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Soviet Symbols and Language Use in Three Hungarian Feature Films Made in the Early 1950s 1950年代初三部匈牙利故事片中的苏联符号和语言使用
Pan-Art Pub Date : 2022-07-30 DOI: 10.30853/pa20220013
Gocsál Ákos
{"title":"Soviet Symbols and Language Use in Three Hungarian Feature Films Made in the Early 1950s","authors":"Gocsál Ákos","doi":"10.30853/pa20220013","DOIUrl":"https://doi.org/10.30853/pa20220013","url":null,"abstract":"The paper aims to reveal Soviet symbols in Hungarian feature films made in the early 1950s. Using the films “Civil a pályán” (Civilians on the Field, 1951), “Becsület és dicsőség” (Honor and Glory, 1951) and “Dalolva szép az élet” (Singing Makes Life Beautiful, 1950) as examples, the work analyses the details appearing in the feature films that may be in some way associated with the Soviet Union (internal and external spaces; people’s dress; objects other than pieces of decoration; verbal references and songs; a Soviet visitor; other aspects related to everyday life). The author identifies forms of address used by the characters indicating the relationship between various groups (namely, communist leaders, workers, saboteurs). Scientific novelty lies in proving that there is strong Soviet influence in the analysed feature films, since not only visible Soviet symbols, but also verbal references and even a case of a Soviet worker appearing in person were discovered. The research findings showed that forms of address in the feature films under consideration helped to clearly define a hierarchy in the depicted society, highlighting the importance of the community of workers and reflecting an awareness of collectivism.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125962546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Formation of Children’s Opera in Russian Musical Culture in the Early XX Century 20世纪初俄罗斯音乐文化中儿童歌剧的形成
Pan-Art Pub Date : 2022-07-30 DOI: 10.30853/pa20220012
E. Sorokina
{"title":"Formation of Children’s Opera in Russian Musical Culture in the Early XX Century","authors":"E. Sorokina","doi":"10.30853/pa20220012","DOIUrl":"https://doi.org/10.30853/pa20220012","url":null,"abstract":"The research aims to shed light on the peculiarities of the formation of an opera genre for children’s audiences – children’s opera – in the history of the development of Russian musical culture in the early XX century. The paper examines and analyses vivid examples of children’s opera written by outstanding composers, “The Snow Bogatyr” by С. A. Cui, “The Mouse Tower”, “The Dream of the Fir” by A. T. Gretchaninov. Scientific novelty lies in identifying the originality of the musical language of the children’s opera works under consideration, in particular, it is determined that the opera action is “commented” through repeated themes, motifs, intonations, individual elements, sound-expressive techniques enhance the detail of musical speech, while the musical language of the work serves as the main narrator, the carrier of the main fairy-tale function in children’s opera. As a result of the research, the author comes to the conclusion that a pedagogical orientation contributing to children’s education is manifested in the specified detailed principle of the musical language of children’s operas.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133051013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Russian Folk Songs in F. I. Chaliapin’s Repertoire: Interpretation of Folklore Singing Traditions in Academic Performance 查利亚平剧目中的俄罗斯民歌:学术演出中民间歌唱传统的解读
Pan-Art Pub Date : 2022-05-31 DOI: 10.30853/pa20220007
Irina Egorova, Matvei Vyacheslavovich Matveev
{"title":"Russian Folk Songs in F. I. Chaliapin’s Repertoire: Interpretation of Folklore Singing Traditions in Academic Performance","authors":"Irina Egorova, Matvei Vyacheslavovich Matveev","doi":"10.30853/pa20220007","DOIUrl":"https://doi.org/10.30853/pa20220007","url":null,"abstract":"The study aims to prove that F. I. Chaliapin became an unsurpassed interpreter of Russian songs included in his repertoire. The paper presents a detailed performance analysis of Chaliapin’s interpretation of folk songs “Eh, Vanka” and “Dubinushka (Russian Laborers’ Song)”; shows the interpretations of folklore singing traditions in F. I. Chaliapin’s academic performance. The novelty of the paper lies in substantiating the fact that intonation in F. I. Chaliapin’s creative work becomes the main conduit for the performing idea of a composition. As a result, it has been determined that such traditional techniques of folk culture as the complete freedom of intonation and rhythmic utterance; bending, stops inside a phrase with the help of agogic extensions; an abundance of fermata over a note and over a rest; strict restraint and concentration focused on the movement of thought and feeling are traced in Chaliapin’s style of performing folk songs.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126754529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Study and Performance Interpretation of Piano Works by Old Masters: A Methodological Aspect (by the Example of D. Scarlatti’s Creative Work) 古典钢琴大师作品的研究与演奏解读:方法论的视角(以斯卡拉蒂的创作作品为例)
Pan-Art Pub Date : 2022-05-31 DOI: 10.30853/pa20220006
Roksana Leonidovna Donina, Lyubov Antonovna Stetskaya
{"title":"Study and Performance Interpretation of Piano Works by Old Masters: A Methodological Aspect (by the Example of D. Scarlatti’s Creative Work)","authors":"Roksana Leonidovna Donina, Lyubov Antonovna Stetskaya","doi":"10.30853/pa20220006","DOIUrl":"https://doi.org/10.30853/pa20220006","url":null,"abstract":"The paper aims to develop methodological recommendations for conducting a study and performance interpretation of piano works by old masters using D. Scarlatti’s creative work as an example. The scientific novelty of the research is accounted for by the fact that the attention of music scholars is primarily focused on the theoretical aspects of studying D. Scarlatti’s creative work, while the practical issues related to the methodology of study and the peculiarities of the performance interpretation of the composer’s clavier music heritage remain overlooked. As a result of the research, the authors come to the conclusion that the task of the teachers studying D. Scarlatti’s works with their students lies in the need to get the students to capture a “living breath” in the music of the past that was innovative and original for the time of its creation in their performance interpretation.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114852941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Divergence as a Criterion of Musical Performance Quality 发散作为音乐演奏质量的标准
Pan-Art Pub Date : 2022-05-31 DOI: 10.30853/pa20220008
Elena Vasil’evna Mstislavskaya
{"title":"Divergence as a Criterion of Musical Performance Quality","authors":"Elena Vasil’evna Mstislavskaya","doi":"10.30853/pa20220008","DOIUrl":"https://doi.org/10.30853/pa20220008","url":null,"abstract":"The purpose of the study is to substantiate that divergence is a criterion of musical performance quality. The material presented in the paper is addressed to those musicians whose musical abilities do not manifest themselves in the obviously higher sides of the cognitive sphere, for example, in phenomenal memory, etc. The paper considers two aspects of a musician’s creative activities – the intellectual one and the emotional one; determines the roles of divergent qualities of a musician. The novelty of the study lies in a scientific substantiation of divergent thinking development in musical performance practice. As a result, the main issues of educating a modern performing musician have been identified. The comprehension of some of the scientific positions given in the paper can contribute to increasing the importance of intellectual work in musical performance and determining the individual trajectory of a musician’s professional development taking into account the specified factor.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114573596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
East and West in the traditions of the State Museum of the History of St. Petersburg “Peter and Paul Fortress” 圣彼得堡国家历史博物馆“彼得和保罗要塞”的东西方传统
Pan-Art Pub Date : 2022-05-31 DOI: 10.30853/pa20220009
Sofia Valerievna Mozgot
{"title":"East and West in the traditions of the State Museum of the History of St. Petersburg “Peter and Paul Fortress”","authors":"Sofia Valerievna Mozgot","doi":"10.30853/pa20220009","DOIUrl":"https://doi.org/10.30853/pa20220009","url":null,"abstract":"The aim of the paper is to show the presentation of architecture traditions of the East and West in the State Museum of the History of St. Petersburg “Peter and Paul Fortress”. The article describes the historical background about the creation of “Peter and Paul Fortress” as a fortification in the beginning of the XVIII century. The major sites of “Peter and Paul Fortress” are introduced such as Petrovsky Gate, Trubetskoy Bastion Prison, Peter and Paul Cathedral. The most significant events connected with the development of this historical monument are discussed. It is concluded that the synthesis of the East and West traditions and history creates the unique beauty of this architectural and historical complex and shows the origins of architecture of the past epochs.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127716352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Understanding of the War in “The Blockade Chronicle” by Boris Tishchenko 在鲍里斯·季先科的《封锁纪事》中对战争的理解
Pan-Art Pub Date : 2022-05-31 DOI: 10.30853/pa20220010
E. Matveeva
{"title":"Understanding of the War in “The Blockade Chronicle” by Boris Tishchenko","authors":"E. Matveeva","doi":"10.30853/pa20220010","DOIUrl":"https://doi.org/10.30853/pa20220010","url":null,"abstract":"The study aims to show the understanding of the war in the post-war creative work of Boris Tishchenko, embodying the most universal values of life. The paper describes the “Leningrad” symphony by D. D. Shostakovich (1941) as the personification of Leningraders’ suffering and resistance, as a symbol of confidence in victory; presents a brief biography of B. Tishchenko, a student and follower of D. D. Shostakovich; analyses the program symphony “The Blockade Chronicle”, which reflects the perception of the war in all its unsightliness, inhumanity and senselessness. The scientific novelty of the study lies in determining the main features of the program symphony “The Blockade Chronicle”, such as the cinematic quality and theatricality, presented in the form of recordings of the sound component reflecting real military events. Such a sound component is an integral part of the symphony and requires the use of an expanded percussion section in addition to a large symphony orchestra for its performance. As a result, it has been proved that the image of the war in B. Tishchenko’s symphony “The Blockade Chronicle” is primarily associated with the irretrievable loss of the most beautiful and pure things, with the loss of humanity by a person.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117249096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Variation as the Dominant Factor in the Form Creation of I. Stravinsky’s Cycle “Four Russian Songs for Soprano, Flute, Harp and Guitar” 变奏是斯特拉文斯基《俄罗斯女高音、长笛、竖琴和吉他四首歌》曲式创作中的主导因素
Pan-Art Pub Date : 2022-02-28 DOI: 10.30853/pa20220004
Anastasiya Sergeevna Yeremchuk
{"title":"Variation as the Dominant Factor in the Form Creation of I. Stravinsky’s Cycle “Four Russian Songs for Soprano, Flute, Harp and Guitar”","authors":"Anastasiya Sergeevna Yeremchuk","doi":"10.30853/pa20220004","DOIUrl":"https://doi.org/10.30853/pa20220004","url":null,"abstract":"The research aims to substantiate that I. Stravinsky’s creative work is still relevant and innovative today in terms of updating the means of musical expression, searching for original timbre combinations, interpreting the features of Russian folklore in the modern musical language. The paper analyses I. Stravinsky’s cycle containing four Russian songs “Four Russian Songs for Soprano, Flute, Harp and Guitar” based on folk verses. The scientific novelty of the research lies in identifying the basic principle for the development of all elements of I. Stravinsky’s musical language, i.e. variation, which determines the form of each song in conjunction with its genre features. As a result, it has been proved that in each song of I. Stravinsky’s cycle “Four Russian Songs for Soprano, Flute, Harp and Guitar”, the fundamental method of forming a musical composition is the diversity of development variation, while the intonation mass shimmering with different tones is controlled by rhythm.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133697272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Film Music by A. Schnittke: The Range of Literary Images A. Schnittke的电影音乐:文学形象的范围
Pan-Art Pub Date : 2022-02-28 DOI: 10.30853/pa20220002
Alfiya Faritovna Miroshkina
{"title":"Film Music by A. Schnittke: The Range of Literary Images","authors":"Alfiya Faritovna Miroshkina","doi":"10.30853/pa20220002","DOIUrl":"https://doi.org/10.30853/pa20220002","url":null,"abstract":"The paper is devoted to the characterisation of the range of artistic images from classical and modern literature of the XX century in Alfred Schnittke’s musical score for feature films. His work in cinema led the composer to a dialogue with such major poets and writers as A. Pushkin, A. Chekhov, L. Tolstoy, M. Bulgakov and contemporaries V. Rasputin, O. Bergholz, V. Astafyev, V. Panova, Yu. Bondarev, V. Grossman. The novelty of the research lies in determining the peculiarities of A. Schnittke’s interpretation of literary works in connection with their film adaptations. As a result, the main themes of Schnittke’s film music creative work, concordant with his views on the themes of “the artist and the world”, “life and death”, “man and his choice”, “Epoch – time – Man”, have been presented.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"4 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123347059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“An Optimistic Tragedy” by A. Kholminov: From Chaos to Harmony A.霍尔米诺夫的《乐观悲剧》:从混乱到和谐
Pan-Art Pub Date : 2022-02-28 DOI: 10.30853/pa20220003
Elena Anatolyevna Kozovchinkaja
{"title":"“An Optimistic Tragedy” by A. Kholminov: From Chaos to Harmony","authors":"Elena Anatolyevna Kozovchinkaja","doi":"10.30853/pa20220003","DOIUrl":"https://doi.org/10.30853/pa20220003","url":null,"abstract":"The aim of the study is to identify the categories characterising the diversity of the opera genre that have become integral components of A. Kholminov’s operas. The paper presents the content-related essence of V. Vishnevsky’s play “An Optimistic Tragedy”, which formed the basis of A. Kholminov’s opera. The scientific novelty of the study lies in determining the main feature of the Commissar’s portrait, i.e. melodiousness based on the couplet form, simple diatonic motifs supported by stable degrees, uncomplicated harmonic connections, declamations. As a result, it has been found that A. Kholminov’s opera “An Optimistic Tragedy” has all the defining features of the opera of the XX century: introducing epistolary heritage and documentary information into the libretto; polystylistics at the stage level; using the means of related art forms; orientation to mass character; “a director’s split-screen”.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133995106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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