生物信号增强体现性能

Rikard Lindell, Tomas Kumlin
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引用次数: 2

摘要

我们在设计研究的基础上,探索体现的现象学,以及对增强体现性能的人工制品设计的反思。我们为音乐家和舞者提供了三种设计;这些设计依赖于艺术家们多年实践中获得的熟练掌握。通过对生命体的了解,他们的乐器——大提琴、长笛和舞蹈——是他们自身的延伸;因此,我们可以在形体图式中以丰富的细微差别和精确的方式探索技术。借助梅洛-庞蒂的具身现象学,我们提出了增强具身行为的两个视角:互动制定的教师和技术的人性化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Biosignal Augmented Embodied Performance
We explore the phenomenology of embodiment based on research through design and reflection on the design of artefacts for augmenting embodied performance. We present three designs for musicians and a dancer; the designs rely on the artists' mastery acquired from years of practice. Through the knowledge of the living body, their instruments ---cello, flute and dance ---are extensions of themselves; thus, we can explore technology with rich nuances and precision in corporeal schemas. With the help of Merleau-Ponty's phenomenology of embodiment we present two perspectives for augmented embodied performance: the interactively enacted teacher, and the humanisation of technology.
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