Pan-Art Pub Date : 2023-01-10 DOI: 10.30853/pa20230005

L. L. Krupina

{"title":"J. W. von Goethe’s Ideas of Natural Philosophy in N. K. Medtner’s Virtual Vocal Cycle","authors":"L. L. Krupina","doi":"10.30853/pa20230005","DOIUrl":"https://doi.org/10.30853/pa20230005","url":null,"abstract":"The study aims to substantiate that the commonality of themes and the features of the tonal scheme of three songs by N. K. Medtner based on J. W. von Goethe’s poems “In Passing by”, “Found”, “The Violet”, united by the ideas of natural philosophy, suggest the possibility of mentally combining them into a single cyclic work with three parts – a virtual vocal cycle. The paper presents the idea of Goethe’s natural philosophy about the problem of the relationship between man and nature, reflected in his poetic works; analyses the musical content of three songs by N. K. Medtner based on J. W. von Goethe’s poems “In Passing by”, “Found”, “The Violet”. The scientific novelty of the study lies in determining the musical means of combining three songs by N. K. Medtner based on J. W. von Goethe’s poems “In Passing by”, “Found”, “The Violet”. As a result, it has been proved that Goethe symbolically depicts the problem of the relationship between man and nature in his poems in three versions – positive, neutral and dismissive; the integrity of the virtual cycle proposed by us is ensured not only by the tonal scheme, but also by the plot logic of Goethe’s poems.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128446853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Chamber and Vocal Creative Work of Joseph Haydn. Part 2 约瑟夫·海顿的室内乐和声乐创作。第2部分

Pan-Art Pub Date : 2023-01-10 DOI: 10.30853/pa20230002

S. Tarasov

{"title":"Chamber and Vocal Creative Work of Joseph Haydn. Part 2","authors":"S. Tarasov","doi":"10.30853/pa20230002","DOIUrl":"https://doi.org/10.30853/pa20230002","url":null,"abstract":"The purpose of this research paper is devoted to the still little-studied problem of identifying the relations between the vocal and instrumental factors in Haydn’s music. In the paper the vocal cycle «VI ORIGINAL CANZONETTAS» is analyzed. It comprises the combination of independent and finished by the form of songs subordinate to the same artistic design. The composer follows the basic principle of the integration of parts into a cycle – the principle of music character contrast – and dramatically unites separate sketches, moods and images with the same author’s point of view. The success of this cycle was due to lyrics chosen by the composer. The novelty of the research lies in the determination of Haydn’s vocal music specificity characterized by rather complex relations of text and music in terms of both content and expression. As a result, it is proved that the maturity of expression appeared in Haydn’s style under the influence of fresh London impressions and is clearly observed in English songs. This is evident in the use of the musical language for composing the works of the other genres in London (primarily, symphonies). So the composer raises the vocal genre to a qualitatively different stage leading directly to Schubert.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117267453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“The Fine” and “The Expressive” in Hugo Wolf’s Songs 《雨果·沃尔夫之歌》中的“精致”和“表达”

Pan-Art Pub Date : 2022-10-30 DOI: 10.30853/pa20220016

Tatiana Borisovna Reznitckaia

{"title":"“The Fine” and “The Expressive” in Hugo Wolf’s Songs","authors":"Tatiana Borisovna Reznitckaia","doi":"10.30853/pa20220016","DOIUrl":"https://doi.org/10.30853/pa20220016","url":null,"abstract":"The purpose of this research paper is the characterize the creative heritage of Hugo Wolf from the position of “the fine” and “the expressive” in hic chamber and vocal compositions. There are more than three hundred of the composer’s songs which comprises the vocal cycles on the poems of H. Heine, E. Mörike, J. Eichendorff, J. Goethe, G. Keller, M. Buonarroti and the samples of author’s and folk poetry of Spain and Italy in the translation of E. Geibel and P. Heyse that were set to music. All these compositions rightfully belong to the gold fund of the Austro-German Lied. The paper presents the fact that Wolf strove for the maximum convergence of verbal and musical components and chose the word intonation sphere or poetic phase as an original unit to show the full literary centrist tendencies of that time. The scientific novelty lies in the determination of the main features of Wolf’s chamber and vocal compositions such as fine art origin; landscape sketches where the nature plays the role of the main character; picturesqueness which is given even at the level of transmission of external properties of objects; active usage of the ability of musical intonation for imitating sounds; movement factor presented in metrorhythmic, tempo, dynamic parameters of tonal structures; expressiveness of musical portraits. It is grounded that Wolf sought to show the truthful and multilateral artistic reality embodied in a poetic original source.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115110383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Vectors of Artistic Interpretations of the Theme “Seasons” in the Choral Music of the XX century: By the Example of A. Kiselyov’s and V. Khodosh’s Works 二十世纪合唱音乐“季节”主题艺术诠释的载体——以A.基谢廖夫和V.霍多什的作品为例

Pan-Art Pub Date : 2022-10-30 DOI: 10.30853/pa20220019

Elena Aleksandrovna Popova

引用次数: 0

Chamber and Vocal Creative Work of Joseph Haydn. Part 1 约瑟夫·海顿的室内乐和声乐创作。第1部分

Pan-Art Pub Date : 2022-10-30 DOI: 10.30853/pa20220020

S. Tarasov

引用次数: 0

The World of True Incarnations of the Word: On the Creation of Russian Lyrics for F. Schubert’s Songs 世界的真实化身——论舒伯特歌曲的俄语歌词创作

Pan-Art Pub Date : 2022-10-30 DOI: 10.30853/pa20220017

Raisa Mikhailovna Alisova

引用次数: 0

The Philosophy of Sergei Prokofiev 谢尔盖·普罗科菲耶夫的哲学

Pan-Art Pub Date : 2022-10-30 DOI: 10.30853/pa20220018

I. Kondakov

引用次数: 0

Demchenko A. I. Semantic Concepts of the World Artistic Heritage. Moscow, 2021. 614 p.: Opinion Paper 德姆琴科。世界艺术遗产的语义概念。莫斯科,2021年。614页:意见文件

Pan-Art Pub Date : 2022-07-30 DOI: 10.30853/panart20220021

Lyudmila Sergeevna Pestryakova

引用次数: 0

Balalaika: Performing Traditions of the Orenburg Region in the XIX – Mid-XX Century 巴拉莱卡:十九世纪至二十世纪中叶奥伦堡地区的表演传统

Pan-Art Pub Date : 2022-07-30 DOI: 10.30853/pa20220014

Svetlana Valentinovna Ivanova

引用次数: 0

“I Sing of You, My Fatherland”: The Creative Work of Tambov Authors in the 1930s-1950s 《我为你歌唱，我的祖国》:20世纪30 - 50年代坦波夫作家的创作

Pan-Art Pub Date : 2022-07-30 DOI: 10.30853/pa20220011

Elena Olegovna Kaz’mina

{"title":"“I Sing of You, My Fatherland”: The Creative Work of Tambov Authors in the 1930s-1950s","authors":"Elena Olegovna Kaz’mina","doi":"10.30853/pa20220011","DOIUrl":"https://doi.org/10.30853/pa20220011","url":null,"abstract":"The aim of the study is to identify the direction of the thematic sphere in the creative work of Tambov authors of the 1930s-1950s (composers, artists, theatre professionals). The paper determines the significant themes and motifs embodied in musical works, paintings, theatrical productions of artists of the Tambov region. The scientific novelty of the study is accounted for by the fact that it presents a panorama of the themes found in the creative work of Tambov authors of the 30s-50s of the XX century, which makes it possible to determine how the Soviet reality was reflected in the works under consideration. As a result of the study, it has been found that in the works of Tambov composers, artists, theatre directors of the 1930s-1950s, the emotional modes of this era are revealed, i.e. the enthusiasm of the “pioneers” in socialism building at the beginning of the period, the heroic opposition to and victory over fascism, the spirit-lifting efforts to rebuild the devastated country during the postwar years; in addition, it has been determined that in the 50s, the search for the image of a contemporary hero led to the authors’ interest in local history themes – the nature and people of the Tambov region.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"71 1-3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116603783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pan-Art最新文献