事件。与此同时,尽管从本世纪初到作家1924年去世这段时间意义重大,但他的日记和信件中几乎没有关于这个时代的信息。这篇文章既涉及卡夫卡同时代的作家,也涉及过去的作家,不再涉及20世纪初的话语。一方面是歌德和狄尔泰。另一方面,像马克西米利安·加登,莫里斯·罗森菲尔德和大卫·埃德尔施塔特这样的同时代人,他们用意第绪语写作,还有鲁道夫·施泰纳,他在当时很受欢迎。作者对话语现象提供了一个新的视角,并展示了如何通过卡夫卡选择这些作者来“观看”20世纪初的历史话语,而不是对历史事件的评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Franz Kafka’s reading circle as a representation of the historical discourse of the beginning of the 20th century
The article deals with the receptive aspect of the work of the German-speaking writer Franz Kafka, namely his reading circle, reflected in diary entries and letters. The reading circle is analyzed in order to understand how the peculiarities of a certain historical discourse manifest themselves through the prism of the writer’s perception. The author separates the concepts of historical “discourse” and historical “context”, and based on the terminology and works of Michel Foucault, and shows how Kafka’s diaries and letters represent not particular historical events, but the general background, atmosphere, and a certain discourse of that time. At the same time, Kafka’s figure was not chosen by chance. His prose is immanent and practically does not reflect historical events. At the same time, despite the significance of the period from the beginning of the century until the writer’s death in 1924, his diaries and letters contain little information of the era. The article deals with both Kafka’s contemporaries and writers of the past, no longer related to the discourse of the beginning of the 20th century. On the one hand, I.V. Goethe and V. Dilthey. On the other hand, such contemporaries as Maximilian Garden, Maurice Rosenfeld and David Edelstadt, who wrote in Yiddish, and as well as Rudolf Steiner, who was popular at that time. The author offers a new look at the phenomenon of discursivity, and shows how the historical discourse of the beginning of the 20th century is “viewed” through Kafka’s selection of these authors, without assessments of historical events.
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