Pan-ArtPub Date : 2023-03-30DOI: 10.30853/pa20230022
A. Demchenko
{"title":"To the issue of creating art picture of the world","authors":"A. Demchenko","doi":"10.30853/pa20230022","DOIUrl":"https://doi.org/10.30853/pa20230022","url":null,"abstract":"","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127595148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230006
Natalya Grigoryevna Minasyan
{"title":"Synthesis of Arts as a Method of Artistic Perception Development: A Practical Aspect","authors":"Natalya Grigoryevna Minasyan","doi":"10.30853/pa20230006","DOIUrl":"https://doi.org/10.30853/pa20230006","url":null,"abstract":"The aim of the research is to substantiate that the synthesis of art forms enriches and deepens the cognitive, educational and developmental possibilities of art in the process of studying works of art. The paper identifies the specific characteristics of music lessons and the role of perception as a psychological aspect in the artistic and formative process; presents the fundamental aspects in the organisation of perception of works of art in music lessons; considers individual methods that satisfy the needs for emotional contact and fantasising, interest and the novelty effect, which leads to the mobilisation of creative efforts in music lessons. The scientific novelty of the research lies in proving that the artistic and formative process is based on the synthesis of the notions of “an emotion-idea” / “an idea-emotion”. As a result of the research, the poly-artistic methods of perception of works of various art forms have been developed and put into practice: voicing works of painting, sculpture, architecture on the basis of a common emotion-idea; combining works of different art forms on the basis of stylistic similarities; comprehending the depth of understanding an artistic image.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127948148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230007
Elena Vasil’evna Mstislavskaya
{"title":"Music Education in Russia: Origins, Ideas, Peculiarities of Development","authors":"Elena Vasil’evna Mstislavskaya","doi":"10.30853/pa20230007","DOIUrl":"https://doi.org/10.30853/pa20230007","url":null,"abstract":"The aim of the study is to substantiate that such features as the intensity of emergence of productive ideas in musical personality upbringing, the development of various types of musical activity (for example, the appearance of children’s theatres, the development of children’s musical creativity etc.), the focus on the creation of social institutions that provide an appropriate musical and educational level are indicative of the Russian musical and pedagogical school of the Soviet period. The paper clarifies the notion of “music school”; presents the trends in the formation of Russian music education in the state policy of Russia in the XVIII and XIX centuries; the domestic musical environment of the XVIII-XIX centuries and the formation of the domestic musical and pedagogical system in the Soviet period. The scientific novelty of the study lies in determining the focus of Russian music education on the identification and upbringing of gifted children. As a result, it has been concluded that the orientation of Russian families to music education of children is a stable Russian tradition that originates in the depths of national history and can be traced to the present time.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124776419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230004
M. Drozhzhina
{"title":"Tajik National Composer School: The Stage of Restoration and Identification of Development Paths","authors":"M. Drozhzhina","doi":"10.30853/pa20230004","DOIUrl":"https://doi.org/10.30853/pa20230004","url":null,"abstract":"The aim of the research is to comprehend the cause-and-effect relationships and formulate conclusions about the prospects for the development of the Tajik national composer school. The paper presents the most difficult stage in the history of the Tajik national composer school, which was mainly due to the circumstances external to it, i.e. getting into the epicenter of the upheavals that engulfed the post-Soviet cultural space in the late XX century. It is determined that a balance of two types of musical professionalism – oral (traditional) and written (a composer’s) – is necessary for the development of the system of Tajik national musical culture. As a result of the research, it has been concluded that the full functioning of the Tajik national composer school requires the development of several areas in its activities: democratic genres (song genre, popular genre, musical drama), compositions for the orchestra of folk instruments, academic music. The main features of the Mongolian musical drama have been identified: direct continuity in the sphere of national traditions associated with the performing arts; reliance on folk melodiousness; position between two types of musical thinking – monodic and polyphonic.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123228944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230003
Ol’ga Andreevna Astakhova
{"title":"Physical and Acoustic Space in the Music of Composers of the Second Half of the XX Century","authors":"Ol’ga Andreevna Astakhova","doi":"10.30853/pa20230003","DOIUrl":"https://doi.org/10.30853/pa20230003","url":null,"abstract":"The study aims to prove the axiom that musical space, as well as musical time, has three main (basic) levels. The paper characterises the conceptual level of musical space, which is a subjective individual “spatial world” expressed by all elements of the musical language; the perceptual level of musical space, associated with the listener’s perception; the physical level of musical space, manifested when performing compositions. The scientific novelty of the study lies in developing a classification of perceptual space in music and determining the component composition of the physical and acoustic level of musical space. As a result, it has been determined that musical space is a multilevel phenomenon; the perceptual level of musical space includes pictorial perception, sensory perception and cathartic perception, while the physical level of musical space includes micro-space and macro-space; the stereophony of the XX century implies various types of organisation of acoustic space such as static stereophony, dynamic stereophony, combined stereophony.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"49 24 Pt 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122213053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230001
I. Kondakov
{"title":"Music versus Politics","authors":"I. Kondakov","doi":"10.30853/pa20230001","DOIUrl":"https://doi.org/10.30853/pa20230001","url":null,"abstract":"This essay presents the situation concerning the music philosophy in the XX century: the factor of politics gradually was established in the paradigm of artistic culture. It is shown that the politics became a permanent violence in relation to art as in relation to life. This permanent violence is a will for power or a clear will for dominating life and art which can move apart and then inextricably intertwine. Thus, the politics appears in her unconventional artistic and aesthetic discourse: being aesthetic in life and artistic in art. In this paper the phenomenon of the origin of the indivisibility and immeasurable formula is characterized. Since then, life and politics cannot do without art which is their mirror as well as art tries to distance itself from society and politics but cannot break free of the shackles of the socio-political context and the relevant pragmatic discourse. This discourse leaves an indelible imprint on everything connected with art and aesthetics.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122713771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230008
O. Tuminskaya
{"title":"Staged Documentalism of the Soviet Era","authors":"O. Tuminskaya","doi":"10.30853/pa20230008","DOIUrl":"https://doi.org/10.30853/pa20230008","url":null,"abstract":"The paper aims to consider staged documentalism as a tendency of the Soviet era to “report” on high achievements and merits when fulfilling the set national economic tasks. The scientific novelty of the study consists of the authorial commentaries to the illustrative material of the paper claiming to visualise the understanding of the process of existence of such a stratum in the socialist society as the “provincial intelligentsia”, its role and tasks in participating in the cultural life of our state during the USSR period. As a result of the study, the researcher comes to the conclusion that “staged documentalism” was a method of recording Soviet reality that painted a general picture of people’s cultural life in the USSR era, the object of which were the types of the XX century intelligentsia, including the provincial intelligentsia.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128714560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230009
Maria Yurievna Gendova
{"title":"Children’s Ballet Performance – an Achievement of the Soviet Era","authors":"Maria Yurievna Gendova","doi":"10.30853/pa20230009","DOIUrl":"https://doi.org/10.30853/pa20230009","url":null,"abstract":"The aim of the study is to substantiate that children’s ballet in Soviet reality is a special direction of musical theatre that contributed to the upbringing of younger generations in line with the philosophy of goodness, creativity and communal spirit. The paper presents the history of children’s ballet formation in the USSR as one of the directions of musical theatre; describes the contribution of ballet masters to the development of children’s ballet; analyses the content of ballet productions of this period; shows the development of children’s ballet in the USSR in the second half of the XX century and then in the Russian Federation; analyses the current situation related to the development of children’s ballet in Russia. The scientific novelty of the study lies in identifying the prerequisites for the creation of children’s ballet in the USSR as one of the directions of musical theatre, as well as in determining the characteristic genres of ballet productions for children in the Soviet period. As a result, it has been proved that the emergence of such a direction of musical theatre as children’s ballet in the USSR should be considered a key achievement of the era both in the Soviet Union and in the world, its value component is the fostering of justice presented to children in understandable and realistic plot conditions.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116965079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230021
A. Demchenko
{"title":"To the issue of universal art studies as a science","authors":"A. Demchenko","doi":"10.30853/pa20230021","DOIUrl":"https://doi.org/10.30853/pa20230021","url":null,"abstract":"","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"135 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121965654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pan-ArtPub Date : 2023-01-10DOI: 10.30853/pa20230010
Elena Vasil’evna Zhdanova, Fedor Vadimovich Zhdanov
{"title":"Iconography of the Image of Prince Alexander Nevsky in Soviet Book Engravings","authors":"Elena Vasil’evna Zhdanova, Fedor Vadimovich Zhdanov","doi":"10.30853/pa20230010","DOIUrl":"https://doi.org/10.30853/pa20230010","url":null,"abstract":"The research aims to study the iconography of the image of Grand Prince Alexander Nevsky in Soviet book graphics. The scientific novelty lies in choosing the illustrations of the literary monument of Ancient Russia “The Life of Alexander Nevsky”, made by Soviet graphic artists in the technique of engraving, as research material, as well as in studying the theoretical principles of the art of engraving used in these illustrations, developed by V. A. Favorsky. As a result of the research, the authors come to the conclusion that the continuity of Russian and Soviet cultures is credibly manifested in the images of Prince Alexander Nevsky, which is a great merit of the art theorist, artist, engraver V. A. Favorsky.","PeriodicalId":365294,"journal":{"name":"Pan-Art","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125718751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}