Mudra Jurnal Seni Budaya最新文献

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The Cultural Philosophy Values in The “Denpasar-Style Bridal Makeup: Symbols and Meanings” Documentary Film 《登巴萨式新娘化妆:象征与意义》纪录片中的文化哲学价值
Mudra Jurnal Seni Budaya Pub Date : 2022-12-27 DOI: 10.31091/mudra.v38i1.2221
Ni Kadek Dwiyani, I. K. Puriartha, Dewa Ayu Leliana Sari
{"title":"The Cultural Philosophy Values in The “Denpasar-Style Bridal Makeup: Symbols and Meanings” Documentary Film","authors":"Ni Kadek Dwiyani, I. K. Puriartha, Dewa Ayu Leliana Sari","doi":"10.31091/mudra.v38i1.2221","DOIUrl":"https://doi.org/10.31091/mudra.v38i1.2221","url":null,"abstract":"Documentary film is a film genre that has a very important role in human civilization. Documentary films can \"revive\" everything that did not exist before, so that it can be known by a wide audience through visualization and verbal information that can be accounted for. One of the functions that documentaries also have is as a cultural educational medium that is easily accessed digitally by anyone, anywhere. This writing will examine the philosophical values that are visually transformed in the Cultural Documentary Film \"The Balinese Bride Makeup: Symbols and Meanings\". This writing uses a qualitative descriptive method, by providing explanatory descriptions of the results of the study using Documentary Film theory (Ayawaila: 2018) and Anthropological theory (Sare: 2007). The results obtained through this paper include findings on 3 cultural philosophical values contained in the documentary films used as research objects, as follows: 1) Character Education Values; 2) Values of Roles and Responsibilities, and 3) Cultural Inheritance Values.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"71 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73900147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Onomatopoeia: When Sound Is Seen 拟声词:当声音被看见
Mudra Jurnal Seni Budaya Pub Date : 2022-12-27 DOI: 10.31091/mudra.v38i1.2220
D. Ardianto, S. Mataram, Anugrah Irfan Ismail, A. Wicaksono
{"title":"Onomatopoeia: When Sound Is Seen","authors":"D. Ardianto, S. Mataram, Anugrah Irfan Ismail, A. Wicaksono","doi":"10.31091/mudra.v38i1.2220","DOIUrl":"https://doi.org/10.31091/mudra.v38i1.2220","url":null,"abstract":"\u0000Phonogram is a visual element in comics that represents the existence of sound. Together with picture elements, they both create a construction that is governed by a narrative. As a manifestation of sound, phonogram’s existence also delivers a message in the form of signs. By using a semiotic approach, this study seeks to identify the nature of the phonogram, its function, and the way it is produced and perceived. Symbolic messages are created to dramatize comics. Because of phonogram’s nature that imitates stereotypes in the real world, comic artists lead the reader to agree on the false reality presented in comic works. Phonogram’s creation requires two step interpretations, namely interpretation of sound and interpretation of visualization. The form of expression on the phonogram is not universal, because it refers to certain cultural stereotypes. \u0000","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"78 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83746048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Sabda Bayu” Rajas Tamas Octopus Methapor in Contemporary Painting Work “现代绘画作品
Mudra Jurnal Seni Budaya Pub Date : 2022-12-27 DOI: 10.31091/mudra.v38i1.2231
I. M. Bendi Yudha, Anak Agung Gde Alit Geria, I. W. Gulendra, I. M. Jodog
{"title":"“Sabda Bayu” Rajas Tamas Octopus Methapor in Contemporary Painting Work","authors":"I. M. Bendi Yudha, Anak Agung Gde Alit Geria, I. W. Gulendra, I. M. Jodog","doi":"10.31091/mudra.v38i1.2231","DOIUrl":"https://doi.org/10.31091/mudra.v38i1.2231","url":null,"abstract":"Gurita in English is called Octopus which often refers only to animals of the genus Octopus. This creation is based on the results of research on the octopus which is used as a symbolic brand icon to reveal the existence of the current social, cultural, economic and political realities. In interpreting the characteristics of the shape and nature of the Octopus, it is expressed through a metaphorical visual language to represent the value of rajas and tamas that permeates the human soul. This study aims to present visual aesthetic values and symbolic meanings through the processing of forms of abstraction, distortion and deformation, as an expression of the growing influence of global capitalism in people's lives which are dominated by the energy of guna rajas and guna tamas. The research method is carried out by observation, interviews, documentation and media reset as well as the stages of creation through exploration, improvisation and formation. The visualization of the work presents the complexity of lines, colors, shapes and textures by carrying out technical and coloring hybridization, in order to present meaningful forms which are symbolic representations of the rajas and tamas that dominate people's lives today. The concept of creation offered is a form of concern for the emergence of moral and moral degradation in society which has implications for the fading of ethical values, and a sense of humanity as contained in animal values which promote love and tolerance among others, which in Hinduism is known as term; mutual sharpening, compassion and care, sagilik, saguluk, salunglung sabayantaka, paras paros sarpanaya.It is not enough for this kind of concept to be offered only through works of art, but it really needs to be communicated in the wider social field, so that interactive and communicative dialogue occurs, while at the same time providing education and enlightenment, so as to create new awareness, so that we have the ability and strength to facing or overcoming current global issues.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"122 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89010647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jambi Malay Dance Fashion Aesthetics 占碑马来舞蹈时尚美学
Mudra Jurnal Seni Budaya Pub Date : 2022-10-31 DOI: 10.31091/mudra.v37i4.2021
Fatonah -, Mahdi Bahar, Hartati M
{"title":"Jambi Malay Dance Fashion Aesthetics","authors":"Fatonah -, Mahdi Bahar, Hartati M","doi":"10.31091/mudra.v37i4.2021","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2021","url":null,"abstract":"This research aimed to know the concept of dress aesthetics and art of traditional and creative dance of Jambi Malay, and dress development of Jambi Malay dance could be seen from a dress of traditional dance, creative dance, and contemporary dance. The research result was expected to be one of Jambi Malay culture inventory in social science. The research method used is a descriptive qualitative research method with a symbolic interaction approach. The background of the people of Jambi city which is multicultural makes Jambi city rich in cultural diversity, one of which is dance. Dance dress is included as an important element in dance performance. Dance dress is a symbol of aesthetics and artistry in dance performances. The dress wisdom of Malay dance is not separated from aesthetic and artistic concepts based on concepts of custom and Islam. The concept is based on message of Jambi culture, “adat bersendikan syarak, syarak bersendikan kitabullah, syarak mengato adat memakai”. The research conclusion is that the ideal dress aesthetically according to Jambi Malay tradition after converting to Islam is a dress that covers the genitals. Artistically it is the dress that is lost when moving, with not too much design based on Islamic custom and law while color is usually natural color and adapted.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90477559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Tracing The History of The Serai Serumpun Dance Form as A Cultural Identity of Mesuji Regency, Lampung Province 追踪西莱舞的历史,作为一种文化认同,米苏吉摄政,楠绒省
Mudra Jurnal Seni Budaya Pub Date : 2022-10-31 DOI: 10.31091/mudra.v37i4.2143
I. Mustika, Tuntun Sinaga, Iin Sunarti
{"title":"Tracing The History of The Serai Serumpun Dance Form as A Cultural Identity of Mesuji Regency, Lampung Province","authors":"I. Mustika, Tuntun Sinaga, Iin Sunarti","doi":"10.31091/mudra.v37i4.2143","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2143","url":null,"abstract":"This research is a dance ethnographic study that was conducted to trace the history of the serai serumpun dance which has lost its history. In the past, this dance was thought to have originally belonged to the Mesuji community and was an asset of the Mesuji Regency Education Office as well as the identity of the Mesuji Community of Lampung Province. This research will first discuss the form of the serai serumpun dance which is studied through the discipline of ethnochoreology. Then an assessment will also be made of the supporting culture of the serai serumpun dance, so as to obtain the values contained in it. By knowing these values, an identity of the people of Mesuji Regency will be obtained through the history of the serai serumpun dance.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80102526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Commodification of Mobile Banking Interface Design for Elderly Users 老年用户手机银行界面设计的商品化
Mudra Jurnal Seni Budaya Pub Date : 2022-10-27 DOI: 10.31091/mudra.v37i4.2035
Ginanjar Hamid Wiryawan, A. Syarief, W. Murwonugroho
{"title":"Commodification of Mobile Banking Interface Design for Elderly Users","authors":"Ginanjar Hamid Wiryawan, A. Syarief, W. Murwonugroho","doi":"10.31091/mudra.v37i4.2035","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2035","url":null,"abstract":"The design planning of the Mobile Banking Interface Design for Elderly Users aims to redesign the mobile banking application interface to be more effective and easier for elderly users. This research uses a mixed-method of explanatory sequential, which sequentially uses quantitative and qualitative modes. The quantitative model uses questionnaires and bodystorming simulations to obtain data on the needs and behavior of the elderly. The qualitative model is based on the User-Centered Design (UCD) design process. The research resulted in the following: (1) data on the needs of elderly users when using mobile banking applications (2) data on the behavior of elderly users to better understand the interface of the mobile banking application. Based on these data, a mobile banking interface was developed to suit the needs of elderly users, which includes a more simplified display, enlarged text size, enlarged button size and additional spacing, adjusted icon shape to the understanding of elderly users, and display layout arrangements that are very concerned for making the interaction process more comfortable. Evaluation of the interface design results on mobile banking applications for elderly users shows that the application is more acceptable, more understandable, and easier for elderly use.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"531 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77365371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Sustainable Design As An Effort To Develop Bali Special Woven-Bamboo Packaging 可持续设计:发展巴厘岛特色竹编包装的努力
Mudra Jurnal Seni Budaya Pub Date : 2022-10-27 DOI: 10.31091/mudra.v37i4.2112
Ni Luh Desi In Diana Sari, Ni Ketut Pande Sarjani, Gede Bayu Segara Putra, I. K. Surya Wijaya Putra, Yogi Nur Ardiansyah
{"title":"Sustainable Design As An Effort To Develop Bali Special Woven-Bamboo Packaging","authors":"Ni Luh Desi In Diana Sari, Ni Ketut Pande Sarjani, Gede Bayu Segara Putra, I. K. Surya Wijaya Putra, Yogi Nur Ardiansyah","doi":"10.31091/mudra.v37i4.2112","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2112","url":null,"abstract":"The Bali Provincial Government through PERGUB (Governor Regulation) Number 97 of 2018 has regulated the Limitation of Disposable Waste Generation. The implementation of these regulations has been implemented among Small and Medium Industries (IKM) that produce Balinese souvenirs. The IKM sector has begun to switch to using bamboo packaging, which is commonly used to package banten pejati (Balinese traditional offerings) sold in traditional markets. However, this condition causes the appearance of food packaging designs that package Balinese souvenirs to look uniform, lacking a touch of local Balinese culture that can be used as an identity for Bali's superior products branding to tourists. This creation aims to design bamboo packaging as Balinese souvenir packaging which has the concept of eco-friendly design. The research method was used to formulate the motif design concept and the method of creation to design the bamboo packaging design by adopting the woven bamboo technique at the bamboo craft center in Bali. The novelty of this bamboo packaging design can be seen in the motif design inspired by Geringsing Cemplong weaving motif which is formed with the woven bamboo technique. This motif has never existed before and is able to represent the identity of the local Balinese culture. The color material used as paint is a natural color material. Derived from mixing mango leaves and strobilanthes/indigo leaves through an environmentally friendly process to produce a green color. The creation of environmentally friendly bamboo packaging is expected to inspire woven-bamboo craftsmen to start switching to environmentally friendly products that are safe to use in food packaging.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"117 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79844527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tata Letak Instrumen dalam Konteks Strategi Pengajaran dan Pertunjukan Musik Gamelan Bali di Canterbury University, New Zealand
Mudra Jurnal Seni Budaya Pub Date : 2022-10-27 DOI: 10.31091/mudra.v37i4.2124
I. M. Kartawan, R. Buckton
{"title":"Tata Letak Instrumen dalam Konteks Strategi Pengajaran dan Pertunjukan Musik Gamelan Bali di Canterbury University, New Zealand","authors":"I. M. Kartawan, R. Buckton","doi":"10.31091/mudra.v37i4.2124","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2124","url":null,"abstract":"Artikel ini membahas peran tata letak instrumen dalam latihan dan pentas sebagai faktor mencapai tujuan nabuh pada kelompok gamelan University Canterbury. Hal ini difokuskan bagaimana tata letak instrumen tersebut mempengaruhi proses pembelajaran dan pertunjukan. Tidak ada literatur yang ditemukan tentang topik ini dan terminology dan konsep yang digunakan dalam tulisan ini telah dikembangkan untuk tujuan penelitian ini. Penelitian ini dipandu melalui pendekatan studi kasus kualitatif dengan menggunakan data yang dikumpulkan melalui kuisioner, wawancara, dan partisipasi observasi. Berdasarkan temuan penelitian, eksplorasi tata letak instrumen menawarkan berbagai alternatif dalam membantu koordinasi antar musisi dalam konteks latihan dan pertunjukan serta berkontribusi pada tujuan nabuh.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85184864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dadi Jeksa; Adaptation of Serat Jayengbaya to Dance Film 大地Jeksa;改编自塞拉特·贾恩巴亚的舞蹈电影
Mudra Jurnal Seni Budaya Pub Date : 2022-10-24 DOI: 10.31091/mudra.v37i4.2113
D. Ardianto, B. Riyanto, S. Mataram, M. A. M. Desa
{"title":"Dadi Jeksa; Adaptation of Serat Jayengbaya to Dance Film","authors":"D. Ardianto, B. Riyanto, S. Mataram, M. A. M. Desa","doi":"10.31091/mudra.v37i4.2113","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2113","url":null,"abstract":"As a law enforcement officer, a prosecutor plays an important role in investigating a case or prosecuting a suspect. However, in recent years, several prosecutors were found involved in a number of corruption cases in Indonesia. This phenomenon is not a new one. In Serat Jayengbaya written by R.Ng. Ronggowarsito, especially in the song Dadi Jeksa, the behavior and life of prosecutors in the past are depicted as a profession full of intrigue and manipulation. This phenomenon inspired the making of a dance film adapted from Dadi Jeksa song. Using a Research and Development (RnD) approach, this film was designed to use movements based on contemporary dance as a means of its story telling. This film represents the culture and perspective of the Indonesian people in viewing legal issues. After the film was presented at various festivals and exhibitions, positive responses were obtained from various parties. The appreciation received mainly focused on the film’s creative storytelling and visualization in presenting a depiction of law enforcement dynamics in Indonesia.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88946216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tourism Promotion Symbols for Bandung City in a Teenager Romantic Film ‘Dilan 1990’ 青少年浪漫电影《Dilan 1990》中的万隆市旅游宣传符号
Mudra Jurnal Seni Budaya Pub Date : 2022-10-18 DOI: 10.31091/mudra.v37i4.2084
Ida Ayu Etsa Pracintya, I. Darma Putra, Putu Sucita Yanthy
{"title":"Tourism Promotion Symbols for Bandung City in a Teenager Romantic Film ‘Dilan 1990’","authors":"Ida Ayu Etsa Pracintya, I. Darma Putra, Putu Sucita Yanthy","doi":"10.31091/mudra.v37i4.2084","DOIUrl":"https://doi.org/10.31091/mudra.v37i4.2084","url":null,"abstract":"Film induced tourism is one of the fastest growing sectors in the tourism industry because cinematographic history is able to persuade the audience to travel to places that are used as the setting places of several scenes in a film. This study aims to examine the message of tourism promotion in a teenager romantic film set in Bandung, West Java, entitled ‘Dilan 1990’ which was adapted from a novel by Pidi Baiq of the same title. The data were collected by observing the film using observation tables, as well as audience reviews obtained through internet searches as a reference in interpreting symbols and knowing the audience's reception of this film. The audience’s reviews were taken from various websites including the Internet Movie Database, TripAdvisor, and from several independent travel blogs articles. The analysis used a qualitative descriptive method using three theories, namely, the theory of semiotics, reception, and promotion. The analysis shows that symbols of tourism promotion in the content of the film ‘Dilan 1990’ included the beautiful and clean city of Bandung, Bandung’s natural scenery, and Bandung’s heritage iconic buildings. The positive images of Bandung city were aesthetically presented on the film through well-structured of plot story, scene, and acting, thus make the promotion of Bandung become indirectly powerful. This study also stresses that the ‘Dilan 1990’ not only provide a powerful form of promotion for Bandung city but also has inspired the local government to build new city parks namely ‘Taman Dilan 1’ and ‘Taman Dilan 2’ that boosted the images of Bandung as an attractive city to visit.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86979658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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