PIANO WORKS BY COMPOSER RAUF DHOMI (ANALYSIS FOR INTERPRETATION)

Abstract

The primary purpose of the paper is to present research analysis which aims to recognize the art of Kosovan piano music through analysis for interpretation as a relatively new discipline born in the late �90s that today in the world counts numerous publications. The qualitative-descriptive methodology is used in this paper. It entails interpreting and analyzing music, with a focus on Rauf Dhomi�s Opus �70 Pieces for Piano�. Many European countries have previously experienced the splendor and enchantment of the Renaissance, but Kosovo is currently undergoing a true Renaissance following its independence in 2008. The general characteristics of the Kosovan Renaissance have been reflected in less than twenty years, with a clean impetus and energy that has built through time in the entire nation, includingall aspects of life, and thus the sphere of art, and the magical world of music. Despite the challenges that the Kosovan artist has faced in the past, he still has the ability to overlook themin favor of the beautiful and magical. That is why the Renaissance�s magic lives on now, granting many artists in the arts, such as instrumentalists, vocalists, and composers, a well- deserved place in Europe�s and the world�s most prominent stages.