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The ethno-mythological motif as a resource in the modern visual art of Siberia 作为西伯利亚现代视觉艺术资源的民族神话主题
Pan-Art Pub Date : 2024-07-25 DOI: 10.30853/pa20240026
Darina Evgenevna Gerasimenko
{"title":"The ethno-mythological motif as a resource in the modern visual art of Siberia","authors":"Darina Evgenevna Gerasimenko","doi":"10.30853/pa20240026","DOIUrl":"https://doi.org/10.30853/pa20240026","url":null,"abstract":"The article explores how the mythological beliefs of the indigenous peoples of Siberia have influenced the creation of artistic images in the work of contemporary Siberian artists. The goal of this study is to understand the role and presence of ethno-mythological motifs in the art of Siberia in the 21st century. The article briefly outlines the main stages of how these motifs have developed in Siberian art. It also examines the images that artists commonly use and classifies them. The scientific novelty of this research lies in introducing the names of new artists into scholarly discourse. As a result, it has been discovered that the imagery in many works is rooted in universal symbolism, which is characteristic of various world cultures. A significant portion of these images includes depictions of spirits who are the guardians of the land, animals, and anthropomorphic figures found on Neolithic artworks from the region, as well as in shamanic symbols, ethnic, mythological representations of the Siberian peoples, and folklore texts. In essence, traditional culture serves as a framework that gives shape to the semantic content of these artistic creations.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"57 26","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141804624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frankfurt “The Enchantress” by P. I. Tchaikovsky (2022) in the aspect of musical semiotics 法兰克福:音乐符号学方面的 P. I. 柴可夫斯基《魔女》(2022 年
Pan-Art Pub Date : 2024-07-05 DOI: 10.30853/pa20240025
Mengqi Shao
{"title":"Frankfurt “The Enchantress” by P. I. Tchaikovsky (2022) in the aspect of musical semiotics","authors":"Mengqi Shao","doi":"10.30853/pa20240025","DOIUrl":"https://doi.org/10.30853/pa20240025","url":null,"abstract":"The paper touches on a number of issues of musical and theatrical semiotics. Within the framework of a semiotic approach to a musical material, the author examines the phenomenon of musical code, the evolution of a director’s role in the co-creation of the final integral theatrical product and the appearance of a trend for directorial dominance. Taking as an example P. I. Tchaikovsky’s opera “The Enchantress” (2022 г.) staged by the Frankfurt Opera House and relying on, in particular, I. V. Kochubey’s “Doctrine about the Everyday Things Order”. The author analyzes the functioning of the system of “details” within the framework of a director’s intention, relating to the various levels: musical, plot-compositional, plastic-objective ones. The purpose of the study is to identify the cause-and-effect relationships in the semiotic reading of the stage production of “The Enchantress” by P. I. Tchaikovsky. The scientific novelty of the work is seen by the author in the fact that for the first time the problem of the director's reading of an opera text and its perception by the viewer from structural-semiotic, hermeneutical, phenomenological positions, as an important component of the expressive system of modern musical and theatrical production, is specifically studied. As a result of the study, it was established that an operatic work is capable of creating new readings, interacting with a changing cultural and ideological context. As a result of the study, it was established that an operatic work is capable of creating new readings, interacting with a changing cultural and ideological context.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"56 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141837357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artistic and graphic features of visual communication of dairy market brands 乳制品市场品牌视觉传播的艺术和图形特征
Pan-Art Pub Date : 2024-07-01 DOI: 10.30853/pa20240023
Maria Alexandrovna Ovchinnikova, I.S. Samoylenko
{"title":"Artistic and graphic features of visual communication of dairy market brands","authors":"Maria Alexandrovna Ovchinnikova, I.S. Samoylenko","doi":"10.30853/pa20240023","DOIUrl":"https://doi.org/10.30853/pa20240023","url":null,"abstract":"The purpose of the study is to identify the artistic and graphic features of the visual communication of dairy market brands. The article clarifies the role of the artistic and graphic component of brand communication and the role of packaging in branding in general and in the category of dairy products in particular. The main trends in the development of society and their reflection in consumer behavior and trends in the artistic and graphic component of packaging in the dairy market, as well as their impact on the semantic and artistic field of communication in the category of dairy products, are considered. As a result, data are provided on the study of the features of visual communication of brands-leaders of the dairy products market \"Prostokvashino\", \"House in the village\", \"Village Green\", \"Vkusnoteevo\", within which visual codes used by brands in the formation of an identical image are identified, which are of practical importance in the development of startup brands in the dairy category. The scientific novelty of this work lies in presenting previously unused integrated approach to the study of dairy market brands, which includes both the study of branding aspects from a marketing point of view, and the study of translated meanings using visual messages – codes formed by the form factor and packaging material and a set of artistic and graphic messages on the package, providing a holistic perception of brand image, as well as the correlation of messages with trends in the development of society and consumer behavior.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"398 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141852484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ways of myth-making and their specifics (based on Umberto Eco’s literary and publicistic texts) 创造神话的方式及其特殊性(根据翁贝托-艾柯的文学和宣传文本)
Pan-Art Pub Date : 2024-05-23 DOI: 10.30853/pa20240016
Alyona Dmitrievna Fofanova, E. Zakablukovskiy
{"title":"Ways of myth-making and their specifics (based on Umberto Eco’s literary and publicistic texts)","authors":"Alyona Dmitrievna Fofanova, E. Zakablukovskiy","doi":"10.30853/pa20240016","DOIUrl":"https://doi.org/10.30853/pa20240016","url":null,"abstract":"The study aims to identify the specifics of myth-making techniques that are comprehended and tested by the 20th- and 21st-century European philosopher Umberto Eco in his numerous publicistic and literary texts. As a result of the study, classifications of the “traditional” ways of myth-making (the reference to traditional mythologized archetypes, the use of binary oppositions, etc.) and the “modern” ways (double coding, depersonalization, discreteness of history, etc.), determined by the cultural and historical context of postmodernism and post-structuralism were provided. Using these classifications, the significance and influence of myth and myth-making techniques on thinking, human behavior, and cultural and historical processes of past and modern eras were proven. The paper is novel in that by analyzing the complex of Umberto Eco’s texts, myth is considered as the most important construct both of human culture and human thinking. The mechanisms of constructing certain types of modern myths, as well as the ways of their influence on the mass consciousness, on historical and socio-cultural processes are described.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"42 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141107841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artistic originality of paintings on the theme of the Great Patriotic War in the creative work of A. P. Kholmogorov 霍尔莫戈罗夫伟大卫国战争题材绘画作品的艺术独创性
Pan-Art Pub Date : 2024-05-06 DOI: 10.30853/pa20240015
Dmitry Alexandrovich Driaev
{"title":"Artistic originality of paintings on the theme of the Great Patriotic War in the creative work of A. P. Kholmogorov","authors":"Dmitry Alexandrovich Driaev","doi":"10.30853/pa20240015","DOIUrl":"https://doi.org/10.30853/pa20240015","url":null,"abstract":"The paper analyzes original approaches by the RSFSR People’s Artist A. P. Kholmogorov to the theme of the Great Patriotic War revealed in the artist’s paintings and texts. The latter sources have not yet been analyzed in biographical studies. The scientific novelty of the paper lies in updating the content of the painting of the Soviet period associated with the theme of the Great Patriotic War heroes, in focusing on little-studied aspects of A. P. Kholmogorov’s creative work, as well as in introducing new sources into scientific use. These are diaries, articles in printed media outlets, and published interviews, which are presented to readers for the first time. As a result of analysing paintings and archival materials, the role of the specified topic in the artist’s creative work has been revealed. It consists in preserving the historical memory of the events and heroes of the Great Patriotic War. A. P. Kholmogorov’s paintings reflect historical events and convey an atmosphere of heroism and patriotism.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"49 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141009120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The implementation of a complex of pedagogical technologies in classes on musical-instrumental training as one of the aspects of forming artist performance competence among students in a pedagogical university 在音乐-乐器培训课程中实施综合教学技术,作为培养师范大学学生艺术家表演能力的一个方面
Pan-Art Pub Date : 2024-03-20 DOI: 10.30853/pa20240009
Anastasiia Yurievna Mariach, Tatiana Anatolievna Shipilkina
{"title":"The implementation of a complex of pedagogical technologies in classes on musical-instrumental training as one of the aspects of forming artist performance competence among students in a pedagogical university","authors":"Anastasiia Yurievna Mariach, Tatiana Anatolievna Shipilkina","doi":"10.30853/pa20240009","DOIUrl":"https://doi.org/10.30853/pa20240009","url":null,"abstract":"The aim of the research is to justify the necessity and demonstrate the potential of implementing a set of pedagogical technologies in classes on musical-instrumental training for students in a pedagogical university. The article reveals the content of technological support and demonstrates the algorithm of the process of forming artist performance competence among students in a pedagogical university through the implementation of a selected set of pedagogical technologies. The research novelty lies in the justification and demonstration of the technological nature of the process of musical-instrumental training for students in a pedagogical university. The technological organization of musical-instrumental training for learners is seen as a necessary condition for the development of artist performance competence in future teacher-musicians. The study uncovers the content of pedagogical support and the technological organization of the process of forming artist performance competence among students in a pedagogical university during classes on musical-instrumental training. It is proven that the development of artist performance competence among students in a pedagogical university will be more effective if a complex of pedagogical technologies is implemented: goal-setting and planning of educational activities, game modeling of learning situations, development of auditory-motor coordination and formation of artist performance skills, reflexive metacognitive skills, intonation-stylistic piano playing instruction. An algorithm for implementing the process of developing artist performance competence in classes on musical-instrumental training for students of a pedagogical university has been developed.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"28 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140225994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dimitri Bouchène on the stage of the Théâtre de l’Athénée. Costume sketches for Louis Jouvet’s productions 迪米特里-布歇(Dimitri Bouchène)在亚泰剧院的舞台上。路易-于韦作品的服装草图
Pan-Art Pub Date : 2024-03-01 DOI: 10.30853/pa20240008
I. V. Guruleva
{"title":"Dimitri Bouchène on the stage of the Théâtre de l’Athénée. Costume sketches for Louis Jouvet’s productions","authors":"I. V. Guruleva","doi":"10.30853/pa20240008","DOIUrl":"https://doi.org/10.30853/pa20240008","url":null,"abstract":"The aim of the research is to examine and analyze the works created by the artist Dimitri Bouchène (1893-1993) for Louis Jouvet’s Théâtre de l’Athénée in Paris. The paper studies the costumes designed by Bouchène for the performances of “Tessa” and “Electra” in 1934 and 1937 respectively, shining a light on the reviews by critics on these productions and their staging. The scientific novelty of the research lies in gathering previously scattered information and images related to the creation of “Tessa” and “Electra”. These are the only dramatic productions where Dimitri Bouchène, who is known primarily for his work in musical theatre scenography, was involved in the set design. The research highlights a stage in the artist’s creative path, which coincided with the period of developing his individual style and distinctive character. The early stage of Bouchène’s work for the theatre in Paris is marked by diversity and a search for his own direction and creative signature. The paper emphasizes the high praise given by critics to Bouchène’s work, particularly regarding the play “Electra”.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"657 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140281274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creative work of Vladimir Cherny – from the images of M. I. Glinka to modernity 弗拉基米尔-车尔尼的创作--从 M. I. 格林卡的形象到现代性
Pan-Art Pub Date : 2024-02-08 DOI: 10.30853/pa20240003
E. Skorobogacheva
{"title":"Creative work of Vladimir Cherny – from the images of M. I. Glinka to modernity","authors":"E. Skorobogacheva","doi":"10.30853/pa20240003","DOIUrl":"https://doi.org/10.30853/pa20240003","url":null,"abstract":"The aim of the research is to identify the genesis and artistic-semantic specifics of the creative work of the modern artist V. A. Cherny. The paper examines the main themes, figurative interpretations, and ideological dominants of his paintings, which testify to the development – the continuity of traditions and innovation – of Russian academic art. The paper is novel in that it is the first to analyze the little-studied creative work of V. A. Cherny from a scientific perspective, while a number of his paintings and archival materials are introduced into scientific use. As a result of the research, a wide range of themes, plots, genres, technical and technological characteristics and figurative interpretations in the artist’s creative work have been revealed. As early as in the years of study, the artist acquired a high level of skill, the ability to synthesize traditions and vary the individual style of painting, which currently allows him to work at a high professional level, proves the relevance of academic skill and realistic art. The study of the creative work and activities of V. A. Cherny testifies to the evolutionary development of both realism and art education in Russia. The versatility of his art, the complex nature of the artistic language prove the conceptual specificity of Russian academicism in the early 21st century, which is dominated by the preservation of timeless spiritual meanings of national culture inseparable from the ideas of patriotism and Orthodox teaching and the synthesized nature of the professional language.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":" 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139791872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creative work of Vladimir Cherny – from the images of M. I. Glinka to modernity 弗拉基米尔-车尔尼的创作--从 M. I. 格林卡的形象到现代性
Pan-Art Pub Date : 2024-02-08 DOI: 10.30853/pa20240003
E. Skorobogacheva
{"title":"Creative work of Vladimir Cherny – from the images of M. I. Glinka to modernity","authors":"E. Skorobogacheva","doi":"10.30853/pa20240003","DOIUrl":"https://doi.org/10.30853/pa20240003","url":null,"abstract":"The aim of the research is to identify the genesis and artistic-semantic specifics of the creative work of the modern artist V. A. Cherny. The paper examines the main themes, figurative interpretations, and ideological dominants of his paintings, which testify to the development – the continuity of traditions and innovation – of Russian academic art. The paper is novel in that it is the first to analyze the little-studied creative work of V. A. Cherny from a scientific perspective, while a number of his paintings and archival materials are introduced into scientific use. As a result of the research, a wide range of themes, plots, genres, technical and technological characteristics and figurative interpretations in the artist’s creative work have been revealed. As early as in the years of study, the artist acquired a high level of skill, the ability to synthesize traditions and vary the individual style of painting, which currently allows him to work at a high professional level, proves the relevance of academic skill and realistic art. The study of the creative work and activities of V. A. Cherny testifies to the evolutionary development of both realism and art education in Russia. The versatility of his art, the complex nature of the artistic language prove the conceptual specificity of Russian academicism in the early 21st century, which is dominated by the preservation of timeless spiritual meanings of national culture inseparable from the ideas of patriotism and Orthodox teaching and the synthesized nature of the professional language.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"40 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139852025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The factor of musical form completeness: On the question of historical evolution 音乐形式的完整性因素:关于历史演变问题
Pan-Art Pub Date : 2024-02-01 DOI: 10.30853/pa20240002
L. L. Krupina
{"title":"The factor of musical form completeness: On the question of historical evolution","authors":"L. L. Krupina","doi":"10.30853/pa20240002","DOIUrl":"https://doi.org/10.30853/pa20240002","url":null,"abstract":"The study aims to substantiate that already in the early epochs (the Middle Ages, the Renaissance, the Baroque), there was a gradual birth of musical form functionality, one of the first signs of which was represented by composers’ awareness of the need to achieve the structural integrity and completeness of a work. The paper shows that the role of the main formative means was played by those compositional factors that were most actively developing in a particular epoch. The scientific novelty of the study lies in the specific identification of these compositional factors: the rhythmic one in the isorhythmic motets of the 14th century, the large-scale structural one in the textual and musical forms of the Renaissance, the functional harmonic one in Baroque works. As a result, it has been found that a change towards a decrease in the tenor’s measure at the last repetition of the melody of Gregorian chant turned out to be the factor of musical form completeness in Ph. de Vitry’s isorhythmic motets; in the motets, madrigals and polyphonic songs of the Renaissance, a large-scale enlargement of the final textual and musical segment of the form performed a similar function; as for the instrumental Baroque genres (preludes, toccatas, fantasias), such was the case with the increased harmonic stability of the last section (a tonic organ point, repetition of cadence turns).","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"205 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139831924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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