边缘的声音:马哈维塔·德维的《德拉帕迪》与阿西特·拉伊的《扬特拉纳》比较分析

Rathika Subba
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引用次数: 0

摘要

后殖民主义带来了寻找边缘化群体声音的可能性。从这个角度来看,Mahasweta Devi是一位多产的作家,她为受压迫和被边缘化的社会群体的事业而奋斗。她的作品试图改写和再现他们的历史和现实,因为他们是真正对历史写作做出贡献的人。1981年的《德拉帕迪》(Draupadi)讲述的是个人的勇气、决心和韧性。故事的主人公跨越了阶级、种姓和性别障碍,抗议国家支持的暴力、暴行和不人道的暴行。她打破了父权制的束缚和国家支持的残酷行为,因为她是一名“叛乱分子”、“罪犯”,最重要的是,她是一名女性,政府明确决定了对她的惩罚。在阿西特·拉伊的尼泊尔小说《Yantrana》(1980)中也发现了类似的呼应。它揭示了钱德拉哈杜尔的困境和折磨,一个茶园工人,他敢于反对“马利克”的不人道制度,他们篡夺了所有的权力,使工人服从。它讲述了他与茶园中不人道的待遇和管理的斗争。另一方面,茶园的种植制度有政府的间接支持,以压制任何异议和不和的声音。在Mahasweta Devi的《Draupadi》和Asit Rai的《Yantrana》中,边缘化的声音都来自于有意的和长期的排斥和压制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Voices of the Marginal: Comparative Analysis of Mahasweta Devi’s “Draupadi” and Asit Rai’s Yantrana
Postcolonialism has ushered in creating possibilities to locate the voices of the marginalized. In this light Mahasweta Devi is one of the prolific writers who has championed the cause of the suppressed and the marginalized sections of the society. Her works seek to rewrite and represent their history and reality as they are the ones who actually contribute towards history writing. “Draupadi” (1981) is about individual courage, determination and resilience. The protagonist of the story cuts across class, caste and gender barriers and protests against the brutality of state-sponsored violence, atrocity and inhumanity. She breaks the shackles of confinement of patriarchy and state-aided cruelty as it specifically decides the punishment for her because she is an ‘insurgent’, ‘culprit’ and above all a woman. Similar echoes are found in a Nepali novel Yantrana (1980) by Asit Rai. It brings out the plight and torture of Chandrabahadur, a tea garden worker, who dares to speak against the inhuman system of the ‘maliks’ who have usurped all the power to keep the workers subordinated. It is about his fight against the inhuman treatment and management in the tea garden. The plantation system in the tea garden on the other hand has the indirect support of the government to crush any voice of dissent and discord. Both in Mahasweta Devi’s “Draupadi” and Asit Rai’s Yantrana the marginalized voices spring out of the intended and extended exclusion and suppression.
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