R. Tomassoni, Stefania Liburdi, M. A. Lungu, Rosalba Roccolini
{"title":"THE ARTIST AS THE FORERUNNER OF SOCIO-CULTURAL VALUES","authors":"R. Tomassoni, Stefania Liburdi, M. A. Lungu, Rosalba Roccolini","doi":"10.35603/sws.iscah.2022/s08.15","DOIUrl":null,"url":null,"abstract":"Introduction This paper intends to propose a thinking about art and science as different manifestations of human culture. Objective and Method Goal of this paper, through analysis and observation, is to underline how art and science are interpenetrated so as to interface, inspire and influence each other. [1] (Arieti S., Creativita. La Sintesi Magica. Il Pensiero Scientifico, Italy, 1979) Intuition is what promotes and moves art and science. this is the basis of creativity and man, through him, supposes and glimpses reality by giving it shape. This work also intends to demonstrate how the artist is often a forerunner of sociocultural values (Fusco-Tomassoni) Topic This paper concerns mental mechanisms, which underlie the work of artists and scientists and show both an analogy between science and art, and their common origin with the elaboration of abstract thought and the sophisticated representation of the world. Conclusion In conclusion, if the scientific version of the world has significantly influenced art in general and, even more literature, the literary work of art, as Italo Calvino states, would be the map of the world and of science. In the same way art has influenced science, for example Gould, in elaborating the concept of \"contingency\" and its role in the structure of biological evolution, was inspired by the structure of the dome of the Basilica of San Marco in Venice. Moreover, art and science often capture the spirit of the times in unison and, especially the artist, can be a forerunner of socio-cultural values by sensing new realities, out of their own time, but in any case by making a synthesis between conscious and unconscious. A ciociarian artist of the twentieth century, a certain Michele Rosa, expresses the figuration of the unconscious and the irrational, he senses the historical and cultural development of peoples. through informal painting, in fact, this artist, anticipating the times, shifts attention to the negative consequences of pathogens, such as viruses, long before what would have been the current Covid-19 pandemic.","PeriodicalId":187162,"journal":{"name":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35603/sws.iscah.2022/s08.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Introduction This paper intends to propose a thinking about art and science as different manifestations of human culture. Objective and Method Goal of this paper, through analysis and observation, is to underline how art and science are interpenetrated so as to interface, inspire and influence each other. [1] (Arieti S., Creativita. La Sintesi Magica. Il Pensiero Scientifico, Italy, 1979) Intuition is what promotes and moves art and science. this is the basis of creativity and man, through him, supposes and glimpses reality by giving it shape. This work also intends to demonstrate how the artist is often a forerunner of sociocultural values (Fusco-Tomassoni) Topic This paper concerns mental mechanisms, which underlie the work of artists and scientists and show both an analogy between science and art, and their common origin with the elaboration of abstract thought and the sophisticated representation of the world. Conclusion In conclusion, if the scientific version of the world has significantly influenced art in general and, even more literature, the literary work of art, as Italo Calvino states, would be the map of the world and of science. In the same way art has influenced science, for example Gould, in elaborating the concept of "contingency" and its role in the structure of biological evolution, was inspired by the structure of the dome of the Basilica of San Marco in Venice. Moreover, art and science often capture the spirit of the times in unison and, especially the artist, can be a forerunner of socio-cultural values by sensing new realities, out of their own time, but in any case by making a synthesis between conscious and unconscious. A ciociarian artist of the twentieth century, a certain Michele Rosa, expresses the figuration of the unconscious and the irrational, he senses the historical and cultural development of peoples. through informal painting, in fact, this artist, anticipating the times, shifts attention to the negative consequences of pathogens, such as viruses, long before what would have been the current Covid-19 pandemic.