发布求助
文献互助 智能选刊 最新文献

Museum History Journal最新文献

筛选
英文 中文
National museums, political systems, and cultural policies in Spain: The Museum of the Spanish People during the Second Republic, the dictatorship, and the parliamentary monarchy 国家博物馆，政治制度，和文化政策在西班牙:第二共和国期间的西班牙人民博物馆，独裁统治，和议会君主制
IF 0.2
Museum History Journal Pub Date : 2021-11-05 DOI: 10.1080/19369816.2021.1986294
Iñaki Arrieta-Urtizberea, J. Seguí, Xavier Roigé
{"title":"National museums, political systems, and cultural policies in Spain: The Museum of the Spanish People during the Second Republic, the dictatorship, and the parliamentary monarchy","authors":"Iñaki Arrieta-Urtizberea, J. Seguí, Xavier Roigé","doi":"10.1080/19369816.2021.1986294","DOIUrl":"https://doi.org/10.1080/19369816.2021.1986294","url":null,"abstract":"Since the 1930s Spain has lived through a succession of different political systems: the Republic which lasted until 1939, the dictatorship which emerged after the Civil War and, since 1975, a parliamentary monarchy which has persisted through alternating socialist and conservative governments. The Museum of the Spanish People (Museo del Pueblo Español), a national museum first created by the left-leaning government during the Second Republic and originally devoted to folkloric studies, survived different political systems and generated numerous policies mirroring the political culture of each period. This article looks critically at the institutional history of the Museum of the Spanish People under changing social and political conditions. In this paper, our objective is to examine specific cultural policies adopted by the museum that evolved as a response to the larger national environment during its lifetime.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48236561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fuegian diaspora: The itinerary and agents involved in the construction of Fuegian ethnographic collections carried out by Martin Gusinde through South America and Europe, 1918–1924 散居在外的富根人：马丁·古辛德于1918年至1924年在南美洲和欧洲进行的富根人种学藏品建设的行程和代理人
IF 0.2
Museum History Journal Pub Date : 2021-07-03 DOI: 10.1080/19369816.2021.2000701
Annalisa Buttò, D. Fiore
{"title":"Fuegian diaspora: The itinerary and agents involved in the construction of Fuegian ethnographic collections carried out by Martin Gusinde through South America and Europe, 1918–1924","authors":"Annalisa Buttò, D. Fiore","doi":"10.1080/19369816.2021.2000701","DOIUrl":"https://doi.org/10.1080/19369816.2021.2000701","url":null,"abstract":"ABSTRACT In this paper, we examine the itinerary of the objects and the agencies involved in the construction of the collections of ethnographic artefacts gathered by German ethnographer and priest Martin Gusinde during his fieldtrips to Tierra del Fuego (Argentina and Chile), carried out between 1918 and 1924. In order to study the formation processes of these collections, we will trace the agencies of the Selk´nam, Yagan and Kawésqar Indigenous people in the making, selling, trading or withholding of their material culture, showing the differential impact these had on the collections. We retrace the dispersal of these Fuegian collections into five museums located in Chile, Austria and the Vatican, presenting a reservoir unknown until now. Our exploration of the complex networks of social and material interactions involved in the dynamic biography of these Fuegian ethnographic collections sheds light on the active role of the Indigenous people in their construction.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45461515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Art and Curiosity Cabinets of the Late Renaissance: A Contribution to the History of Collecting 文艺复兴晚期的艺术与好奇橱柜：对收藏史的贡献
IF 0.2
Museum History Journal Pub Date : 2021-07-03 DOI: 10.1080/19369816.2021.1969794
J. Abt
{"title":"Art and Curiosity Cabinets of the Late Renaissance: A Contribution to the History of Collecting","authors":"J. Abt","doi":"10.1080/19369816.2021.1969794","DOIUrl":"https://doi.org/10.1080/19369816.2021.1969794","url":null,"abstract":"","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49018935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Function or folly? Philip Johnson’s pavilion for pre-Columbian art in Washington DC 功能还是愚蠢?菲利普·约翰逊在华盛顿特区为前哥伦布时期的艺术设计的展馆
IF 0.2
Museum History Journal Pub Date : 2021-02-08 DOI: 10.1080/19369816.2021.1877030
Stephanie Travis
{"title":"Function or folly? Philip Johnson’s pavilion for pre-Columbian art in Washington DC","authors":"Stephanie Travis","doi":"10.1080/19369816.2021.1877030","DOIUrl":"https://doi.org/10.1080/19369816.2021.1877030","url":null,"abstract":"ABSTRACT Nestled within the gardens of Dumbarton Oaks in Washington DC is a modern pavilion for viewing art, designed by Philip Johnson in 1963. Johnson utilised a circular module organised into a three-by-three grid, with an open courtyard in the centre. Each module is encased by glass walls, as Johnson wanted to merge nature and architecture. The building is outfitted in a minimal palette of luxurious materials, with an aesthetic that pulls stylistically from Johnson’s travels. With no programmatic or budgetary constraints, Johnson was able to design conceptually, similar to his own projects where he designed small structures with little purpose, termed follies. Critically acclaimed yet lesser-known, the pavilion has not been analysed as a museum. As such, this article asks the question, is this structure merely a folly or does it function as a space to exhibit and view the pre-Columbian objects in the collection?","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2021.1877030","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43182961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Collecting the new: Major museum collections of twentieth-century Chinese painting in London and Oxford 收藏新:伦敦和牛津主要博物馆收藏的20世纪中国绘画
IF 0.2
Museum History Journal Pub Date : 2020-07-02 DOI: 10.1080/19369816.2020.1786642
M. Huang
{"title":"Collecting the new: Major museum collections of twentieth-century Chinese painting in London and Oxford","authors":"M. Huang","doi":"10.1080/19369816.2020.1786642","DOIUrl":"https://doi.org/10.1080/19369816.2020.1786642","url":null,"abstract":"ABSTRACT In the first half of the twentieth century, members of the public in Britain were familiar with traditional Chinese painting, but not work produced by living artists from Republican China. Public museums did not become enthusiastic about acquiring twentieth-century Chinese pictorial art until the 1960s. Substantial gifts of modern Chinese painting and calligraphy presented by private collectors to the British Museum and the Ashmolean Museum of Art and Archaeology in the 1990s have contributed to the proliferation of associated exhibitions, illustrated catalogues and scholarly activities. This paper explores the visions and strategies of British museums in forming their collections of modern Chinese painting in the second half of the twentieth century. It focuses on the institutional histories, acquisition policies and the collections of Chinese pictorial art in the British Museum and the Ashmolean Museum of Art and Archaeology in order to examine the impetus for initiating new collecting strategies in the last quarter of the twentieth century. It also investigates the contribution of individual curators in enhancing the British understanding of modern Chinese painting through acquisitions, exhibitions and publications from the 1960s to the 1990s, which laid a strong foundation for developing vigorous programmes of contemporary collecting and display.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2020.1786642","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44508493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The revival of Byzantium through early twentieth century domestic collections in Greece: Tradition, modernity and gender 通过二十世纪早期希腊国内收藏的拜占庭复兴:传统，现代和性别
IF 0.2
Museum History Journal Pub Date : 2020-07-02 DOI: 10.1080/19369816.2020.1787634
A. Bounia
{"title":"The revival of Byzantium through early twentieth century domestic collections in Greece: Tradition, modernity and gender","authors":"A. Bounia","doi":"10.1080/19369816.2020.1787634","DOIUrl":"https://doi.org/10.1080/19369816.2020.1787634","url":null,"abstract":"ABSTRACT Between the two world wars, affluent and intellectual men and women in Greece assembled and displayed in their private homes in Athens collections of Byzantine and pseudo-Byzantine objects in order to recreate personal renderings of the ‘Byzantine world’. Some of these collections, like the one by Dionysios Loverdos, ultimately transformed into house museums; others, like the collection owned by Eleni Stathatos, were donated to institutions where they are exhibited to this day; finally, a few, like the one by Eleni Kanellopoulou-Zouzoula, were dispersed and disappeared once their owners passed away. In this paper, I discuss these collections and their development against the backdrop of the Byzantine revival in Greece and the support and promotion of Byzantium and its art by the Arts and Crafts movement in Britain. I focus on these collections as interior decoration; the appreciation and understanding these collections enjoyed, which varied according to the gender of the collector; and the changes in meaning as these collections went from the domestic to the institutional.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2020.1787634","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46780038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Regimes of value in museum practices: A networked biography of the MacGregor field collection from British New Guinea 博物馆实践中的价值制度:英属新几内亚麦格雷戈田野收藏的网络传记
IF 0.2
Museum History Journal Pub Date : 2020-07-02 DOI: 10.1080/19369816.2020.1807122
R. Torrence, Elizabeth Bonshek, A. Clarke, Susan M. Davies, Jude Philp, M. Quinnell
{"title":"Regimes of value in museum practices: A networked biography of the MacGregor field collection from British New Guinea","authors":"R. Torrence, Elizabeth Bonshek, A. Clarke, Susan M. Davies, Jude Philp, M. Quinnell","doi":"10.1080/19369816.2020.1807122","DOIUrl":"https://doi.org/10.1080/19369816.2020.1807122","url":null,"abstract":"ABSTRACT Between 1888 and 1898 Sir William MacGregor, first Administrator of British New Guinea, orchestrated the collection of over 15,000 cultural objects. Using Appadurai's notion of ‘things-in-motion’, we trace the networked biography of the MacGregor collection through ‘regimes of value’ as it moved from the territory to museums in Australia and Britain and then repatriated to Papua New Guinea. We show how collection management practices in these institutions were shaped by attitudes about anthropology as an emerging discipline, British New Guinea, and Sir William himself. The social history of the MacGregor collections highlights the multifaceted roles that ethnographic collections have played in sustaining cultural values, strengthening personal ties, re-enforcing self-identity and supporting nation building.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2020.1807122","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41435554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Art museums of Latin America: structuring representation 拉丁美洲的艺术博物馆:结构表现
IF 0.2
Museum History Journal Pub Date : 2020-07-02 DOI: 10.1080/19369816.2020.1805262
J. Lorente
{"title":"Art museums of Latin America: structuring representation","authors":"J. Lorente","doi":"10.1080/19369816.2020.1805262","DOIUrl":"https://doi.org/10.1080/19369816.2020.1805262","url":null,"abstract":"","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2020.1805262","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47016310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Formafantasma: Cambio Formafantasma:汇率
IF 0.2
Museum History Journal Pub Date : 2020-07-02 DOI: 10.1080/19369816.2020.1802900
Kate Scardifield
{"title":"Formafantasma: Cambio","authors":"Kate Scardifield","doi":"10.1080/19369816.2020.1802900","DOIUrl":"https://doi.org/10.1080/19369816.2020.1802900","url":null,"abstract":"The warmest and wettest regions tend to host the highest structural complexity and biological diversity. The Amazonian forests in South America are home to 16,000 described and undescribed tree species alone and to communities that speak over 300 different languages. Moving towards the poles, biodiversity decreases in line with the average temperature, while the ratio of land covered by forests increases: the boreal forest that covers 33% of the total forested area is thus the largest biome on the planet.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2020.1802900","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44592595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The creation of the major medieval textile museum in Spain: A history of the discovery, study and initial exhibition of the collection (1942−1949) 西班牙主要中世纪纺织博物馆的创建：藏品的发现、研究和初步展览历史（1942−1949）
IF 0.2
Museum History Journal Pub Date : 2020-07-02 DOI: 10.1080/19369816.2020.1796337
M. Barrigón
{"title":"The creation of the major medieval textile museum in Spain: A history of the discovery, study and initial exhibition of the collection (1942−1949)","authors":"M. Barrigón","doi":"10.1080/19369816.2020.1796337","DOIUrl":"https://doi.org/10.1080/19369816.2020.1796337","url":null,"abstract":"ABSTRACT This article traces the history of the collection of medieval textiles from the abbey church of Las Huelgas in Burgos (Spain), including its discovery, study and initial display. The collection consists of more than 200 medieval textile grave goods from members of the royal family of Castile recovered between 1942 and 1944. After a detailed account of its discovery and the conditioning factors surrounding the occasions when the tombs were opened for scientific purposes, it goes on to describe how the collection was studied by the famous historian Gómez-Moreno. It also examines the establishment of the museum of medieval textiles that opened in the abbey in 1949, providing information about its unpublished project dating from 1944. The repercussions of the discovery of this collection and the creation of the museum were both national, leading to the opening of further tombs, and international, to studies on textiles.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2020.1796337","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43761646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信