Open Philosophy最新文献

On the “How” and the “Why”: Nietzsche on Happiness and the Meaningful Life 论 "如何 "与 "为何"：尼采论幸福和有意义的人生

IF 0.5

Open Philosophy Pub Date : 2024-09-10 DOI: 10.1515/opphil-2024-0033

Marta Faustino

{"title":"On the “How” and the “Why”: Nietzsche on Happiness and the Meaningful Life","authors":"Marta Faustino","doi":"10.1515/opphil-2024-0033","DOIUrl":"https://doi.org/10.1515/opphil-2024-0033","url":null,"abstract":"Nietzsche is commonly interpreted as strongly rejecting and even despising any possible conception (or pursuit) of happiness. And yet, one of the most pervasive topics in Nietzsche’s work is the problem of human suffering, the pursuit of meaning (or purpose) in life, and the possibility of a joyful or affirmative disposition toward existence. In this article, I argue that Nietzsche’s criticism of common conceptions of happiness should be seen as a redefinition, rather than a rejection, of the notion of human happiness, with important implications for contemporary discussions on the topic. I start by addressing three of the main contemporary theories of happiness from a Nietzschean perspective, underlining both the points of convergence and the points of divergence between Nietzsche and each of these accounts. I then gather the conclusions of the previous section, add Nietzsche’s positive claims on happiness and the meaningful life, and sketch what might be called a Nietzschean theory of happiness. Finally, I situate Nietzsche’s position in the contemporary debate on the topic and outline what I take to be his most important contributions to current discussions on happiness, meaning, and well-being in human life.","PeriodicalId":36288,"journal":{"name":"Open Philosophy","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142182357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Knowing Holbein’s Objects: An Object-Oriented-Ontology Analysis of The Ambassadors 了解霍尔拜因的对象：大使》的面向对象本体分析

IF 0.5

Open Philosophy Pub Date : 2024-09-09 DOI: 10.1515/opphil-2024-0032

Zoran Poposki

{"title":"Knowing Holbein’s Objects: An Object-Oriented-Ontology Analysis of The Ambassadors","authors":"Zoran Poposki","doi":"10.1515/opphil-2024-0032","DOIUrl":"https://doi.org/10.1515/opphil-2024-0032","url":null,"abstract":"This article investigates the tenet of Object-Oriented Ontology (OOO) that art, like philosophy, is a form of cognition different from literal knowledge by applying key OOO concepts to the analysis of the Renaissance painting The Ambassadors (1533), a double portrait by Hans Holbein the Younger (1497/98–1543). The Ambassadors is found to exemplify the key principles of OOO in its treatment of objects and their relationships. Through an OOO lens, the painting becomes not merely a literal representation of the subjects and their possessions, but a dynamic interplay of real and sensual qualities that exceeds any straightforward paraphrase. The figures and objects in the work are not simply passive symbols, but active agents that withdraw from direct access, preserving their autonomy and inviting the viewer’s participatory engagement. Holbein’s masterpiece comes alive precisely by troubling its own representational coherence, drawing the viewer into an uncanny encounter with the withdrawn depths of objects. By reading The Ambassadors through an object-oriented framework, the painting exemplifies art’s capacity to operate as a non-literal form of cognition, irreducible to mere symbolic codes or propositional knowledge.","PeriodicalId":36288,"journal":{"name":"Open Philosophy","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-09-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142182358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Calling and Responding: An Ethical-Existential Framework for Conceptualising Interactions “in-between” Self and Other 呼唤与回应：自我与他人 "之间 "互动概念化的伦理-存在主义框架

IF 0.5

Open Philosophy Pub Date : 2024-09-04 DOI: 10.1515/opphil-2024-0034

Lotta Jons

引用次数: 0

Non-Existence: The Nuclear Option 不存在：核选择

IF 0.5

Open Philosophy Pub Date : 2024-08-16 DOI: 10.1515/opphil-2024-0026

Graham Priest

引用次数: 0

The Basic Dualism in the World: Object-Oriented Ontology and Systems Theory 世界的基本二元论面向对象的本体论与系统论

IF 0.5

Open Philosophy Pub Date : 2024-08-15 DOI: 10.1515/opphil-2024-0028

Martin Zwick

引用次数: 0

Critique of Reification of Art and Creativity in the Digital Age: A Lukácsian Approach to AI and NFT Art 对数字时代艺术和创造力再造的批判：卢卡奇式的人工智能和 NFT 艺术方法

IF 0.5

Open Philosophy Pub Date : 2024-08-15 DOI: 10.1515/opphil-2024-0027

Zoran Poposki

{"title":"Critique of Reification of Art and Creativity in the Digital Age: A Lukácsian Approach to AI and NFT Art","authors":"Zoran Poposki","doi":"10.1515/opphil-2024-0027","DOIUrl":"https://doi.org/10.1515/opphil-2024-0027","url":null,"abstract":"This article critically examines the emergent phenomena of AI-generated and NFT art through the lens of Georg Lukács’ theory of reification and its existential implications. Lukács argued that under capitalism, social relations and human experiences are transformed into objective, quantifiable commodities, leading to a fragmented and alienated consciousness. Applying this framework to AI and NFT art, these technologies can be said to represent extreme examples of the reification of art and creativity in the digital age. AI art generators reduce artistic production to abstract, computable properties divorced from lived experience, while NFTs transform digital art into speculative commodities, imposing the logic of private property and exchange value onto the previously open domain of online culture. The existential dimension of this reification is explored, raising questions about the nature of creativity, originality, and the value of art in an increasingly financialized and automated world. The article suggests that a Lukácsian critique must not only diagnose the reified character of these cultural forms but also identify their potential for resistance and transformation, pointing toward a re-humanized and emancipatory vision of art in the digital age. Contemporary theorists such as Tiziana Terranova, Nick Dyer-Witheford, and Benjamin Noys are invoked to further elucidate these issues.","PeriodicalId":36288,"journal":{"name":"Open Philosophy","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142182361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Auditory Dimension of the Technologically Mediated Self 技术媒介自我的听觉维度

IF 0.5

Open Philosophy Pub Date : 2024-07-22 DOI: 10.1515/opphil-2024-0017

Ivan Gutierrez

{"title":"The Auditory Dimension of the Technologically Mediated Self","authors":"Ivan Gutierrez","doi":"10.1515/opphil-2024-0017","DOIUrl":"https://doi.org/10.1515/opphil-2024-0017","url":null,"abstract":"In this article, I aim to clarify some of the ways in which the auditory dimension of the self is constituted through the mediation of technology. I show that by excluding our immediate surroundings with mobile personalized and private auditory technologies, we are increasingly laying down a personal, inner spatial grid of acoustic memories that get integrated into our narrative identity and co-constitutes the space of familiarity and belonging that gives us a sense of who we are. To do so, I first lay out a clear ontological ground. Next, I outline how the auditory dimension of the self is constituted and subsequently mediated technologically. Finally, I bring to bear Erving Goffman’s theatrical framework of performative self-constitution as a useful framework to illustrate how, on one hand, the culturally available repertoire on which the imagination draws to constitute the self has augmented thanks to the contributions of other people in distal spatiotemporal contexts; on the other, the reconfiguration of how we listen to the world and the other people in it entails muting or blocking out of other voices. This can stunt how we conceive of ourselves, producing an epistemic bubble involving a tunnel “vision” or echo-chamber effect. In addition, due to the coupling of bodily and cognitive structures with mobile, privatized auditory technologies that thereby become transparent in experience, others, by listening in on us, acquire the ability to privilege certain types of behavior while suppressing others. Thus, there is a danger that the individual autonomous agency so important to self-constitution can be compromised.","PeriodicalId":36288,"journal":{"name":"Open Philosophy","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141783661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Happiness and Joy in Aristotle and Bergson as Life of Thoughtful and Creative Action 亚里士多德和柏格森笔下的幸福与快乐，作为有思想、有创造力的行动生活

IF 0.5

Open Philosophy Pub Date : 2024-07-16 DOI: 10.1515/opphil-2024-0021

Marina Marren

引用次数: 0

Nietzsche, Nishitani, and Laruelle on Faith and Immanence 尼采、西谷和拉鲁埃尔论信仰与无常

IF 0.5

Open Philosophy Pub Date : 2024-07-09 DOI: 10.1515/opphil-2024-0023

Matthew C. Kruger

{"title":"Nietzsche, Nishitani, and Laruelle on Faith and Immanence","authors":"Matthew C. Kruger","doi":"10.1515/opphil-2024-0023","DOIUrl":"https://doi.org/10.1515/opphil-2024-0023","url":null,"abstract":"This article explores the use of the concept of “faith” in three non-Christian philosophers. The study begins with Nietzsche, who, while deeply critical of Christian belief throughout his work, offers a positive reformulation of the term in a few key texts. From here, the discussion proceeds to two authors who are deeply influenced by Nietzsche, François Laruelle, and Nishitani Keiji. Laruelle’s recent turn to non-theology sees him engaging directly with Christian theological material and presenting a distinction between a positive form of “faith” in contrast from standard religious “belief,” a distinction I suggest bears close resemblance to Nietzsche’s approach, especially in relation to the Apostle Paul. Finally, Nishitani offers his own account of faith, one inspired primarily by the Buddhist notion of faith, but also referencing Christian theology and specifically the practice of Paul, while also connecting with Nietzsche. The connecting theme for all three thinkers is rooted in Zarathustra’s encouragement to be “faithful to the earth,” a non-transcendent, immanent formulation of faith. Faith, in Nishitani and Laruelle especially, is non-doctrinal, non-dogmatic, and non-intellectual; it is, instead, practical, an immanent existence, a way of life resulting in a different form of connection with the world around us.","PeriodicalId":36288,"journal":{"name":"Open Philosophy","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141568626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Analog Ends of Science: Investigating the Analogy of the Laws of Nature Through Object-Oriented Ontology and Ontogenetic Naturalism 科学的类比目的：通过面向对象的本体论和本体论自然主义探究自然法则的类比性

IF 0.5

Open Philosophy Pub Date : 2024-07-01 DOI: 10.1515/opphil-2024-0016

Micah Tewers

引用次数: 0