Museum History Journal最新文献

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The toxic museum: Berlin and beyond 有毒的博物馆:柏林及其他
IF 0.2
Museum History Journal Pub Date : 2024-07-01 DOI: 10.1080/19369816.2024.2361605
John E. Simmons
{"title":"The toxic museum: Berlin and beyond","authors":"John E. Simmons","doi":"10.1080/19369816.2024.2361605","DOIUrl":"https://doi.org/10.1080/19369816.2024.2361605","url":null,"abstract":"Published in Museum History Journal (Ahead of Print, 2024)","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141613647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Money matters: ‘following the money’ to reconstruct Walter Rothschild’s ‘zoological enterprise’ and the history of the Zoological Museum Tring, 1889–1900 钱的问题:"跟着钱走",重建沃尔特-罗斯柴尔德的 "动物学企业 "和特林动物博物馆的历史,1889-1900 年
IF 0.2
Museum History Journal Pub Date : 2024-04-08 DOI: 10.1080/19369816.2024.2330923
Eleanor Larsson
{"title":"Money matters: ‘following the money’ to reconstruct Walter Rothschild’s ‘zoological enterprise’ and the history of the Zoological Museum Tring, 1889–1900","authors":"Eleanor Larsson","doi":"10.1080/19369816.2024.2330923","DOIUrl":"https://doi.org/10.1080/19369816.2024.2330923","url":null,"abstract":"Late-Victorian banker and private collector Lionel Walter Rothschild (1868–1937) dedicated his life to the study of zoology. He collected and studied huge quantities of zoological material, created...","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140573936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Harmful arrangements: Ethnography at the National Institute and racial violence in Washington, D.C., 1842–1864 有害的安排:国家研究所的人种学与华盛顿特区的种族暴力,1842-1864 年
IF 0.2
Museum History Journal Pub Date : 2024-03-18 DOI: 10.1080/19369816.2024.2317800
Rachel Hooper
{"title":"Harmful arrangements: Ethnography at the National Institute and racial violence in Washington, D.C., 1842–1864","authors":"Rachel Hooper","doi":"10.1080/19369816.2024.2317800","DOIUrl":"https://doi.org/10.1080/19369816.2024.2317800","url":null,"abstract":"In 1842, the National Institute for the Promotion of Science installed an eclectic collection of natural science and cultural treasures in the United States Patent Office, a fire-proof building in ...","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140204653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The museum of the Roman-Christian necropolis of Tarragona in context 塔拉戈纳罗马-基督教墓地博物馆背景介绍
IF 0.2
Museum History Journal Pub Date : 2024-03-05 DOI: 10.1080/19369816.2024.2321383
Chiara Cecalupo
{"title":"The museum of the Roman-Christian necropolis of Tarragona in context","authors":"Chiara Cecalupo","doi":"10.1080/19369816.2024.2321383","DOIUrl":"https://doi.org/10.1080/19369816.2024.2321383","url":null,"abstract":"This text offers for the first time a critical and comprehensive study of the Necropolis Museum of Tarragona, which was inaugurated in 1930 by the renowned archaeologist Serra i Vilaró. It starts w...","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140047981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Civic art galleries and interwar exhibition cultures in Britain 英国的民间美术馆和战时展览文化
IF 0.2
Museum History Journal Pub Date : 2024-02-07 DOI: 10.1080/19369816.2023.2298504
Sophie Hatchwell
{"title":"Civic art galleries and interwar exhibition cultures in Britain","authors":"Sophie Hatchwell","doi":"10.1080/19369816.2023.2298504","DOIUrl":"https://doi.org/10.1080/19369816.2023.2298504","url":null,"abstract":"Exploring the interwar exhibition histories of four civic art galleries in the East Midlands, this article demonstrates how such institutions in Britain became active agents in the production of in...","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139771089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Relics and rapprochement: The intricacies of cultural diplomacy in China’s first archaeological exhibition in the U.S. during the Cold War era 文物与和解:冷战时期中国首次赴美考古展览中错综复杂的文化外交活动
IF 0.2
Museum History Journal Pub Date : 2023-12-20 DOI: 10.1080/19369816.2023.2283630
Shing-Kwan Chan
{"title":"Relics and rapprochement: The intricacies of cultural diplomacy in China’s first archaeological exhibition in the U.S. during the Cold War era","authors":"Shing-Kwan Chan","doi":"10.1080/19369816.2023.2283630","DOIUrl":"https://doi.org/10.1080/19369816.2023.2283630","url":null,"abstract":"","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138958845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Networking a national collection: Freer’s diaries, objects, and photographs 建立国家收藏网络:弗里尔的日记、物品和照片
IF 0.2
Museum History Journal Pub Date : 2023-07-03 DOI: 10.1080/19369816.2023.2241886
Nancy Micklewright, Sana Mirza, Zeynep Simavi, Jeffrey Smith
{"title":"Networking a national collection: Freer’s diaries, objects, and photographs","authors":"Nancy Micklewright, Sana Mirza, Zeynep Simavi, Jeffrey Smith","doi":"10.1080/19369816.2023.2241886","DOIUrl":"https://doi.org/10.1080/19369816.2023.2241886","url":null,"abstract":"ABSTRACT This article presents a network analysis of the actors and places associated with Charles Lang Freer’s collecting of Egyptian, ancient Near Eastern and Islamic art between 1907 and 1909, and highlights key developments in the formation of the Smithsonian’s Freer Gallery of Art. The authors lay out their research process and findings with two primary goals: to reveal previously unexplored aspects of Freer’s collecting practices, and to demonstrate the value of network analysis for highlighting the personal relationships which often underlie museum collections.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46976860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The biography of the Lateran squeezes: The curation of archaeological knowledge through hands-on replication 拉特兰的传记挤压:通过动手复制考古知识的策展
IF 0.2
Museum History Journal Pub Date : 2023-05-03 DOI: 10.1080/19369816.2023.2187947
Annelies Van de Ven
{"title":"The biography of the Lateran squeezes: The curation of archaeological knowledge through hands-on replication","authors":"Annelies Van de Ven","doi":"10.1080/19369816.2023.2187947","DOIUrl":"https://doi.org/10.1080/19369816.2023.2187947","url":null,"abstract":"ABSTRACT Replicas have the ability to communicate artistic, cultural and intellectual values outside their original context. They do this by physically establishing a canon for ordering and interpreting history. Epigraphical squeezes, as fragmentary impressions of sculpted or incised surfaces, are one example of such replicas, occupying a transitory space between source and copy. However, they are rarely studied within this framework, instead seen primarily as an aide for publication. To better understand how squeezes are implicated in our own processes of knowledge formation, this paper focuses on a single case study, the collection of early Christian squeezes held at Musée L. In mapping the biography of this collection, tracing its connection to the emergence of archaeology as a science based on interaction with material remains at the turn of the twentieth century, this case study will provide a rich model for how squeezes can act as sources for historiographical inquiry.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46182505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nationalising heritage: A case study of the acquisition of artefacts for the national museum of India 遗产国有化:印度国家博物馆文物收购案例研究
IF 0.2
Museum History Journal Pub Date : 2023-04-25 DOI: 10.1080/19369816.2023.2200087
Rose Sebastian
{"title":"Nationalising heritage: A case study of the acquisition of artefacts for the national museum of India","authors":"Rose Sebastian","doi":"10.1080/19369816.2023.2200087","DOIUrl":"https://doi.org/10.1080/19369816.2023.2200087","url":null,"abstract":"ABSTRACT The idea of ‘national heritage’ is inseparable from the emergence of the nation-state, democracy, and citizenship. Nationalisation of heritage involved the nation stepping in on behalf of the cultural rights of citizens, and acquiring the ownership of material history from its previous domains of ownership such as monarchy, religion, and colonialism. This paper studies the process of the acquisition of objects for the National Museum of India, New Delhi in the decade that followed India's independence in 1947, in order to trace the varied ways in which a nascent nation-state worked out its equations with pre-existing centres of power. Relying mainly on the archive of the official documents pertaining to the process, this paper tries to understand how the then Government of India negotiated with the erstwhile princely rulers, provincial sentiments, and the British for the ownership of material history. The paper proposes that the project of the National Museum in India was, by extension, a project of nationhood.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41569718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
African museums and their participation in the debates on the ICOM new museum definition 非洲博物馆及其参与关于ICOM新博物馆定义的辩论
IF 0.2
Museum History Journal Pub Date : 2023-04-18 DOI: 10.1080/19369816.2023.2188061
Kristina Bekenova
{"title":"African museums and their participation in the debates on the ICOM new museum definition","authors":"Kristina Bekenova","doi":"10.1080/19369816.2023.2188061","DOIUrl":"https://doi.org/10.1080/19369816.2023.2188061","url":null,"abstract":"ABSTRACT From 2017 to 2022, ICOM worked on changing the 2007 definition of a museum to make it accord the challenges and responsibilities of the twenty-first century. To make the process transparent and participatory, ICOM invited all interested stakeholders to submit their vision of a museum. By April 2019, out of 269 new museum definitions proposed, Africa, with only 17 definitions, remained the least active region in the discussion of the reinterpretation and reconceptualisation of a museum. Additional consultations initiated in 2020 after the postponed vote in Kyoto got over a 60% rate of responses from the continent. To understand African participation and contribution properly, the article analyses how a museum as an institution has come into historical being, how it has been legitimised over time, and whether or not the newly approved definition in Prague, 2022, is truly transformative and representative for Africa.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48910433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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