TRAJECTORY OF GREEN BY ANDRZEJ KARALOW AND JERZY PRZEZDZIECKI: TOWARDS THE LANDSCAPE MUSIC

Katarzyna Szymanska-Stulka
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Abstract

Andrzej Karalow (b. 1991) is a pianist, composer and improviser. In his approach to music, an avid interest of the young generation, he breaks free from the traditional form and instrumentation, striving for creative freedom and artistic exploration. The composer combines a variety of trends that are fundamental for several genres of music and determine a contemporary world of sounds. Performing as a pianist and guitar player, Karalow creates artistic projects with Jerzy Przezdziecki, a recognised Polish experimental electronic artist. Trajectory of Green, the subject of this analysis, originates from the album Pedestal�s Complement (2020). In this production, Karalow and Przezdziecki present environmental or landscape music that reflects the patterns of the surrounding world. Their works are mostly improvised and are a perfect example of the use of space as a vital element of the composition. Inspirations with the landscape and its components appearing in our perception determine the general vision of the work as well as its details. The composer draws patterns from the space around him and creatively transforms them into a new artistic construct. This prompts the following question: To what extent does the increasingly popular concept of environmental music apply to the work in question? The article offers an analysis of the compositional devices along with the language of expression/artistic style, both at the level of the work�s microform and macroform, while also considering the influence of ambient music on this type of composition. Given the evident landscape component in the idea, form and structure of the work, Trajectory of Green is analysed as an example of landscape music.
安德烈·卡拉洛和耶日·普热兹耶茨基的《绿色轨迹》:走向景观音乐
安德烈·卡拉洛(生于1991年)是一位钢琴家、作曲家和即兴演奏家。在他的音乐方法中,他打破了传统的形式和乐器,追求创作自由和艺术探索,这是年轻一代的狂热兴趣。作曲家结合了多种音乐流派的基本趋势,并决定了当代世界的声音。作为钢琴家和吉他手,Karalow与知名的波兰实验电子艺术家Jerzy Przezdziecki合作创作艺术项目。本次分析的主题《绿色轨迹》源自专辑《基座的补充》(2020)。在这部作品中,Karalow和Przezdziecki呈现了反映周围世界模式的环境或景观音乐。他们的作品大多是即兴创作的,是利用空间作为构图重要元素的完美例子。在我们的感知中出现的景观及其组成部分的灵感决定了作品的总体愿景以及细节。作曲家从他周围的空间中汲取模式,并创造性地将其转化为新的艺术结构。这引发了以下问题:日益流行的环境音乐概念在多大程度上适用于所讨论的作品?本文从作品的微缩和宏观两方面分析了作品的创作手法和表现语言/艺术风格,同时也考虑了环境音乐对这类作品的影响。鉴于作品的思想、形式和结构中明显的景观成分,本文以景观音乐为例对《绿色轨迹》进行了分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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