Pan-Art Pub Date : 2024-02-01 DOI: 10.30853/pa20240002

L. L. Krupina

{"title":"The factor of musical form completeness: On the question of historical evolution","authors":"L. L. Krupina","doi":"10.30853/pa20240002","DOIUrl":"https://doi.org/10.30853/pa20240002","url":null,"abstract":"The study aims to substantiate that already in the early epochs (the Middle Ages, the Renaissance, the Baroque), there was a gradual birth of musical form functionality, one of the first signs of which was represented by composers’ awareness of the need to achieve the structural integrity and completeness of a work. The paper shows that the role of the main formative means was played by those compositional factors that were most actively developing in a particular epoch. The scientific novelty of the study lies in the specific identification of these compositional factors: the rhythmic one in the isorhythmic motets of the 14th century, the large-scale structural one in the textual and musical forms of the Renaissance, the functional harmonic one in Baroque works. As a result, it has been found that a change towards a decrease in the tenor’s measure at the last repetition of the melody of Gregorian chant turned out to be the factor of musical form completeness in Ph. de Vitry’s isorhythmic motets; in the motets, madrigals and polyphonic songs of the Renaissance, a large-scale enlargement of the final textual and musical segment of the form performed a similar function; as for the instrumental Baroque genres (preludes, toccatas, fantasias), such was the case with the increased harmonic stability of the last section (a tonic organ point, repetition of cadence turns).","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"16 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139891744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Middle Ages: From the Birth of Christ to the 13th century. The East and the West 中世纪：从基督诞生到 13 世纪。东方与西方

Pan-Art Pub Date : 2024-01-16 DOI: 10.30853/pa20240001

A. Demchenko

{"title":"The Middle Ages: From the Birth of Christ to the 13th century. The East and the West","authors":"A. Demchenko","doi":"10.30853/pa20240001","DOIUrl":"https://doi.org/10.30853/pa20240001","url":null,"abstract":"The essay provides a summary overview of the main phenomena of artistic culture during the Middle Ages in the West and the East (from the Birth of Christ to the 13th century). The paper covers the global art culture of the medieval period both from the point of view of the general historical process and in the consideration of individual types of art (sculpture, architecture, painting, literature, music). The author examines the achievements of medieval authors in these types of creativity: the increasing trends towards simplification in depiction of man and mythological creatures in Western art, the progressive development of art in the East (the rise of architecture and urban planning, the development of fine art). There is a turn towards the acquisition of civilizational forms of existence in Western art under the influence of feudalism and monotheistic religion. Special attention is paid to understanding the category of the universe in the medieval period, the construction of fortifications as reflections of the militant mood of the Middle Ages, manifestations of lyrical imagery in the artistic culture of the West and the East. As a result, the author concludes that medieval art represents a huge, richest layer of the artistic culture of mankind, the most important stage for the creation of artistic classics in the East and later in Russia.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":" 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139620194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The evolution of the concert and sonata form in the works of S. V. Rachmaninoff 拉赫玛尼诺夫作品中音乐会和奏鸣曲形式的演变

Pan-Art Pub Date : 2023-11-24 DOI: 10.30853/pa20230039

O. A. Astakhova, Наталья Евгеньевна Natalia Evgenievna Kudryavtseva

引用次数: 0

ANCIENT WORLD: The depth of time. Discoveries and revelations 远古世界:时间的深度。发现和启示

Pan-Art Pub Date : 2023-07-14 DOI: 10.30853/pa20230032

A. Demchenko

引用次数: 0

Specificity of postmodern influence on the creative work of national composers 后现代对民族作曲家创作影响的特殊性

Pan-Art Pub Date : 2023-07-14 DOI: 10.30853/pa20230026

Anna Valentinovna Bobneva

引用次数: 0

Life and creative heritage of Rudolf Nureyev: The “presence effect” continues 鲁道夫·努列耶夫的生活和创作遗产:“存在效应”继续

Pan-Art Pub Date : 2023-07-14 DOI: 10.30853/pa20230027

Oliya Galeevna Vil'danova

引用次数: 0

Stylistic singularity of O. A. Moralev’s oeuvre 莫拉列夫作品风格的独特性

Pan-Art Pub Date : 2023-07-14 DOI: 10.30853/pa20230035

N. V. Korolevskaya

引用次数: 0

F. I. Chaliapin and V. E. Meyerhold in the work on the production of “Boris Godunov” (Mariinsky Theatre, 1911) F. I.查利亚平和V. E.梅耶霍尔德在制作《鲍里斯·戈杜诺夫》(马林斯基剧院，1911年)中的工作

Pan-Art Pub Date : 2023-07-14 DOI: 10.30853/pa20230029

A. Ryaposov

{"title":"F. I. Chaliapin and V. E. Meyerhold in the work on the production of “Boris Godunov” (Mariinsky Theatre, 1911)","authors":"A. Ryaposov","doi":"10.30853/pa20230029","DOIUrl":"https://doi.org/10.30853/pa20230029","url":null,"abstract":"The aim of the historical and theoretical study is to find an answer to the question of the place that the 1911 production of M. P. Mussorgsky’s opera “Boris Godunov” in the Mariinsky Theatre occupies in the creative work of the director V. E. Meyerhold and the role that it plays. The paper clarifies the meaning and content of the productions present in the opera’s 1911 staging, i.e. Chaliapin’s production and Meyerhold’s production; reveals the structure of the stage image of Tsar Boris played by F. I. Chaliapin and the method for creating the actor’s presence on stage that underlies the work on the main role; the primary characteristics of Meyerhold’s production are formulated. The scientific novelty of this study is not connected with the discovery of new sources, but lies in the promotion of scientific hypotheses that can pose new questions to long-existing sources and extract from them new knowledge about Meyerhold’s 1911 production of “Boris Godunov” on the stage of the Mariinsky Theatre, which is considered in the existing literature to be the director’s failure. As a result, it has been determined that Chaliapin’s production and Meyerhold’s production did not contradict each other, but were arranged by Meyerhold into an integral stage composition. In addition, this production cannot be considered the director’s failure, it represents one of the stages of mastering a new area of activities – opera directing.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114155800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Soviet tragicomedy in cinema in the context of the epoch (by the example of L. Gaidai’s films of the 1960s – early 70s) 时代背景下的苏联电影悲喜剧(以盖代20世纪60年代至70年代初的电影为例)

Pan-Art Pub Date : 2023-07-14 DOI: 10.30853/pa20230031

I. Kondakov

引用次数: 0

Metamorphoses of A. T. Gretchaninov’s musical language in the 1910s. The cycle of piano pieces “Pastels” Op. 61 格雷察尼诺夫在1910年代音乐语言的变形。钢琴作品“粉彩”的循环，作品61

Pan-Art Pub Date : 2023-07-14 DOI: 10.30853/pa20230030

G. Sedova

{"title":"Metamorphoses of A. T. Gretchaninov’s musical language in the 1910s. The cycle of piano pieces “Pastels” Op. 61","authors":"G. Sedova","doi":"10.30853/pa20230030","DOIUrl":"https://doi.org/10.30853/pa20230030","url":null,"abstract":"The research aims to shed light on the metamorphoses of the musical language of the famous Russian composer A. T. Gretchaninov, active in the late XIX century – the first half of the XX century, which occurred in the 1910s. The paper pays special attention to the identification of the stylistic singularity of “Pastels” Op. 61 (1912-1913), a cycle of piano pieces. The scientific originality of the research is connected with the fact that A. T. Gretchaninov’s creative work has not been previously considered in the context of the changes that took place in the composer’s musical style in the 1910s. As a result, it has been revealed that the novelty of Gretchaninov’s musical language in the period under consideration was due to both changes in Russian art in general (in particular, the influence of impressionism on the composer’s work turned out to be significant) and crises in Alexander Tikhonovich’s personal and creative life. In particular, this trend can be traced in the history of creation of the cycle “Pastels”: during a difficult, critical period, Gretchaninov turned to composing music for children, in which he would find solace, but the piano pieces in the cycle turned out to be generally sad in an unchildlike way and psychologically saturated with deeply “adult” feelings and experiences.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131239904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

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