Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230013

Tamara Vyacheslavovna Sernova

{"title":"Vocal Art in Belarus in the 20s-30s of the XX Century: Opera Performance and Education","authors":"Tamara Vyacheslavovna Sernova","doi":"10.30853/pa20230013","DOIUrl":"https://doi.org/10.30853/pa20230013","url":null,"abstract":"The aim of the study is to show the process of formation of the school of opera vocal art in Belarus in the 20s-30s of the XX century. Over the hundred years of its existence (1922-2022), opera vocal performance and the vocal school in the republic have undergone the stages of emergence and development through the comprehension of the leading principles and techniques of the European vocal performance practice, the formation of which took place over several centuries. The scientific novelty lies in identifying the principles of professional vocal education in Belarus: the reliance on approaches and methods formulated by the Russian vocal school; the formation of singers as artists through the synthesis of vocal and technical skills of future performers and their mastery of dramatic art skills, through their immersion in opera vocal performing art; the organisation of the educational process in such a way that future singers could master the leading performing styles of European opera art. As a result, it has been proved that the 20s-30s of the XX century became a time of significant changes and rapid development for the young Belarusian republic. Opera vocal performing art in the republic formed as a vivid highly professional phenomenon that had all the opportunities for its development and approval in the European musical performing space.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124804232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Analysis of Ballet Work 芭蕾作品分析

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230015

A. P. Grutsynova

引用次数: 0

Participation of Miriskusnik Artists in the Book Projects of the Publisher Z. Grzhebin (1917-1922) Miriskusnik艺术家参与出版社Z. Grzhebin的图书计划(1917-1922)

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230014

Nina Mikhailovna Vasilyeva

{"title":"Participation of Miriskusnik Artists in the Book Projects of the Publisher Z. Grzhebin (1917-1922)","authors":"Nina Mikhailovna Vasilyeva","doi":"10.30853/pa20230014","DOIUrl":"https://doi.org/10.30853/pa20230014","url":null,"abstract":"The paper is devoted to the study of the printed heritage of famous artists belonging to the “Mir iskusstva” (World of Art) society. The research aims to shed light on the history of participation of Miriskusnik artists (members of the “Mir iskusstva” society) in the book projects of the publisher Z. Grzhebin (1917-1922). A new chapter is opened, i.e. the printed works of Miriskusniks in children’s books, a completely new side of activities for graphic artists of the late XIX – early XX century. The paper presents the search in the design and creation of children’s books – richly illustrated books, providing insight into the dramatic plot through drawings, having an educational impact. The research is novel in that it determines various creative search options chosen by Miriskusnik artists when working on illustrations: the predominance of the drawing over the text, change of capital letters and inscriptions, introduction of a jobbing font set, which promoted a new interpretation of book images. As a result, it has been substantiated that the publishing house of Zinovii Isaevich Grzhebin remained a stronghold of high aesthetic taste, compliance with the demands of an intelligent public and a laboratory of creativity for artists and the publisher.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130940345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Principles of Musical Allegories in D. D. Shostakovich’s Creative Work: Speculation in Sound VS Musical Intertext 肖斯塔科维奇创作中的音乐寓言原则:声音与音乐互文的思辨

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230017

I. Kondakov

{"title":"Principles of Musical Allegories in D. D. Shostakovich’s Creative Work: Speculation in Sound VS Musical Intertext","authors":"I. Kondakov","doi":"10.30853/pa20230017","DOIUrl":"https://doi.org/10.30853/pa20230017","url":null,"abstract":"The aim of this research is to define the principles of political and philosophical musical allegories in the creative work of D. D. Shostakovich. In this article the assessment of the composer’s symphonic works has been given. The extent of the philosophical issues of D. D. Shostakovich’s symphonic works has been characterized. The composer’s forms of politization of his creative work have been identified. The scientific novelty of this research consists in the characteristic of D. D. Shostakovich’s creative method being new for that time. This method was based on using collage made of the citations and pseudo-quotation notes of Shostakovich’s and other composers’ works. The citations and pseudo-quotation notes played the roles of non-music subtext and hidden allegory which had the philosophical conception of the artistic whole for creating the deep structure of his own works. As a result, it is concluded that D. D. Shostakovich’s works including his symphonies reconstruct the chronicle of the current events of the soviet and Russian history of the XX century and have a unique historical content. These works comprise the composers’ ideas and philosophical interpretation of that historical period.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128945979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Piano Works for One Hand 单手钢琴作品

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230012

Polina Viktorovna Rokitskaya

引用次数: 0

Innovations in the Poetics and Aesthetics of the Soviet Cinema of the Second Part of the XXth Century 20世纪下半叶苏联电影诗学与美学的创新

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230020

Nikolai Andreevich Khrenov

引用次数: 0

Children’s Art Studio in an Art Museum: The Principles of Teaching by O. L. Nekrasova-Karateeva 艺术博物馆中的儿童艺术工作室:o.l. Nekrasova-Karateeva的教学原则

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230019

O. Tuminskaya

引用次数: 0

Two Types of a Musical-Creative Process – Two Forms of a Musical Composition 两种类型的音乐创作过程-音乐作品的两种形式

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230011

N. V. Korolevskaya

{"title":"Two Types of a Musical-Creative Process – Two Forms of a Musical Composition","authors":"N. V. Korolevskaya","doi":"10.30853/pa20230011","DOIUrl":"https://doi.org/10.30853/pa20230011","url":null,"abstract":"The study aims to show the interaction of the external and internal forms of a musical work as purely musical and conceptual logos structures using the example of V. G. Korolevsky’s First String Quartet. The paper analyses the scientific state of the problem of musical-creative thinking, sheds light on the issue of coexistence and interaction of musical and conceptual thinking in a composer’s creative process, which leave their formbuilding trace in the sound matter of a musical work, these spheres of formbuilding are differentiated into external and internal forms, i.e. the focus of the objective (universal) and subjective (personal) meaning, as well as their fundamental difference is determined. Scientific novelty lies in the approach to the analysis of V. G. Korolevsky’s First String Quartet from the position of the internal form, the starting point of which is the paradigmatic structure of the typical content, or the objective meaning, its ending point is the form of meaning. As a result, it has been found that the form uniting Korolevsky’s Quartet on the inside is a labyrinth branching into two intonational directions, represented by the themes of the chorale and fugue, with a fairly clearly marked fork point – the theme of the cross.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128099304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ulterior spiritual motives and symbols in G. V. Sviridov’s “Oratorio Pathétique” 斯维里多夫《清唱剧》中别有用心的精神动机与象征

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230025

Ol'ga Nikolaevna Romashkova

引用次数: 0

Conservation of National Traditions of Teaching Polyphony in the 110 Years History of Aleksey Saratov Conservatory 阿列克谢·萨拉托夫音乐学院110年历史中复调教学民族传统的保存

Pan-Art Pub Date : 2023-03-30 DOI: 10.30853/pa20230018

Tatiana Anatolevna Svistunenko

{"title":"Conservation of National Traditions of Teaching Polyphony in the 110 Years History of Aleksey Saratov Conservatory","authors":"Tatiana Anatolevna Svistunenko","doi":"10.30853/pa20230018","DOIUrl":"https://doi.org/10.30853/pa20230018","url":null,"abstract":"The aim of the research is to show the succession of the national traditions of teaching polyphony in the history of Aleksey Saratov Conservatory. In this article the teaching polyphony level based on the tra-ditions of Saint-Petersburg and Moscow Conservatories is described. The chronological stages of teaching polyphony in Saratov Conservatory are introduced. The pedagogical innovative experience of teachers-musicians L. M. Rudolf, G. E. Konus, I. A. Tutmanov, G. I. Litinsky, A. A. Brening is presented. They were \u0000not only the followers of school of S. I. Taneiev (1856-1915) but the outstanding representatives of his poly-phonic school. The importance of S. I. Taneievv’s unique work ‘Convertible Counterpoint in the Strict Style’ is pointed out as its theoretical positions have been actively studied in the most prestigious institutions \u0000in the world today. The scientific novelty lies in the substantiation that for all the years of Aleksey Saratov Conservatory exis¬tence the discipline polyphony has been studied at the highest level. As a result, it has been proven that each representative of Taneev school had made a great contribution into the development of teaching polyphony system in Saratov State Conservatory and had worked out their own specific methods of teaching which allowed a student to understand and master quite complex techniques for a short period of time.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"298 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116387433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

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