Jurnal Poetika最新文献_第2页

Prostitute Praising Represented by Male Novelists in Post-1998 Religious Society 1998年后宗教社会中男性小说家对妓女的歌颂

Jurnal Poetika Pub Date : 2022-10-31 DOI: 10.22146/poetika.v10i2.74534

Lelu Dina Apristia

引用次数: 0

Providing Space to the Marginalized: Bertolt Brecht’s Reception of John Gay’s The Beggar’s Opera 为边缘人提供空间:贝托尔特·布莱希特对约翰·盖伊的《乞丐歌剧》的接受

Jurnal Poetika Pub Date : 2022-10-31 DOI: 10.22146/poetika.v10i2.76100

Isti Haryati

{"title":"Providing Space to the Marginalized: Bertolt Brecht’s Reception of John Gay’s The Beggar’s Opera","authors":"Isti Haryati","doi":"10.22146/poetika.v10i2.76100","DOIUrl":"https://doi.org/10.22146/poetika.v10i2.76100","url":null,"abstract":"The popularity of John Gay’s political satire play The Beggar’s Opera in the English literary world prompted a German writer, Bertolt Brecht, to respond to the work. The purpose of this study is to describe Bertolt Brecht's reception of Gay’s Play The Beggar’s Opera in Brecht’s Play Die Dreigroschenoper. The data sources in this study are the text of Brecht’s play entitled Die Drei Groschenoper and the text of Gay’s play The Beggar's Opera. This research is based on the theory of Reception Aesthetics by Hans Robert Jauss. The results show that Brecht’s reception was influenced by his horizon of expectations, which plays a central role in determining a writer’s reception of a work of literature. Brecht’s horizon of expectations, which is related to his Marxist view, distinguishes Brecht’s play from that by Gay. Brecht’s intention to make a play that enlightens his audience made him present a more explicit depiction of marginalized people in Die Dreigroschenoper, which was performed in the form of epic theater (episches Theater). By providing space to the marginalized, Brecht aimed to criticize capitalism which began to grow in Germany after the country’s loss in the First World War and divided the German society into two classes, resulting in various social issues. Brecht’s criticisms are different from Gay’s criticisms in shedding some light on the moral degradation in England at the time.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90842641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Shovah’s Reality (Re)Construction: A Žižekian Reading of Ideology in Phil Kelly's Farsight 犹太礼的现实(再)建构:菲尔·凯利《前瞻》中意识形态的Žižekian解读

Jurnal Poetika Pub Date : 2022-10-31 DOI: 10.22146/poetika.v10i2.72018

Thoha Arsyad, M. Hernawati

引用次数: 0

Impact and Functions of the Legend of Joko Lancur and Dewi Amirah’s Forbidden Love for the People of Ponorogo Joko Lancur和Dewi Amirah禁忌之爱对波诺罗戈人民的影响和作用

Jurnal Poetika Pub Date : 2022-10-31 DOI: 10.22146/poetika.v10i2.65105

Meliani Risdiana, E. Andalas, J. Widodo

{"title":"Impact and Functions of the Legend of Joko Lancur and Dewi Amirah’s Forbidden Love for the People of Ponorogo","authors":"Meliani Risdiana, E. Andalas, J. Widodo","doi":"10.22146/poetika.v10i2.65105","DOIUrl":"https://doi.org/10.22146/poetika.v10i2.65105","url":null,"abstract":"The legend of the forbidden love relationship between Joko Lancur and Dewi Amirah is much more than just an oral story. This story is still believed to be true so that it affects the socio-cultural life of the Ponorogo community in Indonesia. This study aims to describe the impact and function of the legend in the life of the people of Ponorogo. This study uses a sociology of literature perspective. Data were collected through 1) observation, 2) documentation, and 3) interviews with some informants. The results showed that the legend of Joko Lancur and Dewi Amirah is still deeply rooted in the social fabric of the people of Golan Village and Mirah Hamlet in Ponorogo. This legend is believed to be true by the communities in the two regions so it has an impact on the way they view the social relations between the two regions. The people of both regions believe that members of Golan community will never be able to live together with those of Mirah community. If this taboo is violated, bad things will happen. Even so, this legend functions as a means of 1) legalizing social institutions, 2) regulating community norms, 3) supporting education, and 4) strengthening community solidarity.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"354 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72528108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Subordination of The Queen in the Narrative Lampahan Juměněngipun Nata Dewi Kancana Wungu, an Episode of Langěndriya Manuscript 兰格恩德里亚手稿中一集《兰格恩德里亚手稿》叙述中女王的从属地位

Jurnal Poetika Pub Date : 2022-10-31 DOI: 10.22146/poetika.v10i2.71937

Nur Habibah, Sharifah Hanidar

引用次数: 0

AKHIL SHARMA’S FAMILY LIFE: REGRETTING DOUBLENESS OF DIASPORA INDIVIDUALS 阿希尔·沙玛的家庭生活:对侨民双重身份的遗憾

Jurnal Poetika Pub Date : 2022-06-30 DOI: 10.22146/poetika.v10i1.64292

Sari Fitria

引用次数: 1

ECOLOGICAL LAMENTATION AND ADVOCACY IN EKA BUDIANTA’S SELECTED POEMS 艾卡·布甸塔诗歌选集中的生态哀叹与生态倡导

Jurnal Poetika Pub Date : 2022-06-30 DOI: 10.22146/poetika.v10i1.74114

Novita Dewi

{"title":"ECOLOGICAL LAMENTATION AND ADVOCACY IN EKA BUDIANTA’S SELECTED POEMS","authors":"Novita Dewi","doi":"10.22146/poetika.v10i1.74114","DOIUrl":"https://doi.org/10.22146/poetika.v10i1.74114","url":null,"abstract":"Writing about environmental issues before and after climate change and other human-made ecological damages, Eka Budianta has continually taken up environmental topics in his oeuvre. The study presented in the present article aims to scrutinize 6 (six) selected poems by Eka Budianta to see how the poet has dealt with ecological debate throughout the years. The study draws insights from criticisms within Environmental Humanities framework and uses a qualitative-interpretative method. The six poems comprise four poems written in 1984, i.e., “River Notes”, “The Yearning of the Wind”, “Song for Tiom”, and “Song of a Townsman”; a poem written in 2012 titled “Setelah Sudaraku Tenggelam”; and the most recent one, written in 2020, “Sungai Sejati”. The lines and stanzas of each poem are read and interpreted according to their respective themes, poetic devices, and contents to see if they demonstrate the principles of Ecopoetry. The study results in the following findings. First the lamentation for the loss of nature is present in “River Notes”, “The Yearning of the Wind”, and “Song of a Townsman”. Second, “Song for Tiom” and “Setelah Saudaraku Tenggelam” are elegies for, respectively, ecological destruction in Papua and the Situ Gintung Lake tragedy. Third, optimistic tone is palpable in Eka Budianta’s newest poem “Sungai Sejati”. Fourth, the inclusion of non-human agency like landscape, plants, and animals helps reinforce the green messages the poet seeks to express. This study concurs that literature can partake in exposing global climate change as well as advocating sustainable living in a way often ignored in ecological praxis that only celebrates concrete results.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"78 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77202195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

“PLEASE DON’T TREAT ME LIKE A SERVANT. I DO HAVE MY RIGHTS”: INDONESIAN MIGRANT DOMESTIC WORKERS (IMDWS) WROTE BACK IN FAMILIAR STRANGERS (2018) “请不要把我当作仆人。我确实有我的权利”:印度尼西亚移民家庭工人(imdws)在熟悉的陌生人(2018)中写道

Jurnal Poetika Pub Date : 2022-06-30 DOI: 10.22146/poetika.v10i1.68208

R. Trisnawati

{"title":"“PLEASE DON’T TREAT ME LIKE A SERVANT. I DO HAVE MY RIGHTS”: INDONESIAN MIGRANT DOMESTIC WORKERS (IMDWS) WROTE BACK IN FAMILIAR STRANGERS (2018)","authors":"R. Trisnawati","doi":"10.22146/poetika.v10i1.68208","DOIUrl":"https://doi.org/10.22146/poetika.v10i1.68208","url":null,"abstract":"Facilitated by The Voice of Singapore’s Invisible Hands, a non-profit organization (NPO) that promotes the rights and welfare of migrant workers in Singapore through literary works on Facebook, some Indonesian Migrant Domestic Workers (IMDWs) in Singapore such as Seruni, Fadillah, et. al., to name a few, have been able to publish their poems and short stories in an anthology entitled “Familiar Strangers” (2018). To add to the current studies of literary works written by migrant workers that are about home and family as well as migratory experience of exile, loneliness, alienation, and isolation, the present study offers a different perspective of IMDW’s migratory experience working in Singapore that is depicted in the six selected poems through the postcolonial lens. Accordingly, it examines the migrant workers’ salient migratory experience of working in Singapore that, I argue, conveys voices of renegotiation for better IMDWs’ position as domestic workers and thus challenges certain stereotypes about them. The voice of renegotiation is expressed by vocalizing steadfastness and courage where subversion and confrontation against the dehumanization they oftentimes encounter can also be observed. These IMDWs through their poems are seen as a countering narrative about Indonesian domestic workers, and the notion of writing back is then solidly founded.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80462816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

AMBIVALENCE IN MOHAMMED KAMICI EL-HASSANI’S LE MOUCHOIR

Jurnal Poetika Pub Date : 2022-06-30 DOI: 10.22146/poetika.v10i1.70440

Ida Bagus Putra Ananta Sidhiswara

{"title":"AMBIVALENCE IN MOHAMMED KAMICI EL-HASSANI’S LE MOUCHOIR","authors":"Ida Bagus Putra Ananta Sidhiswara","doi":"10.22146/poetika.v10i1.70440","DOIUrl":"https://doi.org/10.22146/poetika.v10i1.70440","url":null,"abstract":"The present study discusses the ambivalent behavior found in the character(s) in a francophone novel written by a third world writer. This ambivalence is represented by the attitude of the East that is against the colonialists on the one hand, but admires them and imitates their identities and attitudes on the other. This ambivalent discourse is widely represented in a francophone work entitled Le Mouchoir (1987) by Mohamed Kacimi El-Hassani. This novel satirically tells about Algeria in the post-colonial period and the narrator’s efforts to oppose colonialism. Textual citations and pieces of evidence from the novel that are used to support the analysis are those that are related to postcolonial and ambivalence issues. The analysis is also supported by historical evidence of French colonialists’ behavior towards indigenous Maghreb. The interpretation of the findings is supported by Homi Bhabha's ambivalence theory. Moreover, this study was conducted using Fairclough's critical discourse analysis methodology with which the textual analysis of the novel follows three levels of discourse, namely micro, meso, and macro levels. This study found that the hypocritical nature of the characters such as that demonstrated by the narrator and Mahfoud reflects the postcolonial nature of \"ambivalence\". This characteristic places Algerians in a \"liminal space\" of contestation between the narrator and Mahfoud and between Algeria and France.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80306441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

LOVE AND SPIRITUALITY: THE ANALYSIS OF THE NOVEL LAYLA BY CANDRA MALIK BASED ON JACQUES DERRIDA PERSPECTIVE 爱与灵性:基于德里达视角的坎德拉·马利克小说《莱拉》分析

Jurnal Poetika Pub Date : 2022-06-30 DOI: 10.22146/poetika.v10i1.65981

Fauziyah Kurniawati, Muhammad Naufal Annabil

{"title":"LOVE AND SPIRITUALITY: THE ANALYSIS OF THE NOVEL LAYLA BY CANDRA MALIK BASED ON JACQUES DERRIDA PERSPECTIVE","authors":"Fauziyah Kurniawati, Muhammad Naufal Annabil","doi":"10.22146/poetika.v10i1.65981","DOIUrl":"https://doi.org/10.22146/poetika.v10i1.65981","url":null,"abstract":"This research aims to describe the interpretation of love and spirituality text in the novel Layla by Candra Malik based on Jacques Derrida’s deconstruction analysis. This research is descriptive qualitative research. The data source is the novel Layla by Candra Malik. It collects the data using reading, note-taking, and interpretation techniques. The research result shows us that (a) the dominant binary opposition is found, namely that true love is love directed to Allah SWT, and the secondary, namely that the search for the main character's love in this novel focuses on a woman who he thinks is an angel on earth, implying an understanding of love that hasn’t been digested in hearts and minds of today’s modern humans thoroughly, (b) the postponement of absolute truth based on results of binary opposition is a changing of position from dominant to secondary, and (c) the paradoxical meaning is found through postponement of absolute truth indirectly, namely sometimes love plagued by human beings is just imagination, without knowing the love that comes is an intermediary so that his love for Allah is greater than all other kinds of love.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"284 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73313530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0