{"title":"“Beralas Bumi Beratap Langit”: An Investigation of Creating Role and Space through Site-Specific","authors":"Abdur Rizky Akbar","doi":"10.31091/mudra.v37i4.1952","DOIUrl":null,"url":null,"abstract":"This article is devoted to the analysis of theatre performances “Beralas Bumi Beratap Langit” which uses a site-specific method. Central to the site-specific approach is concern to the potential of unconventional spaces. The site-specific approach seeks to use the unique landscape properties of the site, locations selected based on their ability to amplify storytelling and form a clearer background for the actors in a theatrical production. This approach in theatre studies, especially with regard to actors and spaces, seems to offer breadth and bridges to the creating role and the flexibility which many representations come together, site-specific is then used as a method that helps in achieving character through learning and creating acting, from the Covid-19 pandemic intervention which changed at least most of the methods in learning acting and other creative processes. This article aims to investigate a site-specific approach that is personalized in the interest of providing insight or catalysts on the mode of acting and actors as subjects in theatrical performances. Using the ethnographic method, data were obtained on the creative process during the preparation of the show by the “Panggung Bercerita” theatre community. Practical investigation of a site-specific approach to the theatre stage method yields the following conclusions: 1) natural sets create an atmosphere of intimacy, 2) helps actors feel immersion into the world being played, and 3) provides rich and culturally relevant visualizations of the actor's image.","PeriodicalId":32449,"journal":{"name":"Mudra Jurnal Seni Budaya","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mudra Jurnal Seni Budaya","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31091/mudra.v37i4.1952","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article is devoted to the analysis of theatre performances “Beralas Bumi Beratap Langit” which uses a site-specific method. Central to the site-specific approach is concern to the potential of unconventional spaces. The site-specific approach seeks to use the unique landscape properties of the site, locations selected based on their ability to amplify storytelling and form a clearer background for the actors in a theatrical production. This approach in theatre studies, especially with regard to actors and spaces, seems to offer breadth and bridges to the creating role and the flexibility which many representations come together, site-specific is then used as a method that helps in achieving character through learning and creating acting, from the Covid-19 pandemic intervention which changed at least most of the methods in learning acting and other creative processes. This article aims to investigate a site-specific approach that is personalized in the interest of providing insight or catalysts on the mode of acting and actors as subjects in theatrical performances. Using the ethnographic method, data were obtained on the creative process during the preparation of the show by the “Panggung Bercerita” theatre community. Practical investigation of a site-specific approach to the theatre stage method yields the following conclusions: 1) natural sets create an atmosphere of intimacy, 2) helps actors feel immersion into the world being played, and 3) provides rich and culturally relevant visualizations of the actor's image.
本文采用场地分析的方法对戏剧表演《Beralas Bumi Beratap Langit》进行分析。场地特定方法的核心是关注非传统空间的潜力。场地特定的方法寻求利用场地独特的景观属性,地点的选择基于它们放大故事的能力,并为戏剧作品中的演员形成更清晰的背景。这种方法在戏剧研究中,特别是在演员和空间方面,似乎为创造角色和许多表现形式结合在一起的灵活性提供了广度和桥梁,然后将特定场地用作通过学习和创造表演来帮助实现角色的方法,从Covid-19大流行干预中至少改变了学习表演和其他创作过程的大部分方法。这篇文章的目的是研究一种特定于场地的方法,这种方法是个性化的,旨在为戏剧表演中的表演模式和演员作为主体提供见解或催化剂。利用民族志方法,获得了“Panggung Bercerita”剧院社区在准备演出期间的创作过程的数据。对剧院舞台方法的现场特定方法的实际调查得出以下结论:1)自然布景创造亲密的气氛,2)帮助演员沉浸在所扮演的世界中,3)提供丰富且与文化相关的演员形象可视化。