Dimitri Bouchène on the stage of the Théâtre de l’Athénée. Costume sketches for Louis Jouvet’s productions

Pan-Art Pub Date : 2024-03-01 DOI:10.30853/pa20240008
I. V. Guruleva
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Abstract

The aim of the research is to examine and analyze the works created by the artist Dimitri Bouchène (1893-1993) for Louis Jouvet’s Théâtre de l’Athénée in Paris. The paper studies the costumes designed by Bouchène for the performances of “Tessa” and “Electra” in 1934 and 1937 respectively, shining a light on the reviews by critics on these productions and their staging. The scientific novelty of the research lies in gathering previously scattered information and images related to the creation of “Tessa” and “Electra”. These are the only dramatic productions where Dimitri Bouchène, who is known primarily for his work in musical theatre scenography, was involved in the set design. The research highlights a stage in the artist’s creative path, which coincided with the period of developing his individual style and distinctive character. The early stage of Bouchène’s work for the theatre in Paris is marked by diversity and a search for his own direction and creative signature. The paper emphasizes the high praise given by critics to Bouchène’s work, particularly regarding the play “Electra”.
迪米特里-布歇(Dimitri Bouchène)在亚泰剧院的舞台上。路易-于韦作品的服装草图
本研究旨在考察和分析艺术家迪米特里-布歇纳(Dimitri Bouchène,1893-1993 年)为巴黎路易-儒韦剧院(Louis Jouvet's Théâtre de l'Athénée)创作的作品。论文研究了布歇纳分别于 1934 年和 1937 年为 "苔莎 "和 "伊莱克特拉 "演出设计的服装,并对评论家对这些作品及其舞台的评论进行了分析。这项研究的科学新颖性在于收集了以前分散的与 "苔莎 "和 "伊莱克特拉 "的创作有关的信息和图片。这些作品是迪米特里-布歇纳(Dimitri Bouchène)参与布景设计的唯一戏剧作品,他主要以音乐剧布景设计而闻名。这项研究强调了艺术家创作道路上的一个阶段,这一时期恰好是他形成个人风格和独特个性的时期。布歇为巴黎剧院创作的早期阶段以多样性和寻找自己的创作方向和创作特色为特点。本文强调了评论家对布沙内作品的高度评价,尤其是对戏剧《伊莱克特拉》的评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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