梅特纳《虚拟声乐循环》中歌德的自然哲学思想

Pan-Art Pub Date : 2023-01-10 DOI:10.30853/pa20230005
L. L. Krupina
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引用次数: 0

摘要

本研究的目的在于证实,美特纳根据歌德的《路过》、《发现》、《紫罗兰》三首诗歌所创作的三首歌曲的主题共性和调性特点,在自然哲学思想的统一下,暗示了将它们在精神上组合成一个由三部分组成的单一循环作品的可能性——一个虚拟的声乐循环。本文介绍了歌德在其诗作中所体现的关于人与自然关系问题的自然哲学思想;以歌德的诗《路过》、《发现》、《紫罗兰》为基础,分析了梅特纳三首歌曲的音乐内容。本研究的科学新颖之处在于,以歌德的诗歌《路过》、《发现》、《紫罗兰》为基础,确定了梅特纳三首歌曲组合的音乐手段。结果证明,歌德在他的诗歌中象征性地描绘了人与自然的关系问题,分为积极的、中性的和轻蔑的三个版本;我们提出的虚拟循环的完整性不仅由音调方案保证,而且由歌德诗歌的情节逻辑保证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
J. W. von Goethe’s Ideas of Natural Philosophy in N. K. Medtner’s Virtual Vocal Cycle
The study aims to substantiate that the commonality of themes and the features of the tonal scheme of three songs by N. K. Medtner based on J. W. von Goethe’s poems “In Passing by”, “Found”, “The Violet”, united by the ideas of natural philosophy, suggest the possibility of mentally combining them into a single cyclic work with three parts – a virtual vocal cycle. The paper presents the idea of Goethe’s natural philosophy about the problem of the relationship between man and nature, reflected in his poetic works; analyses the musical content of three songs by N. K. Medtner based on J. W. von Goethe’s poems “In Passing by”, “Found”, “The Violet”. The scientific novelty of the study lies in determining the musical means of combining three songs by N. K. Medtner based on J. W. von Goethe’s poems “In Passing by”, “Found”, “The Violet”. As a result, it has been proved that Goethe symbolically depicts the problem of the relationship between man and nature in his poems in three versions – positive, neutral and dismissive; the integrity of the virtual cycle proposed by us is ensured not only by the tonal scheme, but also by the plot logic of Goethe’s poems.
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