The ethno-mythological motif as a resource in the modern visual art of Siberia

Pan-Art Pub Date : 2024-07-25 DOI:10.30853/pa20240026
Darina Evgenevna Gerasimenko
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Abstract

The article explores how the mythological beliefs of the indigenous peoples of Siberia have influenced the creation of artistic images in the work of contemporary Siberian artists. The goal of this study is to understand the role and presence of ethno-mythological motifs in the art of Siberia in the 21st century. The article briefly outlines the main stages of how these motifs have developed in Siberian art. It also examines the images that artists commonly use and classifies them. The scientific novelty of this research lies in introducing the names of new artists into scholarly discourse. As a result, it has been discovered that the imagery in many works is rooted in universal symbolism, which is characteristic of various world cultures. A significant portion of these images includes depictions of spirits who are the guardians of the land, animals, and anthropomorphic figures found on Neolithic artworks from the region, as well as in shamanic symbols, ethnic, mythological representations of the Siberian peoples, and folklore texts. In essence, traditional culture serves as a framework that gives shape to the semantic content of these artistic creations.
作为西伯利亚现代视觉艺术资源的民族神话主题
文章探讨了西伯利亚土著民族的神话信仰如何影响了当代西伯利亚艺术家的艺术形象创作。这项研究的目的是了解民族神话主题在 21 世纪西伯利亚艺术中的作用和存在。文章简要概述了这些主题在西伯利亚艺术中发展的主要阶段。文章还研究了艺术家们常用的图像,并对其进行了分类。这项研究的科学新意在于将新艺术家的名字引入学术话语。研究结果发现,许多作品中的意象植根于世界各种文化所特有的普遍象征意义。这些图像中有很大一部分描绘的是该地区新石器时代艺术品中的土地守护神、动物和拟人化形象,以及萨满教符号、西伯利亚民族的民族和神话表现形式和民间传说文本。从本质上讲,传统文化是塑造这些艺术创作语义内容的框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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