Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences最新文献_第5页

Potential of Application of Psychoacoustics to User/Product Interaction Design 心理声学在用户/产品交互设计中的应用潜力

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123554

R. Sanz-Segura, Eduardo Manchado-Pérez

{"title":"Potential of Application of Psychoacoustics to User/Product Interaction Design","authors":"R. Sanz-Segura, Eduardo Manchado-Pérez","doi":"10.1145/3123514.3123554","DOIUrl":"https://doi.org/10.1145/3123514.3123554","url":null,"abstract":"Product design helps people to access to technological devices through the development of a product interface. It is also capable of influencing people's interaction with others and with the environment, and of affecting the emotional response of product users, as the evolution of this activity to a new approach that can be defined as product semantics design. Thus, the product itself is a communicative system, and an understanding of it depends on the congruence of the sensorial properties perceived by the user with the concept of the product. Therefore, given that sound is one of the essential stimuli perceived by users, it is also one of the vital parameters to be configured by the designer, and the knowledge of the communicative capacities of sounds and their properties must be incorporated into the product design process. This paper reviews some of the more relevant studies in the field of sound from a perspective of its potential application to product interaction design, and critically analyses their main contributions to date and their potential application in order to contribute to the proposal for future lines of work.","PeriodicalId":282371,"journal":{"name":"Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124768832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

2K-Reality: An Acoustic Sports Entertainment Augmentation for Pickup Basketball Play Spaces 2K-Reality:一个声学运动娱乐增强皮卡篮球比赛空间

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123529

T. Ryan, J. Duckworth

{"title":"2K-Reality: An Acoustic Sports Entertainment Augmentation for Pickup Basketball Play Spaces","authors":"T. Ryan, J. Duckworth","doi":"10.1145/3123514.3123529","DOIUrl":"https://doi.org/10.1145/3123514.3123529","url":null,"abstract":"In this paper we describe 2K-Reality; an acoustic sports entertainment augmentation designed to enhance the enjoyment of playing and watching the cultural practice of pickup basketball. 2K-Reality is an interactive digital artefact for pickup basketball play spaces that recontextualises sounds appropriated from a National Basketball Association (NBA) videogame to create interactive sonic experiences for players and spectators. We discuss how the design blends NBA videogames and real basketball play spaces using broadcast-style commentary, stadium-style crowd sound effects and contemporary music break beats activated by spectators interacting with a touchscreen interface connected to a public address (PA) system. Using an ethnographic approach, we analyse the different ways spectators orchestrate the different sounds, and the subsequent effects 2K-Reality soundscapes had on social interactions and the experiences of playing and watching pickup basketball. We conclude from our study that 2K-Reality is a demonstration of a compliant sports augmentation, a term we use to describe a digital enhancement of playing and watching grassroots sports without modifying existing spatial, temporal and cultural practices or the standards codified by a sport's governing body.","PeriodicalId":282371,"journal":{"name":"Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121478378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

Open Band: A Platform for Collective Sound Dialogues 开放乐队:一个集体声音对话的平台

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123526

Ariane Stolfi, M. Barthet, Fábio Goródscy, Antonio Deusany de Carvalho Junior

引用次数: 4

EVERTims: Open source framework for real-time auralization in VR EVERTims: VR中实时听觉化的开源框架

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123559

David Poirier-Quinot, M. Noisternig, B. Katz

引用次数: 9

IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations IMMA-Emo:一个多模态界面，用于可视化乐谱和音频同步的情感注释

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123545

Dorien Herremans, Simin Yang, C. Chuan, M. Barthet, E. Chew

引用次数: 6

Creating Space for Facilitated Music Performance: Gesture Controlled Sound for Users with Complex Disabilities 为方便的音乐表演创造空间:为有复杂残疾的用户提供手势控制声音

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123518

A. Dickens, C. Greenhalgh, B. Koleva

{"title":"Creating Space for Facilitated Music Performance: Gesture Controlled Sound for Users with Complex Disabilities","authors":"A. Dickens, C. Greenhalgh, B. Koleva","doi":"10.1145/3123514.3123518","DOIUrl":"https://doi.org/10.1145/3123514.3123518","url":null,"abstract":"Musical interactions have the potential to increase emotional well-being, self-confidence and self-motivation. However, the ability to actively participate in creative activities involving music performance has so far been difficult for users with complex disabilities. This paper discusses placing a technology probe, using gesture based musical controls, in an existing music technology project for users with complex disabilities (conditions which affect both cognitive and motor abilities of an individual). The focus is on understanding the needs of this user group in a participatory design approach for creative music technologies that allow for tailored accessibility. Outcomes from this research show that many multi-level social interactions surrounding the technology, users, audience, and any third party facilitators exist in the context of 'facilitated performance'. Results suggest that including facilitators in the design of Digital Musical Instruments (DMIs) could allow for improved accessibility for users with complex disabilities.","PeriodicalId":282371,"journal":{"name":"Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences","volume":"190 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114205745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Embedded Multichannel Linux Audiosystem for Musical Applications 嵌入式多声道Linux音频系统的音乐应用

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123523

Henrik Langer, R. Manzke

引用次数: 4

Datascaping: Data Sonification as a Narrative Device in Soundscape Composition 数据美化:作为声景构图叙事手段的数据声化

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123537

Jon Pigrem, M. Barthet

{"title":"Datascaping: Data Sonification as a Narrative Device in Soundscape Composition","authors":"Jon Pigrem, M. Barthet","doi":"10.1145/3123514.3123537","DOIUrl":"https://doi.org/10.1145/3123514.3123537","url":null,"abstract":"Soundscape composition is an art form that has grown from acoustic ecology and soundscape studies. Current practices foster a wide range of approaches, from the educational and documentary function of the world soundscape project (WSP) to the creation of imaginary sonic worlds supported by theories of acousmatic and electroacoustic music. Sonification is the process of rendering audio in response to data, and is often used in scenarios where visual representations of data are impractical. The field of auditory display has grown in isolation to soundscape composition, however fosters conceptual similarities in its representation of information in sonic form. This paper investigates the use of data sonification as a narrative tool in soundscape composition. A soundscape has been created using traditional concrete sounds (fixed media recorded sound objects), augmented with sonified real-time elements. An online survey and listening experiment was conducted, which asked participants to rate the soundscape on its ability to communicate specific detail with regard to environmental and social elements contained within. Research data collected shows a strong ability in participants to decode and comprehend additional layers of narrative information communicated through the soundscape.","PeriodicalId":282371,"journal":{"name":"Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114934746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

Biosignal Augmented Embodied Performance 生物信号增强体现性能

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123547

Rikard Lindell, Tomas Kumlin

引用次数: 2

HaptEQ: A Collaborative Tool For Visually Impaired Audio Producers HaptEQ:视障音频制作人的协作工具

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123531

A. Karp, Bryan Pardo

引用次数: 13