New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i1.001
Kavita Patil
{"title":"Destitutionalised Reading of Gender and Caste in Baburao Bagul’s Short Stories","authors":"Kavita Patil","doi":"10.48189/nl.2023.v04i1.001","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i1.001","url":null,"abstract":"In this research paper, I analyze the effects of institutionalised ways of reading ‘gender’ and ‘caste’ in Marathi literature with reference to Baburao Bagul, one of the important Dalit writers, short stories with the help of some notions and arguments from Antonio Gramsci’s Prison Notebooks, Jacques Derrida’s essay “Structure, Sign and Play in the Discourse of Human Sciences”, Aniket Jaaware’s essay “Destitute Literature” and the book Practicing Caste: On Touching and Not Touching. Baburao Bagul’s short stories re-valuated the established institutionalized reading practices of gender and caste in literature set by the Marathi writers and critics, mostly upper-caste, before the 1960s. However, other Dalit writers did not venture to re-valuate the representation of gender and caste in literature. Before the concept of ‘Destitute Literature’ was propounded by Aniket Jaaware, most of the reading/analysis of Marathi Dalit literature followed institutionalized ways of consumption of literature. The dominant practices of reading literature in academia as well as out of it did not spare even the scholars who claimed to be different from the hegemony. The descriptions and analysis of gender and caste were mostly on the grounds of identity politics. For example, all the essays in the Marathi book Samagra Lekhak: Baburao Bagul (Complete Writer: Baburao Bagul) edited by Dr. Krushna Kirwale offer the institutionalized readings of Bagul’s stories, their form, content, and the characters. I attempt to critique such earlier writings and criticism written on Baburao Bagul’s stories and re-read the stories in destitutionalised way.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126611095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i2.013
Shreosi Roy Chowdhury
{"title":"The Posthuman in Ray’s Aranyer Din Ratri and Agantuk- Embracing the Redefined Self","authors":"Shreosi Roy Chowdhury","doi":"10.48189/nl.2023.v04i2.013","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i2.013","url":null,"abstract":"Posthumanism is one of the emerging fields of study in recent times. It deals with a redefined perspective toward man. It advocates that man has always been in existence, which is a concoction of that which man considered to be the Other. The Self and the Other exist in a natural rhythm in the Universe. The theory delves deep into the nature of Man and attempts to travel away from the Humanistic idea that Man is at the centre of all the functioning of Nature and views Man as apart from Nature. Posthumanism suggests man to be a part of nature. A discussion of human nature cannot be completed without the mention of the Renaissance Man Satyajit Ray. The paper attempts to locate hints of a Posthumanist discourse in Ray’s Aranyer Din Ratri and Agantuk.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125892964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i1.008
Mousumi Kundu
{"title":"Negotiating Gender and Sexuality: A Study of Preeti Shenoy’s The Rule Breakers","authors":"Mousumi Kundu","doi":"10.48189/nl.2023.v04i1.008","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i1.008","url":null,"abstract":"The present paper deals with the societal framework of gender and sexuality in Preeti Shenoy's novel, The Rule Breakers. Judith Butler popularized the issues of ‘gender’ and ‘sex’ in her masterpiece, Gender Trouble. Judith Butler gives importance to the performance in order to establish the role of gender as well as she focuses on the trouble of homosexuality. ‘Sex’ is biological, whereas ‘gender’ is socially constructed. Apart from male and female bodies there is another sex that is called other sex. But the society defines only masculine and feminine. Language also denotes these two genders through the terms like 'he' and 'she'. In the field of language there is no single determining factor to detect the other sex. This binary structure of gender affects a great deal in the lives of female characters as well as of the other sex in Shenoy's novel, The Rule Breakers. Similarly, the normative trend of heterosexuality or the societal framework of heterosexuality hampers the lives of gay and lesbian and it causes despair and disappointment. In spite of the legal acceptance, some people dare not to reveal the nature of homosexuality, as it may separate them from the rest of the people. In The Rule Breakers Shenoy's treatment of gender and sexuality explores the subjugation and liberation of Shenoy’s Veda as well as the agony of the gay, Veda’s husband. Therefore, the present study aims at discovering the feminist approach of Veda and the crisis of gay identity for Veda’s husband.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125336937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i1.010
Rathika Subba
{"title":"Voices of the Marginal: Comparative Analysis of Mahasweta Devi’s “Draupadi” and Asit Rai’s Yantrana","authors":"Rathika Subba","doi":"10.48189/nl.2023.v04i1.010","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i1.010","url":null,"abstract":"Postcolonialism has ushered in creating possibilities to locate the voices of the marginalized. In this light Mahasweta Devi is one of the prolific writers who has championed the cause of the suppressed and the marginalized sections of the society. Her works seek to rewrite and represent their history and reality as they are the ones who actually contribute towards history writing. “Draupadi” (1981) is about individual courage, determination and resilience. The protagonist of the story cuts across class, caste and gender barriers and protests against the brutality of state-sponsored violence, atrocity and inhumanity. She breaks the shackles of confinement of patriarchy and state-aided cruelty as it specifically decides the punishment for her because she is an ‘insurgent’, ‘culprit’ and above all a woman. Similar echoes are found in a Nepali novel Yantrana (1980) by Asit Rai. It brings out the plight and torture of Chandrabahadur, a tea garden worker, who dares to speak against the inhuman system of the ‘maliks’ who have usurped all the power to keep the workers subordinated. It is about his fight against the inhuman treatment and management in the tea garden. The plantation system in the tea garden on the other hand has the indirect support of the government to crush any voice of dissent and discord. Both in Mahasweta Devi’s “Draupadi” and Asit Rai’s Yantrana the marginalized voices spring out of the intended and extended exclusion and suppression.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122687190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i2.015
Shyam Patel
{"title":"Longing for Possibilities: A Learning and Literacy of Love","authors":"Shyam Patel","doi":"10.48189/nl.2023.v04i2.015","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i2.015","url":null,"abstract":"What possibilities exist when we engage and evoke decolonial love at the site of learning and literacy? This question is one that I attempt to answer, and, for me, it begins with a personal narrative that demonstrates a mattering of love. From there, I set out on a journey to situate the meaning of decolonial love, which I situate in relation to the classroom context. I insist that critical discourse and language disruption are necessary and significant to a rupturing of decolonial love, especially in terms of self-love. In the former, I consider how discourses of resistance encourage my students and I to confront colourism in the classroom, and to emrbace a love for one’s body and identity. In the latter, I speak to the hatred that my students and I develop for the [m]other(ed) tongue, shedding light on the importance of reclaiming dialects and languages that have been forced into exile and pushed to the margins. But, most of all, what I profess is the profoundness that exists in the following words: I love you. This tenet, more than anything, is a provocation that to speak about love is perhaps the most important thing one can do to practice the act of decolonial love.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123615840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i2.009
Rishav Dutta
{"title":"(Re)fashioning the Tribal Self-image: Reading Contemporary Tribal Writings from India in Translation","authors":"Rishav Dutta","doi":"10.48189/nl.2023.v04i2.009","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i2.009","url":null,"abstract":"Tribal voices are perennially absent in the domains of disciplinary knowledges. Contemporary indigenous writings from different parts of the world contest this archival and textual invisibility of the indigenous subject by documenting the unremitting pain and anguish these communities undergo due to systematic territorial displacement and cultural dislocations. Literary narratives originating within these indigenous communities transcend paradigms of literature by offering a dynamic repertoire of indigenous epistemic practices and lived experiences. Keeping this understanding broadly in the background and contemporary tribal literature(s) from India at the focal point, this paper proposes to argue that critical readings of such texts problematize predominant discourses of ‘indigeneity’. Embedded within the (neo)colonial ethnic stereotypes is the reductionist understanding of ‘indigeneity’ which puts forward a dualistic image of the tribal subject who is either an innocent, vulnerable relic of the past requiring preservation or a savage primitive needing subdual. Contemporary tribal writings from India offer a critical departure from rigid one-dimensional reading of the tribal character/person. By getting further translated into multiple Indian languages and in English, these narratives carry the potential to respond to contexts of suffering, displacement and persecution far removed from the spatiotemporal boundaries of the local context in which they originate. Hence, the act of translation not only ensures mobility to such texts but creates new space(s) for similar narratives of indigenous resistance to engage with each other and also extend the practice of tribal self-fashioning.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122103237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i2.016
J. Mishra
{"title":"The Chosen of God: Interrogating Fatherhood, Hegemonic Masculinity and the “Chosen” Family/Nation in Noah (2014)","authors":"J. Mishra","doi":"10.48189/nl.2023.v04i2.016","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i2.016","url":null,"abstract":"Darren Aronofsky’s Noah (2014) is a Hollywood Biblical epic film, re-imagining the tale of Prophet Noah from the Old Testament of the Bible, who is “chosen” by the Biblical God for a divine quest. Considering the American nationalistic agendas of the 20th century Biblical epic responding to the dominant geopolitical events of the time, this article reads the primary text against articulations of (masculinized) American nationalism in a post-9/11 and “War and Terror” world. With concerns of America going “soft” after the attacks of 9/11, the idea of “manning up” by harkening back to traditional modes of manhood and heteronormative patriarchal gender roles was a method of reclaiming (masculine) power. Religion was also used to articulate American nationalist creeds and belief systems to a global audience by the American political establishment. In the time of President Obama, rooted in Biblical teachings, fatherhood was foregrounded as the bedrock of the nation, illustrating the interplay of masculinity, religion and American nationalism. Through a focus on the politics of the “chosen” man/family/nation in Noah, I attempt to explicate contemporary constructions of fatherhood, masculinity, and nationalism as projected in mainstream American cinema.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116126727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2022.v03i2.011
Merinnage Nelani De Costa
{"title":"Representation of Migrant Women Workers and their Negotiations with the Nation: A Study of Selected Sri Lankan English Fiction","authors":"Merinnage Nelani De Costa","doi":"10.48189/nl.2022.v03i2.011","DOIUrl":"https://doi.org/10.48189/nl.2022.v03i2.011","url":null,"abstract":"Migrant women workers are the main income generators of their families and they contribute to the Sri Lankan economy as a vital part of the labour force. This research explores their representations in Sri Lankan English fiction in terms of how they are perceived and negotiate with their identities. The methodology of this study includes a textual analysis of selected Sri Lankan English fiction such as Vijita Fernando’s “The Homecoming” (1984), Punyakante Wijenaike’s “Anoma” (1996) and Jean Arasanayagam’s The Famished Waterfall (2004). This research aims to scrutinize the representations of migrant women workers within the dominant ideological framework where women are primarily perceived as the cultural disseminators of their nation. One of the research questions of this study is to determine the extent to which migrant women workers are considered transgressive according to the conventional beliefs and values in the mainstream society where women are symbolically equated to the nation. The other is to inquire what are the ways in which these workers come to terms with their identities, interpersonal relationships and negotiations in their journeys from home to host countries. Both questions are deliberated concerning the representation of migrant women workers in Sri Lankan English fiction. Therefore, this research concludes that the narratives of migrant women workers in Sri Lankan English fiction negotiate with their identities, families and interpersonal negotiations. It also critiques the hegemonic and heteropatriarchal perception of such domestic workers within the dominant ideological framework of the nation.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129472431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2022.v03i2.003
A. Classen
{"title":"The Defense of the Humanities in the Twenty-First Century: Communication in the Literary Laboratory with a Focus on the Verse Narratives by Heinrich Kaufringer","authors":"A. Classen","doi":"10.48189/nl.2022.v03i2.003","DOIUrl":"https://doi.org/10.48189/nl.2022.v03i2.003","url":null,"abstract":"Many times, even scholars in the Humanities do not know how to deal with literature because they work only in the field of language acquisition, linguistics, or other data-driven study areas. Not surprisingly, when the issue emerges how to explain and to defend the Humanities, the literary areas seem to be the first on the chopping block. On the one hand, we can certainly argue that there is a specific literary canon that provides the readers/students with a sense of cultural identity and history. On the other hand, it seems more significant and effective to consider literature from whatever period or written in whatever language as a kind of laboratory of human behavior. The fictional framework makes it possible to experiment with unique types of situations in human life, often in an extreme fashion, which facilitates, as any scientist working in a lab would confirm, the critical analysis without too many outside distractions. The present paper argues that we can learn much about human communication through the study of literary texts. This finds an excellent illustration in the works of the late medieval German poet Heinrich Kaufringer (ca. 1400), in whose verse narratives we encounter a plethora of various situations and conditions reflecting on ordinary cases in people’s lives, with all the shortcomings and potentials pertaining to the human language and the social community.","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129674496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
New LiterariaPub Date : 1900-01-01DOI: 10.48189/nl.2023.v04i2.002
Apurba Biswas
{"title":"The Unintended Repercussions of Technological Breakthrough in Satyajit Ray’s The Diary of a Space Traveller and its Implication on the Status Quo of Artificial Intelligence: A Case Study Through the Lens of Heisenberg’s Uncertainty Principle","authors":"Apurba Biswas","doi":"10.48189/nl.2023.v04i2.002","DOIUrl":"https://doi.org/10.48189/nl.2023.v04i2.002","url":null,"abstract":"The paper explains the application of Heisenberg’s uncertainty principle to Professor Shonku’s The Diary of a Space Traveller (2004) to analyze the implications of the principle on the behaviour of the characters and the plot and deploy that theoretical framework to address the current situation of burgeoning AI models and provide suggestions on how to mitigate its unintended consequences. Heisenberg’s uncertainty principle states that it is impossible to simultaneously determine the position and momentum of a particle with complete precision. The Diary of a Space Traveller tells the story of Professor Shonku, a brilliant scientist who builds a spacecraft capable of travelling through space to discover unknown planets, encountering manifold and diverse alien species, and a highly sophisticated artificial intelligence-induced robot who irregularly exhibits unprecedented behaviour. The application of Heisenberg’s uncertainty principle to The Diary of a Space Traveller can be seen in the following ways: Professor Shonku’s scientific incapability to predict the unintended ramifications of his scientific inventions, his interaction with the alien species he encounters with expectations opposite to reality, the inability of other characters to make sense of unprecedented events, and the necessity of controlling the possibility of the unintended repercussions under voluntary human control. The results of this study will add to the larger conversation on responsible innovation and ways to mitigate the possibility of the adverse effects of uni","PeriodicalId":205595,"journal":{"name":"New Literaria","volume":"208 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121852490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}