THE ARTIST AS THE FORERUNNER OF SOCIO-CULTURAL VALUES

R. Tomassoni, Stefania Liburdi, M. A. Lungu, Rosalba Roccolini
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Abstract

Introduction This paper intends to propose a thinking about art and science as different manifestations of human culture. Objective and Method Goal of this paper, through analysis and observation, is to underline how art and science are interpenetrated so as to interface, inspire and influence each other. [1] (Arieti S., Creativita. La Sintesi Magica. Il Pensiero Scientifico, Italy, 1979) Intuition is what promotes and moves art and science. this is the basis of creativity and man, through him, supposes and glimpses reality by giving it shape. This work also intends to demonstrate how the artist is often a forerunner of sociocultural values (Fusco-Tomassoni) Topic This paper concerns mental mechanisms, which underlie the work of artists and scientists and show both an analogy between science and art, and their common origin with the elaboration of abstract thought and the sophisticated representation of the world. Conclusion In conclusion, if the scientific version of the world has significantly influenced art in general and, even more literature, the literary work of art, as Italo Calvino states, would be the map of the world and of science. In the same way art has influenced science, for example Gould, in elaborating the concept of "contingency" and its role in the structure of biological evolution, was inspired by the structure of the dome of the Basilica of San Marco in Venice. Moreover, art and science often capture the spirit of the times in unison and, especially the artist, can be a forerunner of socio-cultural values by sensing new realities, out of their own time, but in any case by making a synthesis between conscious and unconscious. A ciociarian artist of the twentieth century, a certain Michele Rosa, expresses the figuration of the unconscious and the irrational, he senses the historical and cultural development of peoples. through informal painting, in fact, this artist, anticipating the times, shifts attention to the negative consequences of pathogens, such as viruses, long before what would have been the current Covid-19 pandemic.
艺术家是社会文化价值的先驱
本文旨在提出一种关于艺术与科学作为人类文化的不同表现形式的思考。本文的目的是通过分析和观察,强调艺术与科学是如何相互渗透,相互作用,相互启发,相互影响的。[1]李建平,李建平。La Sintesi magic。Il Pensiero Scientifico, Italy, 1979)直觉是促进和推动艺术和科学的东西。这是创造力的基础,而人通过他,通过塑造现实来设想和瞥见现实。这篇论文关注的是心理机制,这是艺术家和科学家工作的基础,并展示了科学和艺术之间的类比,以及它们与抽象思维的阐述和对世界的复杂表现的共同起源。总而言之,如果科学版的世界对艺术产生了重大影响,甚至对文学产生了更大的影响,那么正如Italo Calvino所说,艺术的文学作品将是世界和科学的地图。同样,艺术也影响了科学,例如,古尔德在阐述“偶然性”的概念及其在生物进化结构中的作用时,受到了威尼斯圣马可大教堂圆顶结构的启发。此外,艺术和科学往往能一致地捕捉时代精神,尤其是艺术家,可以通过感知新的现实,超越自己的时代,但在任何情况下,通过在有意识和无意识之间进行综合,成为社会文化价值的先驱。一位二十世纪的社会主义艺术家,米歇尔·罗莎,表达了无意识和非理性的形象,他感知了人们的历史和文化发展。事实上,通过非正式的绘画,这位艺术家预见到了时代,早在当前的Covid-19大流行之前,就将人们的注意力转移到了病毒等病原体的负面后果上。
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