Jurnal Poetika最新文献

{"title":"THERE IS NO POSSIBILITY OF ANOTHER SUBJECT ON THE PERSONA “WE” FROM REAGAN’S POEM LIFE","authors":"A. N. Iswalono","doi":"10.22146/poetika.v10i1.65742","DOIUrl":"https://doi.org/10.22146/poetika.v10i1.65742","url":null,"abstract":"Written by young Reagan, Life is a poem with a distinctive discourse as a literary work in the beginning of American modernism. The study of Life in the present article focuses on the interpretation of “we” and is contextualized within the historical narratives of the Puritans and the spirit of American Dream in the 20s. The analysis of the poem’s representations of the symbolic, the imaginary, and the Truth presented here is a Žižekian reading of the subjects “we” in the poem’s text who appear to get themselves into a pseudo activity in relation to the narratives of the Founding Fathers as the chosen ones in the holy journey of establishing America. The speaker of the poem, which is part of “we,” reflects the spirit of American Dream and reminds his fellow Americans to keep going amidst the feeling of alienation caused by the modern capitalism that is expressed by words “suffer”, “struggle”, “weep”, “drench”, “break”, “jade”, “sorrow”, “warp” and “pain” 15 times in only 8 stanzas/32 lines. The speaker’s sense of Americanism becomes the only Truth for the “we” until they grow their own Cynical Awareness.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"78 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80816556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DIVINE VALUES IN THIBBIL QULUB AS A MEANS OF SPIRITUAL RECREATION FOR MUSLIMS IN THE MIDDLE OF THE PANDEMIC","authors":"Akhida Rukhul Qisthi, Muhammad Jibran Zuliansyah, Sarirotul Ishmah, Umu Hana Amini, Diana Kurniawati, Asep Yudha Wirajaya","doi":"10.22146/poetika.v10i1.69221","DOIUrl":"https://doi.org/10.22146/poetika.v10i1.69221","url":null,"abstract":"Syair (Islamic hymn) is one form of oral literature which, in general, has a certain place in the cultural pattern of society. The current situation of the COVID-19 pandemic has had a major impact on various aspects of human life. This pandemic has a global and personal impact, one of which is the impact on human psychology. Salawat Thibbil Qulub is a salawat that contains a prayer addressed to Allah SWT. Several interviews with mosque congregation reciting Islamic hymns in Surakarta have revealed that Thibbil Qulub is one of the most frequently recited types of Islamic hymns. On the basis of this phenomenon, we look into a number of underlying assumptions about the verses in Thibbil Qulub whose role are providing peace of mind for muslims in the midst of a pandemic situation. This study uses descriptive qualitative method to investigate and describe the meaning of the verses of “Thibbil Qulub”. This study employs Riffaterre's semiotic approach for the textual analysis of the verses. The findings lead to the conclusion that the verses of Thibbil Qulub are indeed full of divine values and a relevant means of restoring or maintaining inner peace for muslims in the midst of the COVID-19 pandemic.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"66 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91393868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PROPHET KHIDIR IN KUNTOWIJOYO’S NOVEL WASRIPIN DAN SATINAH: WOLFGANG ISER’S AESTHETIC RESPONSE ANALYSIS","authors":"Inung Setyami, Faruk Faruk, F. M. Manshur","doi":"10.22146/poetika.v10i1.64730","DOIUrl":"https://doi.org/10.22146/poetika.v10i1.64730","url":null,"abstract":"This study aims to describe and reveal the meaning of the figure of the Prophet Khidir as a repertoire in Kuntowijoyo's Wasripin dan Satinah novel in terms of Wolfgang Iser's Aesthetic Response theory. This study is qualitative descriptive, and the data source is the novel Wasripin dan Satinah published by Kompas Publisher in 2003. Using a note-taking technique of all novels related to the Prophet Khidir’s repertoire, it obtained the data. The technique was through 1) identification, 2) classification, 3) interpretation, and 4) inference. The results showed that 1) the figure of the Prophet Khidir in the novel Wasripin dan Satinah was an earlier reference in the text used by Kuntowijoyo as the basis or background for creating his novel. The transformed story of the Prophet Khidir in the Al-Qur'an has a different storyline. 1) In the Al-Qur'an, Prophet Khidir was approached by Prophet Musa to learn. Meanwhile, in the novel Wasripin and Satinah, the Prophet Khidir came to Wasripin to give his knowledge. 2) The novel Wasripin dan Satinah which represents the figure of Prophet Khidir, has given rise to myths in the lives of Javanese people. 3)  an intention conveyed by Kuntowijoyo in presenting the figure of the Prophet Khidir in his work, namely a lesson not to be shirk by glorifying or deifying someone who has superior abilities.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77573671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE CONSTRUCTION OF MONSTROUS WOMEN THÉRÈSE DESQUEYROUX BY FRANÇOIS MAURIAC","authors":"Wulan Nurrahma Azhari, W. Udasmoro, Subiyantoro Subiyantoro","doi":"10.22146/poetika.v9i2.64177","DOIUrl":"https://doi.org/10.22146/poetika.v9i2.64177","url":null,"abstract":"Issues of domestication, minority, and discrimination have frequently put women in inferior position in society. When women seek equality, they are often framed as embracing monstrous attitudes. This study focuses on François Mauriac’s novel titled Thérèse Desqueyroux (1927) with the intention of exploring the meanings and the significations in its construction of women as monsters. It has been observed that women are depicted as monsters because their struggle for freedom is seen as a challenge to the patriarchal system. The aims of this study are to find out and to describe the influential aspects in the construction of women as monsters and how such construction creates meanings. The study relies on content analysis method and follows three steps of analysis: collecting data relevant to monstrosity, classifying data based on the themes and problems related to the topic, and analyzing the data using Barbara Creed’s theory of the monstrous feminine (2007). The study results in the finding that the construction of women as monsters is strongly correlated with the deep institutionalization of patriarchy in French culture. Penempatan perempuan pada posisi inferior dalam banyak narasi disebabkan oleh faktor-faktor domestifikasi, minoritas, dan diskriminasi. Ketika perempuan memperjuangkan kesetaraan, mereka dianggap membangkang dan disimbolkan sebagai monster. Konstruksi monster terhadap perempuan ini terlihat pada novel François Mauriac berjudul Thérèse Desqueyroux (1927). Tulisan ini mencoba memahami makna dan pemaknaan konstruksi perempuan sebagai monster dalam novel tersebut. Studi ini menemukan bahwa perempuan digambarkan sebagai monster karena perjuangan mereka untuk mencapai kebebasan dianggap menentang struktur patriarki. Tujuan dari studi ini adalah menemukan dan mendeskripsikan aspek-aspek yang berkaitan dengan proses pemonsteran perempuan dan bagaimana proses tersebut dimaknai. Penelitian ini menggunakan metode analisis isi cerita dan dilakukan dalam beberapa tahap. Tahap pertama adalah pengambilan data yang relevan dengan pemonsteran. Tahap kedua adalah pengklasifikasian data sesuai dengan tema dan permasalahan tentang pemonsteran perempuan. Tahap terakhir adalah analisis data temuan dengan teori Barbara Creed (2007) tentang the monstrous feminine. Studi ini menyimpulkan bahwa konstruksi perempuan sebagai monster berhubungan erat dengan kultur patriarki yang sudah terinstitusionalisasi di dalam budaya Prancis pada masa ketika novel tersebut ditulis.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85876453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A DISCURSIVE STRATEGY TO MAINTAIN THE CULTURAL ISLAM-POLITICAL ISLAM POWER RELATION IN INDONESIA IN TRIWIKROMO’S “LENGTU LENGMUA” (2012)","authors":"Sehla Rizqa Ramadhona","doi":"10.22146/poetika.v9i2.64116","DOIUrl":"https://doi.org/10.22146/poetika.v9i2.64116","url":null,"abstract":"This study aims to reveal the discursive play of the short story “Lengtu Lengmua” (2012) by Triyanto Triwikromo in maintaining the unequal power relation in Indonesia. The study is carried out on the basis of Norman Fairclough’s Critical Discourse Analysis that elaborates intertextuality theory and social theory of discourse. The research questions are what discourses influence “Lengtu Lengmua”’s celeng construction? and what political interests are supported and legitimized by “Lengtu Lengmua”’s celeng construction? It is a descriptive qualitative study for which data were collected using a note-taking technique. The relationships between data are elucidated by describing how the text of the short story, its production and the interpretation process are connected to the prevailing social conditions in Indonesia. The results show that: (1) “Lengtu Lengmua” represents, manipulates, negates, and transcends the discourse that sees that “celeng is a despicable animal” from the texts of Berburu Celeng (1998), Celeng Dhegleng (1998), and Tak Enteni Keplokmu (2000); and (2) to generate a notion of celeng as a noble animal, “Lengtu Lengmua” also configures the existing discourse conventions, namely conventions that are related to magical realism, Javanese society, children, Islamic shari’ah, and Islamic makrifat. These two results indicate that “Lengtu Lengmua” gives a new meaning to celeng and recontextualizes the celeng, which in previous texts is associated with human greed (i.e. capitalistic and corrupt), in religious issues especially those related to the contradiction between political Islam and cultural Islam. In turn, this discursive play has contributed to the formation of political Islam-cultural Islam power relation in recent years in Indonesia where cultural Islam occupies a dominant position. Penelitian ini bertujuan untuk mengungkap permainan diskursif cerpen “Lengtu Lengmua” (2012) karya Triyanto Triwikromo dalam pemertahanan relasi kuasa yang tidak setara di Indonesia. Kajian dalam penelitian ini mengacu pada Analisis Wacana Kritis dari Norman Fairclough yang mengelaborasi teori intertekstualitas dan teori sosial wacana. Pertanyaan yang ingin dijawab dalam penelitian ini adalah wacana apa yang memengaruhi konstruksi celeng “Lengtu Lengmua” dan kepentingan politik apa yang didukung dan dilegitimasi oleh konstruksi celeng “Lengtu Lengmua”. Kajian ini menggunakan metode penjabaran deskriptif kualitatif dan teknik pengumpulan data simak-catat. Hubungan antardata dikaji melalui deskripsi atau penjelasan bagaimana teks cerpen, proses produksi dan interpretasinya berkaitan dengan kondisi sosial yang melatar belakangi cerita dalam cerpen. Hasil penelitian menunjukkan bahwa (1) “Lengtu Lengmua” merepresentasikan, memanipulasi, menegasikan, dan melampaui wacana “celeng adalah hewan hina” dari teks Berburu Celeng (1998), Celeng Dhegleng (1998), dan Tak Enteni Keplokmu (2000); (2) “Lengtu Lengmua” juga mengonfigurasikan konvensi-konvensi wacana yang ","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83273362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"JATISABA (2015) AND ELEVEN MINUTES (2003) FROM A PSYCHOANALYTIC FEMINIST PERSPECTIVE: A COMPARATIVE STUDY","authors":"Rizki Eka Putri Alda","doi":"10.22146/poetika.v9i2.64788","DOIUrl":"https://doi.org/10.22146/poetika.v9i2.64788","url":null,"abstract":"This study analyzes Jatisaba, a novel by Ramayda Akmal and Eleven Minutes, a novel by Paulo Coelho, within a comparative literature framework. It aims to compare the transformation of the main female characters and their struggle to survive in both novels. By means of a descriptive qualitative method, the research was conducted from a psychoanalytic feminist perspective. This perspective believes that women are not born inferior, but some factors in her life have been placing them in an inferior position to men. The study resulted in the following findings. First, the main characters of both novels, Mae and Maria, underwent a psychological transformation throughout their life journeys of surviving human trafficking, sexual harassment and prostitution and navigating their love lives Both of them were brought up by a mother with a strong character that could protect them from castration and gender inferiority as a woman. Second, Mae and Maria’s struggle to survive became the cause of their resistance against patriarchal values with the power of their femininity. Third, the difference between the endings of the two novels reflects the different social and cultural values in the respective stories that greatly influence the female characters’ lives. Penelitian ini bertujuan untuk menganalisa novel Jatisaba karya Ramayda Akmal dari Indonesia dan Eleven Minutes karya Paulo Coelho dari Brazil menggunakan pendekatan sastra banding. Penelitian ini mengungkap transformasi karakter dari tokoh utama perempuan dalam kedua novel dan cara mereka bertahan hidup dalam dunia yang didominasi oleh budaya patriarki. Penelitian ini menggunakan metode deskriptif kualitatif dan perspektif feminis psikoanalisis. Perspektif ini berpandangan bahwa perempuan tidak dilahirkan sebagai makhluk inferior, tetapi ada beberapa faktor dalam hidup mereka yang dapat menyebabkan mereka berada pada posisi inferior. Hasil penelitian mengungkap tiga hal berikut ini. Pertama, transformasi psikologis dari tokoh utama perempuan dalam kedua novel, Mae dan Maria, merupakan hasil dari perjalanan hidup mereka melalui pengalaman-pengalaman seperti perdagangan manusia, kekerasan seksual dan prostitusi serta kehidupan percintaan. Keduanya dibesarkan oleh sosok ibu yang tangguh yang melindungi mereka dari kastrasi dan inferioritas sebagai perempuan. Kedua, perjuangan untuk bertahan hidup yang ditunjukkan Maria dan Mae menggambarkan perlawanan terhadap nilai-nilai patriarki menggunakan femininitas mereka Ketiga, pengaruh faktor-faktor sosial dan budaya terhadap pembentukan karakter kedua tokoh utama tersebut tercermin dalam akhir cerita yang berbeda antara novel Jatisaba dan Eleven Minutes.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89526422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"READING SĪTĀ’S LETTER ON OLD JAVANESE RĀMĀYAṆA KAKAWIN ON THE BASIS OF CANDRAKIRAṆA AS PROSODIC TREATISE","authors":"Z. P. Aminullah","doi":"10.22146/poetika.v9i2.60737","DOIUrl":"https://doi.org/10.22146/poetika.v9i2.60737","url":null,"abstract":"The study presented in this article focuses on the signification of the poetic metres and the theory of rasa expounded in Candrakiraṇa, a guide to the composition of kakawin that is preserved in the scriptoriums of mountains. The use of the poetic metres and theory of rasa was examined in the text of Sītā’s letter to Rāma that was taken from the Rāmāyaṇa Kakawin. It was carried out on the three manuscripts of Candrakiraṇa preserved by the National Library of Indonesia (PNRI). The findings show that the use of śārdūlawikriḍita metre in Sītā’s letters results in a form of signification for particular aesthetic experiences (rasa), namely karuṇa (sympathy), bhayānaka (concern), śānta (peace) and śṛṅgara (love). Tulisan ini berfokus pada metrum dan teori rasa sebagai sarana pemaknaan yang dimuat dalam Candrakiraṇa, sebuah pedoman penulisan kakawin yang diwariskan di skriptorium-skriptorium pegunungan. Metrum dan teori rasa tersebut dikaji penggunaannya dalam surat Sītā kepada Rāma yang terkandung dalam Kakawin Rāmāyaṇa. Kajian ini melibatkan tiga manuskrip yang merupakan koleksi Perpustakaan Nasional Republik Indonesia. Hasil analisis menunjukkan bahwa metrum śārdūlawikriḍita yang digunakan pada surat Sīta menunjukkan bentuk pemaknaan untuk pengalaman-pengalaman estetika (rasa) tertentu, yaitu karuṇa (belas kasihan), bhayānaka (kekhawatiran), śānta (damai) dan śṛṅgara (cinta).","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"85 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72989925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SOCIAL EXCLUSION OF DEMI-MONDAINE AND NYAI IN FRENCH AND INDONESIAN NOVELS","authors":"Arifah Arum Candra Hayuningsih","doi":"10.22146/poetika.v9i2.61094","DOIUrl":"https://doi.org/10.22146/poetika.v9i2.61094","url":null,"abstract":"One of the interesting themes but not widely featured in Indonesian and French literatures in the 19th and 20th centuries is nyai and demi-mondaine. Both have a similar meaning, namely the mistress of a man from the upper-middle class. This study looks at the exclusions that occur in the lives of nyai and demi-mondaine in an Indonesian novel titled Bumi Manusia by Pramoedya Ananta Toer and a French novel titled La Dame aux Camélias by Alexandre Dumas (philosophers). The analysis was carried out using Fairclough’s critical discourse analysis approach to examine the exclusion process in the two novels, which describes the realities that occur in society. This study found that the mistresses are excluded primarily through labeling and stereotyping. Despite the exclusion from the discourse of ‘honor’ in society, the mistresses find their own way of surviving in a society that does not like them.Salah satu tema menarik namun tidak banyak ditampilkan dalam karya sastra Indonesia dan Prancis di abad 19 dan 20 adalah kehidupan nyai dan demi-monde. Keduanya memiliki pengertian yang hampir serupa, yakni perempuan simpanan dari seorang laki-laki kelas menengah ke atas. Sikap masyarakat yang cenderung merendahkan mereka dapat dipandang sebagai proses eksklusi. Penelitian ini menelusuri bagaimana ekslusi yang terjadi dalam kehidupan nyai dan courtesan di Indonesia dan Prancis seperti yang ada pada novel Bumi Manusia karya Pramoedya Ananta Toer dan novel La Dame aux Camélias karya Alexandre Dumas (fils). Analisis dilakukan dengan metode analisis wacana kritis dari Fairclough untuk melihat proses eksklusi di kedua novel tersebut, yang merupakan gambaran dari realita yang terjadi di masyarakat. Penelitian ini memperlihatkan bahwa proses eksklusi paling banyak terjadi melalui labelling dan stereotyping. Meski demikian, para perempuan simpanan yang mengalami eksklusi dari wacana ‘kehormatan’ di masyarakat memiliki cara sendiri untuk bertahan di tengah masyarakat yang tidak menyukai mereka.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85649397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"AN ECOFEMINIST READING OF TERE LIYE’S SI ANAK PEMBERANI","authors":"Yulia Nelfita, Noni Andriyani, Y. Hayati","doi":"10.22146/poetika.v9i2.64554","DOIUrl":"https://doi.org/10.22146/poetika.v9i2.64554","url":null,"abstract":"This study is motivated by several reasons, and one of them is the lack of ecofeminist studies of Indonesian novels. The previous studies focus on novels written by women. Ecofeminist studies of Indonesian novels written by men have not been available so far. The analysis in this study is descriptive with hermeneutic technique of interpretation. This is part of a collective research project in this area. The study leads to a conclusion that Tere Liye’s novel, Si Anak Pemberani, contains some ecofeminist values. The most represented ones in the text are the natural ecofeminist values because there is essential relationship between women and nature. The least represented ones are the spiritualist ecofeminist values because the relationship between spirituality and nature is considered a mystical belief that is no longer relevant in modern society. Penelitian ini dilatarbelakangi oleh beberapa hal; salah satunya adalah belum adanya kajian ekofeminisme terhadap novel-novel Indonesia. Penelitian-penelitian yang sudah pernah dilakukan selalu dilakukan terhadap novel-novel yang ditulis oleh pengarang perempuan sementara penelitian ekofeminisme terhadap novel-novel Indonesia yang ditulis oleh laki-laki belum ada. Berdasarkan hal tersebut, masalah yang dideskripsikan dalam penelitian ini adalah “Bagaimanakah perspektif ekofeminis tercermin dalam novel Si Anak Pemberani karya Tere Liye?”. Teori yang digunakan adalah teori ekofeminisme yang meliputi (1) ekofeminisme alam, (2) ekofeminisme spriritualis, dan (3) ekofeminisme sosialis. Penelitian ini bersifat kualitatif dan merupakan penelitian kepustakaan. Metode analisis yang digunakan adalah metode deskriptif yang didukung oleh teknik hermeneutik. Hasil penelitian menunjukkan bahwa terdapat perspektif ekofeminis dalam novel Si Anak Pemberani karya Tere Liye. Aliran ekofeminisme yang dominan adalah aliran ekofeminisme alam karena pada dasarnya perempuan memiliki kedekatan dengan alam. Aliran yang paling sedikit ditampilkan adalah aliran ekofeminisme spiritualis karena pada zaman sekarang kedekatan secara spiritualis dengan alam dianggap hal mistis yang tidak lagi dipercayai oleh masyarakat.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79837856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CARNIVALIZATION IN DANARTO’S ASMARALOKA: A STUDY OF BAKHTINIAN DIALOGISM","authors":"Sri Wahyuningtyas, Herning Puspitarini","doi":"10.22146/poetika.v9i2.59771","DOIUrl":"https://doi.org/10.22146/poetika.v9i2.59771","url":null,"abstract":"Asmaraloka, a novel written by Danarto, is a non-realistic novel that contains many voices, ideas, discourses, and thoughts that construct the carnivalesque elements in the novel. Within the context of diversity and various phenomena in the world, the carnivalization of the story shapes the behaviors and the identities of the characters in it.Drawing on this idea, this study aims to reveal the internal and external elements that contribute to the carnivalization of Asmaraloka. The novel’s text is examined qualitatively using Bakhtinian dialogism and a sociological approach to dialogic behavior for the purpose of understanding the complete construction of meanings as the reflection of the author’s world view.The study finds that there are two categories of carnivalesque elements in Asmaraloka, namely the external and internal elements of carnival. The external carnivalization of the story creates the non-realistic world in it in relation to other texts that contribute to the diversity of ideas/ meanings in the novel. The internal carnivalization of the story generates the following structural aspects: (1) the battlefield as a means of carnival performance, (2) the occurrence of an abnormal human relationship between the characters, (3) the carnivalesque phenomena that are constructed in the story through the dialogues between peace and chaos and between obedience and denial, and (4) the effects of carnivalesque behaviors on the characters’ personality. Asmaraloka merupakan novel nonrealis karya Danarto yang berisi banyak suara, gagasan, wacana, dan pemikiran yang membentuk unsur-unsur karnival di dalamnya. Dalam konteks keberagaman dan berbagai fenomena di dunia, karnivalisasi karya sastra merupakan hal yang dapat mempengaruhi tingkah laku dan pembentukan jati diri para tokoh dalam cerita.Berkaitan dengan gagasan di atas, penelitian ini bertujuan mengungkap karnivalisasi teks Asmaraloka baik yang bersifat internal maupun yang eksternal dan pengaruhnya terhadap pembentukan karakter dari tokoh-tokoh dalam novel Asmaraloka. Penelitian ini menggunakan metode kualitatif. Analisis dilakukan berdasarkan dialogisme Bakhtin dan pendekatan sosiologis pada perilaku dialogis untuk memahami jalinan makna utuh sebagai pandangan dunia pengarang. Hasil penelitian menunjukkan adanya unsur karnival eksternal dan internal yang membangun cerita.Karnivalisasi eksternal membentuk dunia nonrealis dari cerita dan berkaitan dengan teks-teks lain yang berperan membangun keragaman makna dalam Asmaraloka. Karnivalisasi internal cerita mengungkap adanya aspek-aspek berikut ini: (1) medan pertempuran sebagai sarana pertunjukkan, (2) hubungan manusia yang tidak normal yang terjadi antar tokoh, (3) fenomena-fenomena karnivalistik yang terbangun melalui interaksi antara kedamaian dan kekacauan dan juga antara ketaatan dan pengingkaran, dan (4) unsur-unsur karnival yang merupakan dialog antara gagasan pengarang dan fenomena-fenomena sosial di masyarakat.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"120 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78553960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}