占碑马来舞蹈时尚美学

Fatonah -, Mahdi Bahar, Hartati M
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引用次数: 2

摘要

本研究旨在了解占比马来传统舞蹈与创意舞蹈的服装美学与艺术概念,并从传统舞蹈、创意舞蹈、当代舞蹈的服装三个方面来看占比马来舞蹈的服装发展。该研究成果有望成为社会科学中占碑马来文化的盘点之一。本文采用的研究方法是描述性质的研究方法和符号交互研究方法。占碑市人民的多元文化背景使占碑市具有丰富的文化多样性,其中之一就是舞蹈。舞蹈服装是舞蹈表演的重要组成部分。舞蹈服装是舞蹈表演中审美和艺术性的象征。马来舞蹈的服饰智慧并没有脱离基于习俗和伊斯兰教观念的审美和艺术观念。这个概念是基于占庙文化的信息,“adat bersendikan syarak, syarak bersendikan kitabullah, syarak mengato adat memakai”。研究的结论是,在皈依伊斯兰教后,根据占庙族传统的审美,理想的服装是覆盖生殖器的服装。在艺术上,它是在移动中丢失的衣服,没有太多基于伊斯兰习俗和法律的设计,而颜色通常是自然颜色和改编的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jambi Malay Dance Fashion Aesthetics
This research aimed to know the concept of dress aesthetics and art of traditional and creative dance of Jambi Malay, and dress development of Jambi Malay dance could be seen from a dress of traditional dance, creative dance, and contemporary dance. The research result was expected to be one of Jambi Malay culture inventory in social science. The research method used is a descriptive qualitative research method with a symbolic interaction approach. The background of the people of Jambi city which is multicultural makes Jambi city rich in cultural diversity, one of which is dance. Dance dress is included as an important element in dance performance. Dance dress is a symbol of aesthetics and artistry in dance performances. The dress wisdom of Malay dance is not separated from aesthetic and artistic concepts based on concepts of custom and Islam. The concept is based on message of Jambi culture, “adat bersendikan syarak, syarak bersendikan kitabullah, syarak mengato adat memakai”. The research conclusion is that the ideal dress aesthetically according to Jambi Malay tradition after converting to Islam is a dress that covers the genitals. Artistically it is the dress that is lost when moving, with not too much design based on Islamic custom and law while color is usually natural color and adapted.
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