二十世纪合唱音乐“季节”主题艺术诠释的载体——以A.基谢廖夫和V.霍多什的作品为例

Pan-Art Pub Date : 2022-10-30 DOI:10.30853/pa20220019
Elena Aleksandrovna Popova
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引用次数: 0

摘要

俄罗斯合唱音乐中季节主题的演变与十九至二十世纪初无伴奏合唱流派的发展过程密切相关。本文的目的是考虑在其发展的现阶段与季节有关的主题合唱流派。科学的新颖性在于选择基谢廖夫和霍多什的作品作为研究材料。通过对二十世纪合唱音乐中“季节”主题的两个生动体现及其诗歌来源的考察,分析了其风格特征,以及这两个循环的创作者a .基谢廖夫和V.霍多什的创作世界观所特有的特征,作者确定了描绘这一想象领域的两个主要载体,即新民俗载体和抒情心理载体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vectors of Artistic Interpretations of the Theme “Seasons” in the Choral Music of the XX century: By the Example of A. Kiselyov’s and V. Khodosh’s Works
The evolution of the theme of the seasons in Russian choral music is closely linked to the processes that characterised the development of the genre of an a cappella choral miniature at the turn of the XIX-XX centuries. The aim of the paper is to consider the themes related to the seasons in choral genres at the present stage of their development. Scientific novelty lies in choosing A. Kiselyov’s and V. Khodosh’s works as the research material. As a result of considering two vivid embodiments of the theme “Seasons” in the choral music of the XX century, their poetic sources, analysing the stylistic features, as well as the features peculiar to the creative worldview of the cycles’ creators A. Kiselyov and V. Khodosh, the author identifies two main vectors in the depiction of this imaginative sphere, the neo-folklore vector and the lyric-psychological one.
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