SWS International Scientific Conferences on ART and HUMANITIES - ISCAH最新文献

{"title":"TRAJECTORY OF GREEN BY ANDRZEJ KARALOW AND JERZY PRZEZDZIECKI: TOWARDS THE LANDSCAPE MUSIC","authors":"Katarzyna Szymanska-Stulka","doi":"10.35603/sws.iscah.2022/s08.11","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s08.11","url":null,"abstract":"Andrzej Karalow (b. 1991) is a pianist, composer and improviser. In his approach to music, an avid interest of the young generation, he breaks free from the traditional form and instrumentation, striving for creative freedom and artistic exploration. The composer combines a variety of trends that are fundamental for several genres of music and determine a contemporary world of sounds. Performing as a pianist and guitar player, Karalow creates artistic projects with Jerzy Przezdziecki, a recognised Polish experimental electronic artist. Trajectory of Green, the subject of this analysis, originates from the album Pedestal�s Complement (2020). In this production, Karalow and Przezdziecki present environmental or landscape music that reflects the patterns of the surrounding world. Their works are mostly improvised and are a perfect example of the use of space as a vital element of the composition. Inspirations with the landscape and its components appearing in our perception determine the general vision of the work as well as its details. The composer draws patterns from the space around him and creatively transforms them into a new artistic construct. This prompts the following question: To what extent does the increasingly popular concept of environmental music apply to the work in question? The article offers an analysis of the compositional devices along with the language of expression/artistic style, both at the level of the work�s microform and macroform, while also considering the influence of ambient music on this type of composition. Given the evident landscape component in the idea, form and structure of the work, Trajectory of Green is analysed as an example of landscape music.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"02 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131186779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ON THE PHENOMENON OF THE �WAGNERIAN PAINTING�: THE DIALECTICS OF SENSE-MAKING, PERCEPTION AND INTERPRETATION","authors":"Elena Rovenko","doi":"10.35603/sws.iscah.2022/s08.13","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s08.13","url":null,"abstract":"Having given the concept of �absolute music� a negative connotation in 1846, Richard Wagner not only inspired discussions about the correlation of form and content in music, but also affected painters, who were looking for the ideal of non-mimetic meaning-generating strategies in music, and whose art was specified as the �Wagnerian painting� by French critic Theodore de Wyzewa. Using the historical and the comparative approaches, as well as the semantic and structural analysis of the expressive means in music and painting, the paper: 1) considers Wyzewa�s programme with regard to certain correlations of his ideas with the thoughts of his predecessors; 2) interprets three steps of Wyzewa�s gnoseological algorithm (from �reality� to �consciousness�) as the correlate to components of sense-making in Wagnerian dramas: the �sensation� is generated by the pure sense of musical material, the �notion� is similar to the extra-musical meaning of leitmotifs, the �emotion� is the essence of an artwork; 3) projects this algorithm onto the Wagnerian painter�s creative process; 4) demonstrates various non-mimetic strategies of the meaning formation in painting, close to the algorithm for connecting extra-musical and immanent musical meanings in Wagnerian dramas; 5) discusses the epistemological mechanism in the process of perceiving the �Wagnerian painting�: from a purely visual impression (like �sensation�) � through actualizing cultural memory and an artist�s intentions (intellectual mediation, �notion�) � to super-intellectual reflection (synthetic �emotion�). \u0000The paper will specifically concern itself with the creative process in the fin de siecle era and to renew the ideas about the basis of synthesis of arts. As it is the art of Henri Fantin-Latour that is considered as the example of the Wagnerian painting by Wyzewa himself, the article will focus on this oeuvre in particular.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127835960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BRENTANO�S CLASSIFICATION OF ARTS FROM THE PSYCHOLOGICAL STANDPOINT","authors":"Samuel Taragel","doi":"10.35603/sws.iscah.2022/s03.01","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s03.01","url":null,"abstract":"This paper analyses Brentano�s aesthetical classification of arts from a psychological standpoint. Two questions are raised. First, if the established number of arts, which is five, is transparent and if one type of art does not only deflect the attention of others. That means if we have five completely different arts or maybe some of them fall in the same class altogether. The used method is an inquiry into how the arts that we percept through sight and hearing influence our psychological processes such as imagination or fantasy, and if they arouse higher emotions rather than lesser ones while standing in front of an artifact and admiring it. The results Brentano came to are that from a psychological standpoint we should only talk about three types of arts that influence each other and complete each other when it comes to the affection of the admirer. All further arts are only to be designated as subclasses.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131857851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MUSICAL AND INSTRUMENTAL REALITIES IN THE TREATISE �THE MUSICAL GRAMMAR� BY MYKOLADYLETSKYI 1723: ETHNIC IDENTIFICATION OF MUSICAL INSTRUMENTS","authors":"I. Zinkiv","doi":"10.35603/sws.iscah.2023/s08.12","DOIUrl":"https://doi.org/10.35603/sws.iscah.2023/s08.12","url":null,"abstract":"The article describes the discussion among East Slavic researchers regarding the appearance of the manuscript �The Musical Grammar� by M. Dyletskyi in 1723. Mentions in its text of musical instruments and imitation of their sound nature in the newly found composer�s choral concerto�Let the trumpets sound� have been analyzed. The musical instruments have been considered for the first time depicted on the title sheet of the manuscript in terms of similar Slavic and Western European instruments of the XII � XVIII centuries, an attempt has been made to establish their ethnicity.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123463319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"�NOVELLA GRECA.� ?. SERAO�S 19TH CENTURY GREECE. ITS REALITIES AND ITS ANTITHESES","authors":"G. Dimitrakopoulou","doi":"10.35603/sws.iscah.2022/s10.17","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s10.17","url":null,"abstract":"In the short story Novella Greca, in her book: Fior di Passione, 1888, the author M. Serao narrates the true story of Calliope Stavro, the heroine (Calliopi Stavrou in Greek), in Leucade - Santa Maura (Lefkada - Agia Mavra in Greek), an island of the Ionian Sea, in 19th century Greece. At that time, the country was just freed from the Turkish occupation, trying to recover from more than 400 years of slavery and subjugation to the Ottoman Empire. Calliope Stavro represents the woman of her time, imprisoned in the small society of her island, suffocated, asphyxiated, disillusioned and unfulfilled. Thus, she decides to commit suicide not having a way out in her island, which although it is a naturally beautiful place due to its greenery, it is a barren rock �thrown� into the Ionian Sea without any promising future for its inhabitants. Serao realistically exposes the true story of the heroine�s female identity, whose death signifies her suffocation within the patriarchal society of her time. The writer presents the outlets of human existence, the small society of the island, the negative influence of the heroine�s microcosm, which mostly depends on the raisin trade, its production and export, with which almost all the males of the island are preoccupied, since it provided a profitable income in that time. Faced with the crushing reality of her life, the non-existence of love, no romance, male dominance, and indifference, even misogynism, she chooses death, she surrenders to her doomed destiny and the futility of existence, because she is not allowed to live a free life according to her will. Her fatal fall from Lefkata�s cape, where in ancient times there was a temple of god Apollo, god of music, light, and patron of the arts and divination, signifies the death of the gods of Olympus. Their place has been taken by a harsh reality, the revelation of the demands of the human soul, its desires, and its dead ends. Greece will need and still needs a long way to go to find the place it deserves in history, free from patriarchal structures, prejudices, and the impasses that they entail. The story of Calliope Stavro proves in practice the predicament of the female under the patriarchal standards of her era and the unsatisfied desires of the human psyche, which are sacrificed for the sake of survival, most times with unpredictable, unpleasant and unhappy results.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130571992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"FOREIGN LANGUAGE: A FACTOR OF GLOBAL CITIZENSHIP DEVELOPMENT AT PRE-PRIMARY SCHOOL","authors":"Vaida Zeguniene","doi":"10.35603/sws.iscah.2022/s11.26","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s11.26","url":null,"abstract":"This article reveals the links between second language learning and the development of global citizenship in pre-school education. A review of educational policy documents shows that global citizenship education is defined as a democratic and sustainable education focused on the development of competences of a global citizen. It emphasises the importance of global citizenship in the education of the pre-school child, since from this point onwards, the child becomes familiar with his/her surroundings, not only locally but also globally. Education at this age is linked to knowledge of the world, communication in the mother tongue and in a foreign language, the development of values relevant to modern society, awareness of human rights, etc. The ethnographic research carried out and the analysis of the data obtained have shown that language learning is closely linked to the development of global citizenship, which is recommended to start at pre-school age, as children can easily absorb new knowledge and apply it in formal and informal activities. Preschool teachers agree that children are very receptive to foreign languages because of modern information technology and its use in communicating with their peers in formal and informal activities in and outside the preschool setting. Thus, combining global citizenship education with foreign language learning is seen as essential for a growing global citizen because of the wider educational opportunities.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132621116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"WILLIAM BLAKE AND JACOB BOEHME. AN INTRIGUING APPROACH TO CHRISTIANITY","authors":"G. Dimitrakopoulou","doi":"10.35603/sws.iscah.2022/s10.20","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s10.20","url":null,"abstract":"In this paper, William Blake�s religious system, the relationship between Natural Religion (Deism) and Art will be discussed. Blake rejected Natural Religion because Deism, which he considered Atheism and the tree of mystery, that is the dichotomy of good and evil, is false religion. �Natural religion�s impossible absurdity� urged him to allege The Marriage of Heaven and Hell. Catholicism and Orthodoxy, which proclaim that nature is God�s creation, follow Urizen�s cruel practices. Deism, Druidism is responsible for human slavery, war, and spiritual backwardness. Blake�s Protestant Jesus, that is imagination incarnated is spirituality and productivity. This does not mean that Catholicism and Orthodoxy are consisted by false religious beliefs. The basic idea of the differentiation between religions is not the division of the spirit in good and evil but the ground on which this division is based. Although �Man must and will have some Religion,� religion is a �web� and a �direful wheel.� Jesus is not a religion, in the sense that religion is a system of justice which is based on single standards that regulate human ethics and conduct. Understanding Jesus is a process of self - knowing. Man should not strive to express himself through religion but through his creative imagination and the humanitarian values of annihilation of the selfhood, universal brotherhood, and mutual forgiveness of sins. In a false religious system these values are ignored and forgotten. In order to form these ideas Blake received various influences from Boehme�s assertions, for example about the single root of the God of the holy world, and the God of the dark world. Also, God is the Fire and Jesus is the Light; Boehme saw the incarnation of Jesus not as a sacrificial offering to redeem humans from sins but as an offering of love to all humanity. In addition, Blake�s ideas about Virgin Mary are significant to compare and contrast to Boehme�s. The latter�s Marian views helped Blake to construct his own view on divine birth and Jesus�s human side.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125802424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PIANO WORKS BY COMPOSER RAUF DHOMI (ANALYSIS FOR INTERPRETATION)","authors":"Syzana Jakupi","doi":"10.35603/sws.iscah.2022/s08.14","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s08.14","url":null,"abstract":"The primary purpose of the paper is to present research analysis which aims to recognize the art of Kosovan piano music through analysis for interpretation as a relatively new discipline born in the late �90s that today in the world counts numerous publications. \u0000The qualitative-descriptive methodology is used in this paper. It entails interpreting and analyzing music, with a focus on Rauf Dhomi�s Opus �70 Pieces for Piano�. Many European countries have previously experienced the splendor and enchantment of the Renaissance, but Kosovo is currently undergoing a true Renaissance following its independence in 2008. The general characteristics of the Kosovan Renaissance have been reflected in less than twenty years, with a clean impetus and energy that has built through time in the entire nation, includingall aspects of life, and thus the sphere of art, and the magical world of music. Despite the challenges that the Kosovan artist has faced in the past, he still has the ability to overlook themin favor of the beautiful and magical. That is why the Renaissance�s magic lives on now, granting many artists in the arts, such as instrumentalists, vocalists, and composers, a well- deserved place in Europe�s and the world�s most prominent stages.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132962452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE ARTIST AS THE FORERUNNER OF SOCIO-CULTURAL VALUES","authors":"R. Tomassoni, Stefania Liburdi, M. A. Lungu, Rosalba Roccolini","doi":"10.35603/sws.iscah.2022/s08.15","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s08.15","url":null,"abstract":"Introduction This paper intends to propose a thinking about art and science as different manifestations of human culture. Objective and Method Goal of this paper, through analysis and observation, is to underline how art and science are interpenetrated so as to interface, inspire and influence each other. [1] (Arieti S., Creativita. La Sintesi Magica. Il Pensiero Scientifico, Italy, 1979) Intuition is what promotes and moves art and science. this is the basis of creativity and man, through him, supposes and glimpses reality by giving it shape. This work also intends to demonstrate how the artist is often a forerunner of sociocultural values (Fusco-Tomassoni) Topic This paper concerns mental mechanisms, which underlie the work of artists and scientists and show both an analogy between science and art, and their common origin with the elaboration of abstract thought and the sophisticated representation of the world. Conclusion In conclusion, if the scientific version of the world has significantly influenced art in general and, even more literature, the literary work of art, as Italo Calvino states, would be the map of the world and of science. In the same way art has influenced science, for example Gould, in elaborating the concept of \"contingency\" and its role in the structure of biological evolution, was inspired by the structure of the dome of the Basilica of San Marco in Venice. Moreover, art and science often capture the spirit of the times in unison and, especially the artist, can be a forerunner of socio-cultural values by sensing new realities, out of their own time, but in any case by making a synthesis between conscious and unconscious. A ciociarian artist of the twentieth century, a certain Michele Rosa, expresses the figuration of the unconscious and the irrational, he senses the historical and cultural development of peoples. through informal painting, in fact, this artist, anticipating the times, shifts attention to the negative consequences of pathogens, such as viruses, long before what would have been the current Covid-19 pandemic.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127088124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE PLOCHATA DOLMEN NEAR ZLATOSEL, BULGARIA","authors":"V. Segliņš, A. Kukela","doi":"10.35603/sws.iscah.2022/s04.05","DOIUrl":"https://doi.org/10.35603/sws.iscah.2022/s04.05","url":null,"abstract":"Bulgaria is extremely rich in prehistoric and historic monuments. Among Bulgaria�s outstanding monuments there are not only the well-known Varna Necropolis and Provadia-Solnitsata ancient salt mining and urban center, but also numerous other megalithic prehistoric monuments. Until now, they have been identified and recognized mainly as alone - standing objects. \u0000Current paper focuses on the study carried out in the vicinity of Zlatosel village on the prehistoric site of the Plochata Dolmen. The study indicates that this large area consists of a complex of ancient buildings� ruins and fragments of megalithic structures. The most notable fragment of an ancient complex structure is so-called portal dolmen, which has been adapted for sun observation during much later times, when the monuments of the megalithic culture had already lost their significance. This ancient culture is evidenced not only by numerous ruins of megalithic monuments easily recognizable in a large area (including the northern shore of the lake Dondukovo), but also by many signs and symbols still visible on the exposed surfaces of the natural rock walls and several man-made natural rock formations and their groups. The study reveals that closer attention should be paid also to the shapes given to the individual stone material monoliths and the quality of the surface treatment. This is an important indication not only of the quality of the tools used by the ancient craftsmen, but also of their skills and ability to do their job with sufficient precision.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130998670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}