Biosignal Augmented Embodied Performance

Rikard Lindell, Tomas Kumlin
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引用次数: 2

Abstract

We explore the phenomenology of embodiment based on research through design and reflection on the design of artefacts for augmenting embodied performance. We present three designs for musicians and a dancer; the designs rely on the artists' mastery acquired from years of practice. Through the knowledge of the living body, their instruments ---cello, flute and dance ---are extensions of themselves; thus, we can explore technology with rich nuances and precision in corporeal schemas. With the help of Merleau-Ponty's phenomenology of embodiment we present two perspectives for augmented embodied performance: the interactively enacted teacher, and the humanisation of technology.
生物信号增强体现性能
我们在设计研究的基础上,探索体现的现象学,以及对增强体现性能的人工制品设计的反思。我们为音乐家和舞者提供了三种设计;这些设计依赖于艺术家们多年实践中获得的熟练掌握。通过对生命体的了解,他们的乐器——大提琴、长笛和舞蹈——是他们自身的延伸;因此,我们可以在形体图式中以丰富的细微差别和精确的方式探索技术。借助梅洛-庞蒂的具身现象学,我们提出了增强具身行为的两个视角:互动制定的教师和技术的人性化。
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