收藏新:伦敦和牛津主要博物馆收藏的20世纪中国绘画

IF 0.1 Q3 HISTORY
M. Huang
{"title":"收藏新:伦敦和牛津主要博物馆收藏的20世纪中国绘画","authors":"M. Huang","doi":"10.1080/19369816.2020.1786642","DOIUrl":null,"url":null,"abstract":"ABSTRACT In the first half of the twentieth century, members of the public in Britain were familiar with traditional Chinese painting, but not work produced by living artists from Republican China. Public museums did not become enthusiastic about acquiring twentieth-century Chinese pictorial art until the 1960s. Substantial gifts of modern Chinese painting and calligraphy presented by private collectors to the British Museum and the Ashmolean Museum of Art and Archaeology in the 1990s have contributed to the proliferation of associated exhibitions, illustrated catalogues and scholarly activities. This paper explores the visions and strategies of British museums in forming their collections of modern Chinese painting in the second half of the twentieth century. It focuses on the institutional histories, acquisition policies and the collections of Chinese pictorial art in the British Museum and the Ashmolean Museum of Art and Archaeology in order to examine the impetus for initiating new collecting strategies in the last quarter of the twentieth century. It also investigates the contribution of individual curators in enhancing the British understanding of modern Chinese painting through acquisitions, exhibitions and publications from the 1960s to the 1990s, which laid a strong foundation for developing vigorous programmes of contemporary collecting and display.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19369816.2020.1786642","citationCount":"2","resultStr":"{\"title\":\"Collecting the new: Major museum collections of twentieth-century Chinese painting in London and Oxford\",\"authors\":\"M. Huang\",\"doi\":\"10.1080/19369816.2020.1786642\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In the first half of the twentieth century, members of the public in Britain were familiar with traditional Chinese painting, but not work produced by living artists from Republican China. Public museums did not become enthusiastic about acquiring twentieth-century Chinese pictorial art until the 1960s. Substantial gifts of modern Chinese painting and calligraphy presented by private collectors to the British Museum and the Ashmolean Museum of Art and Archaeology in the 1990s have contributed to the proliferation of associated exhibitions, illustrated catalogues and scholarly activities. This paper explores the visions and strategies of British museums in forming their collections of modern Chinese painting in the second half of the twentieth century. It focuses on the institutional histories, acquisition policies and the collections of Chinese pictorial art in the British Museum and the Ashmolean Museum of Art and Archaeology in order to examine the impetus for initiating new collecting strategies in the last quarter of the twentieth century. It also investigates the contribution of individual curators in enhancing the British understanding of modern Chinese painting through acquisitions, exhibitions and publications from the 1960s to the 1990s, which laid a strong foundation for developing vigorous programmes of contemporary collecting and display.\",\"PeriodicalId\":52057,\"journal\":{\"name\":\"Museum History Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/19369816.2020.1786642\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum History Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/19369816.2020.1786642\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum History Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19369816.2020.1786642","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 2

摘要

在二十世纪上半叶,英国公众对中国传统绘画很熟悉,但对民国在世艺术家的作品并不熟悉。直到20世纪60年代,公共博物馆才开始热衷于收藏20世纪的中国绘画艺术。20世纪90年代,私人收藏家向大英博物馆和阿什莫尔艺术与考古博物馆赠送了大量中国现代书画,这促进了相关展览、插图目录和学术活动的激增。本文探讨了英国博物馆在20世纪下半叶形成现代中国绘画收藏的愿景和策略。它侧重于机构的历史,收购政策和中国绘画艺术在大英博物馆和阿什莫尔艺术与考古博物馆的收藏,以研究在20世纪的最后25年发起新的收集策略的动力。它还探讨了个人策展人在20世纪60年代至90年代通过收购、展览和出版提高英国人对现代中国绘画的理解方面的贡献,这些贡献为发展蓬勃发展的当代收藏和展示计划奠定了坚实的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Collecting the new: Major museum collections of twentieth-century Chinese painting in London and Oxford
ABSTRACT In the first half of the twentieth century, members of the public in Britain were familiar with traditional Chinese painting, but not work produced by living artists from Republican China. Public museums did not become enthusiastic about acquiring twentieth-century Chinese pictorial art until the 1960s. Substantial gifts of modern Chinese painting and calligraphy presented by private collectors to the British Museum and the Ashmolean Museum of Art and Archaeology in the 1990s have contributed to the proliferation of associated exhibitions, illustrated catalogues and scholarly activities. This paper explores the visions and strategies of British museums in forming their collections of modern Chinese painting in the second half of the twentieth century. It focuses on the institutional histories, acquisition policies and the collections of Chinese pictorial art in the British Museum and the Ashmolean Museum of Art and Archaeology in order to examine the impetus for initiating new collecting strategies in the last quarter of the twentieth century. It also investigates the contribution of individual curators in enhancing the British understanding of modern Chinese painting through acquisitions, exhibitions and publications from the 1960s to the 1990s, which laid a strong foundation for developing vigorous programmes of contemporary collecting and display.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.50
自引率
0.00%
发文量
8
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信