雷的Aranyer Din Ratri和Agantuk中的后人类-拥抱重新定义的自我

Shreosi Roy Chowdhury
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引用次数: 0

摘要

后人文主义是近年来新兴的研究领域之一。它涉及对人的重新定义的观点。它主张人一直存在,这是一个混合物的人认为是他者。自我和他者以一种自然的节奏存在于宇宙中。该理论深入探讨了人的本质,并试图摆脱人本主义的观点,即人是自然所有功能的中心,并将人视为与自然分离的。后人类主义认为人是自然的一部分。如果不提到文艺复兴时期的萨蒂亚吉特·雷,对人性的讨论就不可能完成。本文试图在雷的《阿兰耶·丁·拉特里》和《阿甘图克》中找到后人类主义话语的线索。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Posthuman in Ray’s Aranyer Din Ratri and Agantuk- Embracing the Redefined Self
Posthumanism is one of the emerging fields of study in recent times. It deals with a redefined perspective toward man. It advocates that man has always been in existence, which is a concoction of that which man considered to be the Other. The Self and the Other exist in a natural rhythm in the Universe. The theory delves deep into the nature of Man and attempts to travel away from the Humanistic idea that Man is at the centre of all the functioning of Nature and views Man as apart from Nature. Posthumanism suggests man to be a part of nature. A discussion of human nature cannot be completed without the mention of the Renaissance Man Satyajit Ray. The paper attempts to locate hints of a Posthumanist discourse in Ray’s Aranyer Din Ratri and Agantuk.
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